Jintian (journal)

Jintian (Chinese: 今天; lit.: 'Today') is the title of a Chinese literary journal. Founded in 1978, it was the first non-official literary journal in the People's Republic of China since the 1950s. It ran for nine issues until it was censored in 1980.[1] It was revived in 1990.[2]

About

Jintian was created in 1978 by Mang Ke, Bei Dao and others, and was first distributed on and around Democracy Wall in Beijing. It was instrumental in bringing the Misty Poets into the open, publishing work by Bei Dao, Duo Duo, Shu Ting, Yang Lian and others.[3] It ran for nine issues and published four books (poetry by Mang Ke, Bei Dao, and Jiang He, and a novella by Ai Shan [pen-name of Bei Dao]). It also ran two poetry readings (on 8 April and 21 October 1979), and two exhibitions of The Stars, the first non-official painters.[4]

In 1990 Jintian was revived overseas, with Bei Dao as editor, and initially published from Stockholm. It is now an online journal, featuring writing in Chinese.[5]

Translations into English

Some of the poems, short stories and essays first published in Jintian have been translated into English, notably in the series Chinese Writing Today, the first two volumes published by the Wellsweep Press, in the UK, and the third volume published by the Zephyr Press in the USA. The Jintian Series of Contemporary Literature is published by Zephyr Press, in the USA.[6]

Chinese Writing Today

  • Under Sky Under Ground. Chinese Writing Today 1, ed. by Henry Y.H. Zhao and John Cayley, Wellsweep Press, London, 1994 (with foreword by Jonathan D. Spence) - this contains fiction by Haizi, Janet Tan, Henry Y.H. Zhao, Nan Fang, Ai Yan, Jane Ying Zha, Duo Duo and Du Ma; poetry by Bei Dao, Duo Duo, Yang Lian, Gu Cheng, Zhang Zhen, Meng Lang, Zhang Zao, Bai Hua, Daxian, Li Li, Dean Lü, Hong Ying, Daozi, and Zi An; memoirs of underground literature by Zhang Langlang, A Cheng, Li Tuo, and Zhong Ming; belles lettres by Song Lin, Yan Li, Zhang Chengzhi, and Gu Xiaoyang; and criticism by Henry Y.H. Zhao and You Yi.
  • Abandoned Wine, Chinese Writing Today 2, ed. by Henry Y.H. Zhao and John Cayley, Wellsweep Press, London, 1996 (with foreword by Gary Snyder).
  • Fissures. Chinese Writing Today 3, ed. by Yiheng Zhao (Henry Y.H. Zhao), Yanbing Chen and John Rosenwald, Zephyr Press, 2000.

The Jintian Series of Contemporary Literature (published by Zephyr Press)

  • Double Shadows. Selected Poetry of Ouyang Jianghe, tr. Austin Woerner
  • A Phone Call From Dalian. Selected Poetry of Han Dong, ed. by Nicky Harman
  • Something Crosses My Mind by Wang Xiaoni, tr. Eleanor Goodman (2014)
  • I Can Almost See Clouds of Dust by Yu Xiang, tr. Fiona Sze-Lorrain (2014)
  • October Dedications by Mang Ke, tr. Lucas Klein, with Huang Yibing and Jonathan Stalling (2017)
  • Mirror by Zhang Zao, tr. Fiona Sze-Lorrain
gollark: It's not confirmation bias, that's selection bias.
gollark: People are generally *kind of bad*.
gollark: I'm not sure about that.
gollark: Unless god and satan don't provide very good rates... perhaps they've been outcompeted by modern mass production.
gollark: But presumably, if you could get 100000 Doritos™ a month by having a factory of people worship god or sacrifice goats to Satan, this would be used by people.

References
  1. Encyclopedia Britannica, entry for Bei Dao. https://www.britannica.com/biography/Bei-Dao#ref846577 Retrieved 14 February 2018.
  2. Internet Literature in China, by Michel Hockx, Columbia University Press, 2015. pp.157-160.
  3. Asia Literary Review, http://www.asialiteraryreview.com/modern-chinese-poetry-insistent-voices
  4. The Columbia Companion to Modern East Asian Literature Front Cover, by Kirk A. Denton, Ju-Chan Fulton, Sharalyn Orbaugh Columbia University Press, 2012, pp. 522-524.
  5. Internet Literature in China, by Michel Hockx, Columbia University Press, 2015. pp.157-160.
  6. http://www.zephyrpress.org/books.php
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.