Jennifer Hetrick
Jennifer Hetrick (born May 12, 1958) is an American actress. She is known for playing Vash in Star Trek: The Next Generation and Star Trek: Deep Space Nine,[1] and Corrinne Becker (the ex-wife of Arnie Becker) on L.A. Law.
Jennifer Hetrick | |
---|---|
Born | Westerville, Ohio, U.S. | May 12, 1958
Occupation | Actress |
Years active | 1963–2018 |
Prior to her Star Trek: The Next Generation appearances, she had appeared in a series of Oil of Olay commercials.
Filmography
Film
Year | Title | Role | Notes |
---|---|---|---|
1980 | Squeeze Play! | Samantha | |
1989 | Conquering Space | Janet's Narration | Short |
2004 | No Regrets | Cheryl Wheeler | |
2007 | The Poor Kid's Guide to Success | Elizabeth Maerd | |
2009 | He's Such a Girl | Whitney's Mom | |
2009 | 500 Days of Summer | Sarah |
Television
Year | Title | Role | Notes |
---|---|---|---|
1987 | Another World | Melanie | 1 episode |
1987 | CBS Summer Playhouse | Dr. Melanie Wilde | "Doctors Wilde" |
1989 | Murphy's Law | Lauren Dupree | "Never Try to Teach a Pig to Sing" |
1989 | Unsub | Ann Madison | Main role |
1989–1991 | L.A. Law | Corrinne Hammond | Recurring role |
1990–91 | Star Trek: The Next Generation | Vash | "Captain's Holiday", "Qpid" |
1991 | Absolute Strangers | Nancy Klein | TV film |
1992 | The Young Riders | Charlotte Rowen | "Good Night Sweet Charlotte" |
1992 | Jake and the Fatman | Mrs. Scanton | "Pennies from Heaven" |
1992 | Civil Wars | Holly Reigeluth | Guest role (4 episodes) |
1992–93 | Bodies of Evidence | Bonnie Carroll | Main role |
1993 | Star Trek: Deep Space Nine | Vash | "Q-Less" |
1994 | And Then There Was One | Janet | TV film |
1994 | Diagnosis: Murder | Gayle Wheeler | "You Can Call Me Johnson" |
1995 | Sliders | Caroline Fontaine | "Last Days" |
1996 | CBS Schoolbreak Special | Liz Morgan | "Crosstown" |
1996 | Profit | Elizabeth Gracen Walters | Recurring role |
1996 | The X-Files | Sharon Skinner | "Avatar" |
1996 | Silk Stalkings | Dinah Wharton | "Private Dancer" |
1996 | Silk Stalkings | Laura MacElroy | "Services Rendered" |
1997 | Dark Skies | Mrs. Bach | "White Rabbit" |
1997 | Perversions of Science | The Captain | "Snap Ending" |
1998 | Brooklyn South | Miss Wilcox | "Gay Avec" |
1998 | Beverly Hills, 90210 | Kim | "Rebound" |
1998 | Buffy the Vampire Slayer | Ms. Moran | "Homecoming" |
1998 | General Hospital | Veronica Wilding Barrett | TV series |
1999 | Party of Five | Miss Dale | "Fillmore Street" |
1999 | Vengeance Unlimited | Judge Ackerman | "Legalese" |
2000 | Sliders | Claire LeBeau | "The Seer" |
2000 | Profiler | Ann Wade | "Pianissimo" |
2001 | An American Town | Caroline | TV film |
2005 | Eyes | Cynthia Massey | "Trial" |
2005 | Alias | Senator Diane Lewis | "Out of the Box" |
2006 | Close to Home | Helen Brooks | "Reasonable Doubts" |
2007 | Criminal Minds | Mary Wilkinson | "Birthright" |
2008 | NCIS | Dr. Donna Dunlap | "Tribes" |
2008 | Cold Case | Lana Wilkes | "Wednesday's Women" |
2008 | Prison Break | Elaine Baker | "The Legend" |
2009 | 24 | Prison Variant #5 | "Day 7: 3:00 a.m.-4:00 a.m." |
2009 | Raising the Bar | Susanne Dupois | "Fine and Dandy" |
2010 | Elf Sparkle and the Special Red Dress | Elf Holly (voice) | TV film |
2018 | Code Black | Mrs. Berlinger | "As Night Comes and I'm Breathing" |
gollark: Also also, "convention over configuration" being stupid. Yes, the choice of four spaces vs two isn't too significant, but being able to choose means you'll have code you can possibly read a bit more easily, and also public/privateness via *capitalization* just (in my opinion) looks ugly and is annoying if you want to change privacy.
gollark: i.e. generic slices/maps/channels but not actual generics, == being ***maaaaagic*** (admittedly like in most languages, I think), and `make`/`new`.
gollark: Also, as well as that, how it just special-cases stuff instead of implementing reusable solutions.
gollark: e.g. no map function existing or even being possible means that you have *readable* code with a for loop, but it's harder to understand *why that's there* and *what it's for*.
gollark: The main problem I have with it is that it conflates readability (you can see what the code is doing at a low level) with comprehensibility (you know what and why it's doing at a higher one).
References
- "Star Trek: The 15 Foxiest Females Of The Final Frontier". CBR. 2017-10-02. Retrieved 2020-04-04.
External links
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