Jenő Zádor

Jenő Zádor (5 November 1894, Bátaszék, Hungary – 4 April 1977, Hollywood, California), also known as Eugene Zador, was a Hungarian-American composer.[1]

His parents Paula Biermann and József Zádor (orig. Zucker).

He studied at the Vienna Music Academy and in Leipzig with Max Reger. He taught from 1921 at the new New Vienna Conservatory and later at the Budapest Academy of Music. In 1939 he emigrated to the United States, where he soon found employment in the music department of Metro-Goldwyn-Mayer (M-G-M). He composed (anonymously) music for a number of film scores, but regarded his movie work as merely supportive of his own creative activity. For this reason he preferred to work at home on the orchestration of other composers' music. The most notable collaboration was with his fellow Hungarian Miklós Rózsa, with whom he worked until 1961. He also wrote a number of operas in which the characterization and orchestration are worthy of note, and orchestral pieces in a style that owed something to Reger and Richard Strauss, including the popular Hungarian Caprice (1935) and concertos for such instruments as the cimbalom (1969) and accordion (1971).

Zádor was married to Maria Steiner in Geneva during 1946 and had a son, Leslie, and a daughter, Peggy.[2]

Although his operas are said to be strongly characterized and skillfully orchestrated, his compositional style remained within the late romantic language of Richard Strauss and Max Reger (he claimed to occupy a position "exactly between La Traviata and Lulu)".[1][3]

Operas
  • Diana (1923)
  • A holtak szigete (1928)
  • Revisor (1928)
  • X-mal Rembrandt (1930)
  • The Awaking of Sleeping Beauty (1931)
  • Asra (1936)
  • Christoph Columbus (1939)
  • The Virgin and the Fawn (24 October 1964)
  • The Magic Chair (1966)
  • The Scarlet Mill (1968)
  • Revisor [rev] (1971)
  • Yehu, a Christmas Legend (1974)

Orchestral
  • Divertimento for Strings (1954)
  • Elegie and Dance (1954)
  • Studies for Orchestra (1969)
  • Oboe Concerto (1975)
gollark: haskell better, by that logic.
gollark: There can be other boilerplate.
gollark: *But* boilerplate is not limited to parens.
gollark: no.
gollark: no.

References
  1. Demény, János; Meckna, Michael. "Zador, Eugene". Grove Music Online. Oxford University Press. Retrieved 5 August 2013. (subscription required)
  2. https://eugenezador.com/about/
  3. DeWald, Frank K. Zador: Divertimento / Elegie and Dance / Oboe Concerto / Studies (CD). Naxos Records. 8.572549. Retrieved 5 August 2013.
  • Wendy Thompson. The New Grove Dictionary of Opera, edited by Stanley Sadie (1992). ISBN 0-333-73432-7 and ISBN 1-56159-228-5


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.