Javier Peres
Javier S. Peres is a contemporary art dealer and gallery owner. His gallery, Peres Projects, is in the Karl-Marx-Allee in Berlin, and has offices in Los Angeles, California.[1]
Javier S. Peres | |
|---|---|
| Occupation | art dealer |
Biography
Peres started Peres Projects in San Francisco, California, in 2002.[2] He was included in the Art Review Power 100 in 2006.[3] He collects premodern African Art.[4]
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gollark: > gollark whhy does your computer not explodeWell, the trick is that most of them aren't actively executing.
gollark: At least it's a video and not, as far as I can tell, a graphics interchange GIF format?
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References
- "Peres Projects: A talk in very private with Javier Peres | ArtBerlin.de" (in German). Retrieved 2020-01-27.
- "JAVIER PERES: Interviewed by Zefrey Throwell". Berlin Art Link. 2011-07-15. Retrieved 2020-01-27.
- name, Site. "Power 100 / Art Review". artreview.com. Retrieved 2016-07-01.
- "Tribal Art Magazine - Issue #79 - Spring 2016 XX-2 (sample pages)". www.tribalartmagazine.com. Retrieved 2016-07-01.
- Fogel, Jonathan (2016) "#Obsessed: Javier Peres and African Art," Tribal Art Magazine, Issue 79, April 2016, pp. 120 – 127.
- Neave, Kate (2015) "Javier Peres on embracing the extreme," Dazed Digital, December 2015. http://www.dazeddigital.com/artsandculture/article/22759/1/javier-peres-embracing-the-extreme
- Carroll, Jessiva (2012) "Portfolio: Javier Peres," Toronto Standard, January 12, 2012. http://www.torontostandard.com/culture/portfolio-javier-peres/
- Finel Honigman, Ana (2011) "A River Runs Through Javier Peres," Interview Magazine, December 22, 2011. http://www.interviewmagazine.com/art/javier-peres-river/
- Bellini, Andrea (2006) "Cautious Alternatives: A New York Tale," Flash Art No. 249, July - September 2006, pp. 106 – 111.
- Chaplin, Julia (2006) "Art on the Edge in Mexico City," The New York Times, Travel Section.
- Kunitz, Daniel (2006) "The Generous Pirate," Art Review, May 2006, pp. 66 – 70.
- Editorial (2006) "Galleries Top Ten," Bon Magazine, Summer 2006, p. 40.
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