Jean Patou

Jean Patou (pronounced [ʒɑ̃ pa.tu]; 27 September 1887 – 8 March 1936) was a French fashion designer and founder of the Jean Patou brand.

For the Belgian cyclist, see Jean Patou (cyclist).
Jean Patou
M. Jean Patou, unknown date c.late 1910s
Born(1887-08-19)19 August 1887
Normandy, France
Died8 March 1936(1936-03-08) (aged 48)
Paris, France
NationalityFrench
Label(s)
Jean Patou

Early life

Patou was born in Paris, France in 1887. Patou's family's business was tanning and furs.[1] Patou worked with his uncle in Normandy, then moved to Paris in 1910, intent on becoming a couturier.

1910s – World War I and later
Suzanne Lenglen, la divine

In 1912, he opened a small dressmaking salon called "Maison Parry". His entire 1914 collection was purchased by a single American buyer. Patou's work was interrupted by World War I. He was mobilised in August 1914, shortly after the German invasion of Belgium. Patou served as a captain in the Zouaves.[2] Reopening his couture house in 1919, he became known for eradicating the flapper look by lengthening the skirt and designing sportswear for women and is considered the inventor of the knitted swimwear and the tennis skirt. He, notably, designed the then-daring sleeveless and knee-length cut tennis wear for Suzanne Lenglen.[3] He also was the first designer to popularize the cardigan and moved fashion towards the natural and comfortable.

1920s

Jean Patou is credited with inventing the "designer tie" in the 1920s when men's ties, made in the same fabric as the women's dress collection, were displayed in department stores next to Patou's perfume counter. The designer tie style is still prominent amongst contemporary fashion designers, such as Louis Feraud, Timothy Everest, Duchamp and Paul Smith and Patrick McMurray.

In 1925 Patou launched his perfume business with three fragrances created by Henri Alméras.[4] In 1928, Jean Patou created "Huile de Chaldée", the first sun tan lotion.

1930s

When the stock market crashed, so did the market for luxury fashion. The House of Patou survived through its perfumes.

The best known of Patou's perfumes is "Joy", a heavy floral scent, based on the most precious rose and jasmine, that remained the costliest perfume in the world, until the House of Patou introduced "1000" (a heavy, earthy floral perfume, based on a rare osmanthus) in 1972. Before Joy, the House of Patou released many other perfumes, many which were to celebrate particular events. For example, Normandie (an oriental forerunner to perfumes such as Yves Saint Laurent's Opium) celebrated the French ocean liner of the same name, and Vacances (a mixture of green and lilac notes) celebrated the first French paid national holidays. Other Patou perfumes of the same time were Amour Amour (the forerunner of Joy, using the same rose notes, but without the jasmine), Adieu Sagesse, Que Sais-Je? (these three were released at the same time; Patou's idea was that the light floral Amour Amour was suitable for blondes; the tart, spicy Adieu Sagesse for redheads, and the heavy floral Que Sais-Je? for brunettes), L'Heure Attendue (a wonderful, unique oriental perfume), Divine Folie (a floral vanilla), Câline (a wonderful chypre perfume, similar to the much later Diorling by Christian Dior), Moment Suprême (a perfume based on lavender), Colony (which had a strong pineapple note), Chaldée (Patou's Huile de Chaldée sun oil had become so popular, many customers were buying it purely for its smell, therefore, Chaldée the perfume (a dry musk) was produced), Le Sien (one of the first perfumes for men and women), and Cocktail (literally a floral cocktail). All these, with the exception of Le Sien, were re-released during the 1980s (under the name Ma Collection), and were available until recently, all in a 50ml Eau de Toilette Spray, 75ml Eau de Toilette bottle, and 30ml pure perfume bottle, each with a unique art deco box. A Jean Patou silk scarf, printed in a pattern complementing that of the box was included with the pure perfume. Joy remains the world's second best-selling scent (the first is Chanel No. 5), Joy was created by Henri Alméras for Patou at the height of the Great Depression (1935) for Patou's former clients who could no longer afford his haute couture clothing line.

Legacy

Haute couture

Patou died prematurely in 1936. His sister Madeleine and her husband Raymond Barbas continued the House of Patou.

Designers for the House of Patou have included Marc Bohan (1954–1956), Karl Lagerfeld (1960–1963) and Jean Paul Gaultier (1971–1973). Christian Lacroix joined the label in 1981. The last fashion collection produced by the House of Patou label was in 1987 when the haute couture business closed following Lacroix's departure to open his own house.

Perfumes

After the closure of the haute couture business the company has continued to produce fragrances under the Jean Patou brand. Patou also produced fragrances for Lacoste, when Patou acquired the license in the 1960s,[5] and Yohji Yamamoto in the 1990s.[6]

From 1967 to 1999 Jean Kerléo was the house perfumer, he developed all their perfumes during that time including "1000" (1972) and "Sublime" (1992), "Patou Pour Homme" (1980).[7]

In 1984, Jean Kerléo was responsible for the reformulation and reissue of twelve of Patou's fragrances from 1925-1964 in a series called "Ma Collection", including the first fragrances created for the house in 1925, the trio "Amour-Amour", "Que sais-je?" and "Adieu Sagesse". "Ma Collection" was sold in flacons modelled after the originals by Louis Süe.[8]

Kerleo stepped down in 1999[5] appointing Jean-Michel Duriez as house perfumer. Duriez creations include "Un Amour de Patou" (1998), "Enjoy" (2003) and "Sira des Indes" (2006).

"Joy" was voted "Scent of the Century" by the public at the Fragrance Foundation FiFi Awards in 2000, beating its rival "Chanel No. 5".[9]

Patou remained a family-owned business until September 2001 when it was bought by P&G Prestige Beaute a division of Procter & Gamble, which also market perfumes for Jean Kerléo and Karl Lagerfeld.

In 2011 Patou was acquired by Designer Parfums Ltd[10] a UK-based firm. Thomas Fontaine is the house perfumer.[11]

gollark: So you're trying to detect... when someone *stops* pressing the buttons, I assume?
gollark: No, it's undefined behavior as far as I know. At least it is in regular C.
gollark: Which could lead to undefined behavior, and thus horror.
gollark: One problem I can see is that you're not initializing `total`.
gollark: oh Cthulhu the lack of indentationAnyway, what's the problem?

See also

References
  1. Steele, Valerie, ed. (2010). The Berg companion to fashion. Oxford: Bloomsbury Academic. pp. 553–555. ISBN 9781847885630.
  2. "Saga Jean Patou". prodimarques.com. Retrieved 2008-06-08.
  3. Stewart, Mary Lynn (2008). Dressing Modern Frenchwomen: Marketing Haute Couture, 1919–1939. JHU Press. p. 209. ISBN 0801888034.
  4. Stamelman, Richard Howard (2006). Perfume: Joy, Obsession, Scandal, Sin : a cultural history of fragrance from 1750 to the present. Rizzoli. p. 219. ISBN 0847828328.
  5. Vandorpe, Annick (21 January 2005). "Lunch with the FT: Eau happy day". Financial Times. Retrieved 14 September 2012.
  6. "Yohji Yamamoto in Deal to Develop Fragrance". WWD. 5 July 1994.
  7. Groom, Nigel (1992). The Perfume Handbook. Chapman & Hall. p. 120. ISBN 0412463202.
  8. Groom, Nigel, ed. (1997). New Perfume Handbook. Springer. p. 250. ISBN 0751404039.
  9. "Great Joy for Patou— Joy, Scent of the Century". Soap Perfumery & Cosmetics. September 2000.
  10. "Designer Parfums buys Jean Patou from P&G Prestige". CosmeticsBusiness.com. 5 July 2011. Retrieved 14 September 2012.
  11. "Designer Parfums appoints its first in-house perfumer". cosmeticsbusiness.com. 21 November 2011. Retrieved 14 September 2012.

Further reading
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