Jessie Maple

Jessie Maple is an American cinematographer and film director most noted as a pioneer for the civil rights of African-Americans and women in the film industry.[1] Her 1981 film Will was one of the first feature-length dramatic films created by an African-American woman."[2]

Early life and education

Maple was born in Louisiana in 1947 in a family of 4 brothers and seven sisters.[3] She worked in a bacteriology laboratory and later wrote for the New York Courier. She received film training through Ossie Davis's Third World Cinema, and through the National Education Television Training School, a program run by WNET public television in New York City.[3] The latter program was established for African Americans to learn behind-the-scenes camera jobs in order to get into the union, but funding for this program was short-lived; as Maple noted, "It was so successful that after one year they shut it down."[4] She began her career in film as an apprentice editor for Shaft's Big Score! and The Super Cops.[5] After being admitted to the Film Editor's Union, Maple studied and passed the examination for the Cinematographer's Union.[3]

Career

Following a prolonged legal struggle in 1973, Maple became the first African-American woman admitted to the New York camera operators union.[3][6] She described her lawsuits and struggle in a self-published autobiographical book, How to Become a Union Camerawoman (1976). Working for many years as a news camerawoman, Maple recounts she had her best moment when she realized she could "edit the story in the camera and prevent the editor from taking a positive story and making a negative one out of it," particularly in stories with a race element where black people were often left out of the news story.[4] According to Maple, "I would shoot [the story] in a way where they couldn't cut the black person out of [it]. They had to see both sides of what happened and what they had to say."[4] In 1974 Maple cofounded LJ Films Productions with her husband, Leroy Patton, to produce short documentaries.[7]

In 1981, Maple released the independent feature film Will, a gritty drama about a girls' basketball coach struggling with heroin addiction. With that release, Maple has been cited as the first African-American woman to direct an independent feature-length film in the post-civil rights era.[8][9] In order to show her own film, and other independent movies by African-Americans, Maple and Patton opened the 20 West Theater, Home of Black Cinema in their Harlem brownstone home in 1982.[10] Her second independent feature film was Twice as Nice from a screenplay by poet and actress Saundra Pearl Sharp.[11] Released in 1989, the film is a tale of twin sisters who play basketball.

The Black Film Center/Archive at Indiana University holds the papers and films of Maple in the Jessie Maple Collection, 1971–1992.[12]

Selected filmography

Features
  • Will (1981)
  • Twice as Nice (1989)

Documentaries
  • Methadone: Wonder Drug or Evil Spirit (1976)
  • Black Economic Power: Reality or Fantasy (1977)

Books
  • How to Become a Union Camerawoman: Film-Videotape, New York, L. J. Film Productions, 1977
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gollark: The correct insult is "emit taus (particle)" actually.

References
  1. BFC/A (April 12, 2012). "Into The Archive: Exploring the Jessie Maple Collection". Black Film Center/Archive. Indiana University. Retrieved 20 January 2016.
  2. Bobo, Jacqueline (2017). "Black Women Filmmakers; a brief history" from The Routledge Companion to Cinema and Gender. Milton Park, Abingdon, Oxon ; New York, NY: Routledge. pp. chapter 23. ISBN 9781138924956. Jessie Maple and Kathleen Collins...were among the first black women to create long-form narrative dramatic feature films: Maple directed Will (1981) and Collins directed Losing Ground (1982).
  3. Staff (February 1976). "A Lady Behind the Lens". Ebony. 31 (4): 44–52.
  4. Margolis, Harriet; Krasilovsky, Alexis; Stein, Julia (2015). Shooting Women: Behind the Camera, Around the World. Chicago, IL: University of Chicago Press. ISBN 978-1-78320-506-6.
  5. Heyde, Paul (2006). "Black Women Filmmakers Forum: An Alternative Aesthetic and Vision". Black Camera. 21: 15.
  6. "An Evening with Jessie Maple". Tell It Like It Is: Black Independents in New York, 1968–1986. The Film Society of Lincoln Center. February 2015. Retrieved 20 January 2016.
  7. "Will (1981)". New York Women in Film & Television. Retrieved 20 January 2016.
  8. Oxendine, Alice (July 30, 2013). "Remembering Jessie Maple And Her Landmark 1981 Feature-Length Film, 'Will'". Shadow and Act: On Cinema of The African Diaspora. Indiewire. Retrieved 20 January 2016.
  9. Holden, Stephen (February 15, 2015). "Films by Jessie Maple in Lincoln Center Series (Film: Fighting for Rights and Making Movies)". New York Times. p. AR4. Retrieved 20 January 2016.
  10. Carpenter, Sandy (December 10, 1983). "'Burning An Illusion' Is Cruel Racial Awakening". New York Amsterdam News. 74 (50): 26–27.
  11. "57 Films To Be Saved Through the NFPF's 2015 Preservation Grants". The Film Foundation. June 4, 2015. Retrieved 20 January 2016.
  12. "Jessie Maple Collection, 1971–1992". Archives Online. Indiana University. Retrieved 20 January 2016.

Jessie Maple on IMDb

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