Jean-Désiré Ringel d'Illzach

Jean-Désiré Ringel, known as Ringel d'Illzach (29 September 1849 in Illzach – 28 July 1916 in Strasbourg) was a French-Alsatian sculptor and engraver.

Ringel d'Illzach (1903). Anthropometric photograph by Alphonse Bertillon

Biography

He was a pupil of François Jouffroy and Alexandre Falguière at the École des Beaux-arts in Paris[1] and was best known for his medallions, made of diverse materials (bronze, terracotta, stoneware and glass paste), portraying a vast array of the notable artistic, literary, political and scientific figures of his time.

He never ceased to experiment with new processes for casting metals, incorporating new materials and developing ways to apply color. His vitreous enamel agglomerates had the appearance of precious stones with strange tonalities.[2] Some of his masks, such as the one of Maurice Rollinat, are made of multicolored wax. He reproduced all of his works as engravings.

Much of his work was inspired by music, including a series of nine allegorical statues representing the symphonies of Beethoven. A polychrome statue, depicting the Rákóczy March from La damnation de Faust by Hector Berlioz, was the centerpiece of his exhibit at the 1897 Venice Biennial.[3]

Some of its decorative cast iron work, including masks and highly stylized seahorses, adorn balconies and walls of Hector Guimard's Castel Béranger (1895-1898).

Selected works

gollark: I love working on web projects nobody will ever use so that I can use reasonably new web APIs without worrying about somebody saying "BuT iT doEsn'T WoRk in InTerNet ExpLoRer 3".
gollark: Why not `£` so only British people can apply things?
gollark: `^` for apply maybe?
gollark: ... how do you plan to do strings?
gollark: Ah yes, ab.

References

  1. Grove Dictionary of Art. According to this source, he was also a student of Ernst Julius Hähnel at the Dresden Academy of Fine Arts.
  2. L'Interimédiaire des chercheurs et curieux, 7 May 1901
  3. Catalog of the Venice Biennale : esposizione internazionale d'arte delle Città di Venezia, second exhibition, 1897, New York : Arno Press, 1971, pg.36.

Further reading

  • Anselme Laugel, Biographies alsaciennes. Ringel d'Illzach, in "Revue Alsacienne Illustrée", 1900
  • Theodor Knorr, Ringel-Illzach : ein elsässischer Bildner, Düsseldorf, 1905
  • Gaston Kern, À la mémoire de Ringel d'Illzach, Strasbourg, 1919
  • Jean-Luc Olivié, Ringel, un sculpteur et la céramique, à Paris et à Strasbourg, in Strasbourg 1900 : naissance d'une capitale, seminar, Musée d'art moderne et contemporain de Strasbourg, 1–4 December 1999, pgs.84-91 ISBN 2-85056-387-0
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.