Jess Dobkin

Jess Dobkin (born 1970) is a performance artist based in Toronto, Canada. [1] She is best known for her 2006 work The Lactation Station.

Jess Dobkin
Jess Dobkin, Lactation Station promotional photo
Born1970
Alma materOberlin College, Rutgers University
Known forperformance art
Notable work
Lactation Station Breast Milk Bar (2006)
MovementFeminism, Queer, LGBT
Websitejessdobkin.com

She has a B.A. in Women’s Studies from Oberlin College, and an M.F.A. in Performance Art from Rutgers University. She is a Fellow at the Mark S. Bonham Centre for Sexual Diversity Studies at the University of Toronto.

Career

Dobkin first emerged as a performance artist in 2002.[1] Her work draws on her experience as a lesbian and a mother.[2] Her body often figures prominently in her performances. For example, Fee for Service (2006), was a performance installation where audience members were invited to sharpen a pencil in Dobkin's vagina.[3]

Dobkin is also known as a community organizer and often combines this with her creative work. In May 2015, after a successful crowdfunding campaign, she collaborated with many Toronto artists to create an alternative newsstand in a vacant kiosk at the Chester Subway Station in Toronto for one year. Meant as a "creative exchange" for commuters, the kiosk acted as a space for artists' exhibition and performance, while it still functioned as a newsstand selling newspapers, magazines, and snacks for a "monetary exchange."[4]

Dobkin has collaborated with other performance artists, including Martha Wilson, founder of the Franklin Furnace Archive.

Major exhibitions

In 2006, Dobkin exhibited The Lactation Station in Toronto at the Ontario College of Art and Design's Professional Gallery, curated by Paul Couillard of FADO.[5] In this exhibition, Dobkin invited audience members to sample human breast milk. The exhibition, which was partly funded by the Canada Council for the Arts,[4] gained widespread attention and prompted Health Canada to issue a national warning against the online sale of human breast milk.[6] It was remounted in 2012 as part of the OFFTA Festival in Montreal.[7]

In 2015, Dobkin created How Many Performance Artists Does it Take to Change a Lightbulb (For Martha Wilson) and performed it at Enoch Turner Schoolhouse in Toronto as part of Images Festival. The work is a response and ode to one of America’s foremost groundbreaking performance artists, Martha Wilson, and offers reflections and humorous observations on the way we see. It was inspired by Martha Wilson’s 2005 video titled A History of Performance Art According to Me. The work examined the history of performance art by defining its terms and conditions and acknowledging the history and inherent qualities of performance. It had multiple co-presenters, including the University of Toronto, York University, OCAD University, FADO Performance Art Centre, and the Toronto-Dominion Bank.[8]

Works
  • MONOMYTHS, 2017
  • The Magic Hour, 2016
  • The Artist-Run Newsstand, 2015 - 2016
  • How Many Performance Artists Does it Take to Change a Light Bulb (For Martha Wilson), 2015
  • The Performance Art Army, 2014
  • Acting/Performing/Audience, 2014 (co-directed with Shannon Cochrane)
  • Performance Artist for Hire, 2013
  • Free Childcare Provided, 2013
  • Affirmations for Artists, 2012
  • Bleeding at the Ball, 2011
  • Everything I've Got, 2010
  • Being Green, 2009
  • Mirror Ball, 2008-2009
  • Clown Car, 2008
  • The Lactation Station, 2006-2012
  • Fee for Service, 2006
  • Emergency Exits, 2006
  • Restored, 2004
  • Attending, 2003-2005
  • The Two Boobs, 2003
  • Composite Body, 2003
  • The Mad Chef, 2000-2003
  • Six Degrees of Lesbian Nation, 2003
  • Magic Trick, 2003
  • An Ontario Bride Seeks American Wives, 2003
  • Talk to Me, 2001

Personal life

Dobkin is a lesbian and mother of a daughter.[9]

gollark: Ah yes, oops.
gollark: Yes, rule 10 is reasonable.
gollark: He did say that he might also be holding onto the information, which is somewhat bad.
gollark: I didn't say they were.
gollark: RocketRace probably didn't need to leave and it was somewhat <:bees:724389994663247974> of him to do so, I suppose.

References
  1. Gillespie, Benjamin (Winter 2012). "Giving us 'Everything She's Got': Processing the Script-as-Archive in Jess Dobkin's Queer Performance Art". Canadian Theatre Review. 149: 52.
  2. Reeve, Charles (2012). Rachel Epp Buller (ed.). Reconciling Art and Mothering. Farnham: Ashgate. pp. 125–136. ISBN 978-1-4094-2613-4.
  3. Krpan, Pike (2009). "Body of Work". Shameless. Winter: 30.
  4. Clarke, Katrina. "Artists take over Chester subway station newsstand for one year". The Star. Toronto Star. Retrieved 24 June 2015.
  5. Rogerson, Stephanie (July 20, 2006). "Sense and sensibilities: FADO performance gives new meaning to the term "good taste"" (71). NOW Magazine.
  6. Weeks, Carly (July 13, 2006). "Human milk sold online carries HIV risk: warning". The Ottawa Citizen.
  7. Chan, Crystal. "Breast milk's on tap at the OFFTA with Jess Dobkin's Lactation Station". nightlife.ca. Retrieved 13 May 2015.
  8. "Images Festival". Archived from the original on 5 March 2017. Retrieved 4 March 2017.
  9. Fuhrmann, Mike (June 15, 2006). "Performance artist offers breast milk tastings". Toronto Star.
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