Jeanne van Heeswijk

Jeanne van Heeswijk (born 1965) is a Dutch visual artist and curator. Her work often focuses on social practice art, or the relationship between space, geography and urban renewal. She lives and works in Rotterdam in the Netherlands.[1]

Jeanne van Heeswijk
Jeanne van Heeswijk, 2013.
Born
Jeanne van Heeswijk

1965
Schijndel, The Netherlands
NationalityDutch
Known forvisual artist
Websitewww.jeanneworks.net

Biography

Early life and early career

Jeanne van Heeswijk was born in 1965 in Schijndel, The Netherlands.[2] From 1983-1988 she attended the Academie voor Beeldende Vorming in Tilden, The Netherlands.[2] From 1988 to 1990 she attended the Jan Van Eyck Academie in Maastricht, The Netherlands.[2]

In 1996 Manifesta Jeanne van Heeswijk was among the local artists with Bik Van Der Pol and Joep van Lieshout, who were brought into the international scene with the first Manifesta biennale in Rotterdam.[3]

Further career

In 2003 she was chosen by the curator Rein Wolfs to exhibit at the Dutch Pavilion at the Venice biennale, along with Meschac Gaba, Carlos Amorales, Alicia Framis, and Erik van Lieshout.[4]

In 2005 she created a temporary artwork at the Stedelijk Museum Amsterdam in Amsterdam, entitled Face Your World, which allowed young people to re-imagine and design their surrounding neighborhood.[5] In 2008 she participated in the Seventh Shanghai Biennale, which was themed "Translocalmotion".[6]

In 2010 she was commissioned to create a project for the Liverpool Biennial, which was entitled 2Up 2Down.[7] For this project, van Heeswijk worked with local Liverpool residents to repurpose derelict housing.[8] Van Heeswijk's examination of capital, labor, power, and social injustice through the lens of urban space reflects the way theories of feminist urbanism look at how self-organization, participation, collective ownership, and new forms of sociability create new urban realities.[9]

In 2014 van Heeswijk was awarded the inaugural Keith Haring Fellowship in Art and Activism at Bard College.[10]

Jeanne van Heeswijk is part of the research fellowship program 2018/2019 at BAK, basis voor actuele kunst in Utrecht.[11]

Recognition
gollark: Doesn't mean they'd be caveblockers or something.
gollark: The market probably runs on a combination of ratios and preset prices right now. This is just a guess though.
gollark: Anyway, could golds *really* be as common as nocturnes if they were bred less? I don't think so.
gollark: I believe they're automatically adjusted based on... something.
gollark: It does indeed take ages, yes, but I don't see your point.

References
  1. "Jeanne van Heeswijk", Creative Time, Retrieved 7 June 2014.
  2. van Heeswijk, Jeanne. "CV"
  3. Barbara Vanderlinden & Elena Filipovic, ed. (2006). The Manifesta Decade; Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe. Brussels: Roomade. p. 208.CS1 maint: extra text: authors list (link)
  4. "Dutch Pavilion 2003", Venice Biennale, Retrieved 7 June 2014.
  5. "Stedelijklab CS" Archived 2017-06-27 at the Wayback Machine, Stedelijk Museum, Retrieved 7 June 2014.
  6. "Seventh Shanghai Biennale Presents Translocalmotion", e-flux, Retrieved 7 June 2014.
  7. "Homebaked", Liverpool Biennial, Retrieved 7 June 2014.
  8. Zwick, Tracy. "Jeanne van Heeswijk to Meld Art and Activism at Bard", Art in America, Retrieved 8 November 2014.
  9. Van Heeswijk, Jeanne. "The Artist Will Have to Decide Whom to Service." Actors, Agents and Attendants: Social Housing--Housing the Social: Art, Property, and Spatial Justice. Eds. Andrea Phillips and Fulya Erdemci. 2010, p. 78.
  10. "Jeanne van Heeswijk selected for inaugural Keith Haring Fellowship in Art and Activism" Archived 2016-03-03 at the Wayback Machine, Bard College, Retrieved 13 November 2014.
  11. "Jeanne van Heeswijk". BAK. Retrieved 2019-08-12.
  12. "Jeanne van Heeswijk" Archived 2014-07-14 at the Wayback Machine, Curry Stone Design, Retrieved 7 June 2014.
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