João Paulo Cuenca

João Paulo Cuenca (born 1978 in Rio de Janeiro) is a Brazilian writer, considered to be among the new generation of promising Brazilian authors. In 2012, the English literary magazine Granta named him as one of the 20 best Brazilian writers under 40. In 2007, he was selected by the Hay Festival as one of the most talented 39 Latin American writers under 39. His striking eloquence creates scenarios which change effortlessly between common surroundings and surreal incidents.

João Paulo Cuenca
Cuenca in 2012
Born1978
Rio de Janeiro, Rio de Janeiro, Brazil
LanguagePortuguese
Alma materUFRJ

Career

João Paulo Cuenca was born in Rio de Janeiro, Brazil, in 1978. He is the author of “Body present” (2003), “The Mastroianni Day” (2007), “The only happy ending for a love story is an accident” (2010) and “The day I found out I was dead” (2015). His novels have been translated into eight languages and had its rights sold to eleven countries so far. He is a weekly columnist for major Brazilian newspapers and magazines since 2003 and now writes for Folha de São Paulo, the biggest national newspaper. An anthology of his articles, “The last dawn”, was published in 2012.

In 2007, he was selected by the Hay Festival and by the organisers of the Bogotá World Book Capital as one of the 39 highest profile Latin American writers under the age of 39. He has also been selected for the very first ever issue Best of Young Brazilian Novelists of the literary magazine Granta in 2012. In recent years, he's been writing plays, film and television scripts. "The Death of J.P. Cuenca" (2015), which took part at the first Venice Biennale College Production Lab, is his first feature film as a writer/director and was premiered at Rio and São Paulo International Film Festivals and had its European premiere at main competition selection of the prestigious CPH:DOX in Denmark.

He participated in lectures as a guest writer in PUC-Rio (2004), UFRJ (2004), Sorbonne Nouvelle - Paris III (2006), Columbia University (2011), Princeton University (2011, 2014), Heidelberg University (2012), Salzburg University (2012), Yale University (2014), Brown University (2013, 2014), UCLA (2014), Stanford (2014), University of Illinois (2014), among many others. He was invited to festivals such as Hay Festival Cartagena de Indias (Colombia, 2008, 2013), Berlin International Literature Festival (2012, 2013), Frankfurt Book Fair (2012, 2013), Xalapa Hay Festival in Mexico (2012), Guadalajara Book Fair (2012), London Brazilian Festival (2010), Americas Society Symposium on Brazilian Literature (New York, 2011), Festival Vivamerica (Madrid, 2011), Correntes d'Escritas (Portugal, 2008, 2009, 2011) etc. He was the chief curator of the Bahia Book Fair in 2013 and of the Belo Horizonte Book Fair in 2014. He Won a Civitella Ranieri Writing Fellowship in 2013 and was a Writer-in-Residence at the Programa Avançado de Cultura Contemporânea of UFRJ (PACC) in 2014.

Besides writing books, Cuenca worked as a journalist and columnist for various major Brazilian newspapers and magazines, among them »O Globo«. An anthology of his chronicles and columns appeared only recently in the volume »A última madrugada« (2012; tr: The last dawn). João Paulo Cuenca’s texts have already appeared in anthologies inside and outside of Brazil.

Novels

  • Corpo presente, Planeta, 2002
  • O dia Mastroianni, Agir, 2007
  • O único final feliz para uma história de amor é um acidente, Companhia das Letras, 2010
  • Descobri que estava morto, Caminho, 2015

Chronicles

  • A Última Madrugada, LeYa, 2012

Anthologies

  • Parati para mim, Rio de Janeiro: Agir, 2003
  • Prosas Cariocas, Rio de Janeiro: Casa da Palavra, 2004
  • Contos sobre tela, Rio de Janeiro: Pinakotheke, 2005
  • Paralelos, Rio de Janeiro: Agir, 2005
  • Bogotá 39, Antologia de cuento latinoamericano, Bogotá:Ediciones B, 2007
  • Cenas da Favela Geração Editorial, 2007
  • B39 — Antologia de cuento latinoamericano Ediciones B, Uruguai 2007
  • Bogotá 39, Antologia de cuento latinoamericano, Bogotá:Ediciones B, 2007
  • Cem melhores crônicas brasileiras Editora Objetiva, 2007
  • Missives – Nouvelles brésilliennes contemporaines Société Littéraire, França, 2008
  • 10 cariocas, Rosario: Ferreyra Editor, 2009
  • Libardade até agora Mobile Editorial, 2011
  • Granta 9, Alfaguara, 2012.

Translated publications

  • Una giornata Mastroianni Cavalo di Fierro, Italy, 2008
  • O Dia Mastroianni Caminho Editorial, Portugal, 2009
  • Mastroianni. Ein Tag A-1, Germany, 2013
  • O único final feliz para uma história de amor é um acidente, Caminho Editorial, Portugal, 2011
  • El único final feliz para una história de amor es un accidente, (trad. Martín Caamaño), Editorial Lengua de Trapo, Spain, 2012
  • Das einzig glückliche Ende einer Liebesgeschichte ist ein Unfall, (trad. Michael Kegler), A1 Verlag, Germany 2012
  • The only happy ending for a love story is an accident, (trad. Elizabeth Lowe), Tagus Press, US, 20123
  • La seule fin heureuse pour une histoire d’amour, c’est un accident, (trad. Dominique Nédellec), Cambourakis, France, 20123
  • Ainoa onnellinen loppu rakkaustarinalle on onnettomuus, (trad. Pirkka Valkama), Ivan Rotta & Co, Finland, 2014
  • Singurul final fericit pentru o poveste de dragoste e un accident, (trad. Iolanda Vasile), Polirom, Romania, 2015
  • Cuerpo Presente, (trad. Martín Caamaño), Dakota, Argentina, set to be published 2016
  • Ho scoperto di essere morto, (trad. Eloisa del Giudice), Miraggi Edizioni, Torino, 2016

Film

  • The Death of J.P. Cuenca, Duas Mariola, 2015

TV

  • Afinal, o que querem as mulheres? (com Cecilia Giannetti e Michel Melamed) Rede Globo, 2011
  • "Estúdio i", na Globo News, como comentarista de literatura.
  • "Nada tenho de meu", no Canal Brasil, November and December 2012.
gollark: Defensive programming for non-evil components.
gollark: Not evil, I *said*. I was very clear. This is NOT installing rootkits or any other malware on your computer.
gollark: As I said, it is NOT obfuscation for evil bits.
gollark: Or possibly not obfuscation for its not evil bits.
gollark: * not installing
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.