Jean Wiener

Jean Wiener (or Wiéner) (19 March 1896, 14th arrondissement of Paris – 8 June 1982, Paris) was a French pianist and composer.

For the scientist, see Jean Wiener (biologist).

Life

Wiener was trained at the Conservatoire in Paris, where he studied alongside Darius Milhaud, and worked with Erik Satie. He then embarked on a career as concert impresario, composer and pianist. He was the house pianist at the Gaya bar, and later at Le Boeuf sur le Toit. In 1924 a chance encounter with Clement Doucet (who succeeded him at Le Boeuf) brought him into the world of popular music. Already a jazz enthusiast, Wiener found fame with Doucet in the music hall s of Europe as a piano duet,[1] under the name "Wiener and Doucet" in which they performed classical music, hot dance and jazz. The two friends recorded many duets between 1925 and 1937. After the end of the war in 1945, Wiener devoted himself fully to composition, notably film music (working on more than 300), as well as the opening theme music for ORTF's film history program "History speechless" (History without words).

He was of some significance in the promotion of new music, both by his friends in the Les Six (Milhaud, Poulenc, etc.), and by composers such as Schoenberg, Berg and Webern. His compositions involve the use of jazz informed by French wit and elegance.

His daughter Elizabeth Wiener is an actress, singer and singer-songwriter.

Jean Wiener published his memoirs in 1978 as Allegro Appassionato.

Compositions

Film scores

1920s
  • La Femme de nulle part (1922)

1930s
  • Buridan's Donkey (1932)
  • The Man with the Hispano (1933)
  • Une Vie perdue (1933)
  • Knock ou le triomphe de la médecine (1933)
  • Le Paquebot Tenacity (1934)
  • Runaway Ladies (1934)
  • Les Affaires publiques (1934)
  • Le Voyage imprévu (1934)
  • L'Aventurier (1934)
  • Maria Chapdelaine (1934)
  • Le Clown Bux (1935)
  • Quand minuit sonnera (1935)
  • La Bandera (1935)
  • L'Équipage (1935)
  • L'Homme sans cœur (1936)
  • Le Crime de Monsieur Lange (1936)
  • La Garçonne (1936)
  • Klokslag twaalf (1936)
  • Les Bas-fonds (1936)
  • Vive la vie (1937)
  • La Femme du bout du monde (1937)
  • The Man of the Hour (1937)
  • Nuits de feu (1937)
  • De Man zonder hart (1937)
  • Le Dernier tournant (1939)

1940s
  • Cristobal's Gold (1940)
  • L'Épouvantail (1943)
  • Les Passagers de la Grande Ourse (1943)
  • Untel père et fils (1943)
  • Le Voyageur de la Toussaint (1943, non crédité)
  • Madame et le mort (1943)
  • Le Voleur de paratonnerres (1944)
  • Le Père Goriot (1945)
  • Girl with Grey Eyes (1945)
  • The Captain (1946)
  • Impasse (1946)
  • Once is Enough (1946)
  • Macadam (1946)
  • Panique (1947)
  • Pour une nuit d'amour (1947)
  • Le Diable souffle (1947)
  • Les Frères Bouquinquant (1948)
  • La Carcasse et le tord-cou (1948)
  • Le Point du Jour (1949)
  • Rendez-vous de juillet (1949)
  • The Perfume of the Lady in Black (1949)

1950s

1960s

1970s

1980s
  • Square X (1981)
  • Lettres d'amour en Somalie (1982)
  • Le Crime d'amour (1982)

Stage works
  • le village blanc ou Olive chez les nègres (1926 opera)
gollark: I don't think that's what the electoral college does.
gollark: There's probably some nice mathematical definition based on mutual information or something like that, but roughly "altering one vote has the same effect on average on a nationwide election regardless of where the voter is".
gollark: What I meant to mean is that the electoral college is clearly not making people's votes equal in power.
gollark: Yes, sorry, that is why I corrected that.
gollark: * representative → equal across people

References
  1. Jean-Pierre Thiollet, 88 notes pour piano solo, « Solo de duo », Neva Editions, 2015, p.97. ISBN 978-2-3505-5192-0
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