Jean Pascal Sébah

Jean Pascal Sébah (1872 – 6 June 1947), son of Syriac-Armenian photographer Pascal Sébah, continued the family's photographic legacy after his father's death in 1886.

Life and career

Jean Pascal Sébah was the son of Pascal Sébah who had opened a photographic studio in Cairo from the mid-1850s and another studio in Constantinople from the early 1870s. The Sébah studio had earned a reputation for the foremost Orientalist photography in the region.[1]

Following his father's death on 25 June 1886, the studio continued in business. Initially it was managed by his uncle, Cosmi (his father's brother), and in 1888 Pollicarpe Joiallier became a partner. At this time the company was renamed Sebah & Joaillier[1] Jean Pascal Sébah, also joined in 1888 and went on to run the studio with other photographers. The firm developed a reputation as the leading representative of Orientalist photography and in 1889 was appointed the Photographers by Appointment to the Prussian Court.[2]

In 1893, Sultan Abdulhamid II sponsored fifty-one photographic albums representing the span of the Ottoman Empire with two of the volumes produced by Sebah & Joaillier. U.S. President Grover Cleveland was one of the recipients of the photo collection and it is now in the Library of Congress in the USA.[3]

The "Foto Sabah" studio in Pera, Constantinople was the most prestigious photography studio in the city for many decades during the 19th and 20th centuries. The photographs depicted sites such as the Hagia Sophia, the Blue Mosque, the Galata Tower.

Sébah died on 6 June 1947, at the age of 75.

Sébah photographed scenes and people in Anatolia and Egypt including Nubians. [3]


Selected photographs by Sébah:

  • Chariot with Arabic women, 1880s
  • Statue of Rameses, 1880s
  • Mosque at Al Azhar, late 1880s or 1890s
  • Turkish entertainers, date unknown, before 1923
  • Nubian Woman, date unknown, before 1923
  • Group of Syrians, date unknown, before 1923
  • The Blue Mosque, date uncertain, before 1923


gollark: Here's a diagram I cobbled together in Pinta.
gollark: Depending on what side of the road your country uses and which way you turn, you might have to cross a lane to turn at an intersection or not.
gollark: Well, that's odd.
gollark: ... oh, right.
gollark: I don't see anything interesting about it.

See also

References
  1. Hannavy, J., Encyclopedia of Nineteenth-Century Photography, Routledge, 2013, p. 1036
  2. Hannavy, J., Encyclopedia of Nineteenth-Century Photography, Routledge, 2013, p. 1032 and p. 1036
  3. Photography in Ottoman Istanbul by Maggie Kurkoski '12 Smith College Museum of Art
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.