Jaret Vadera

Jaret Vadera (born 1976) is an artist and cultural producer working between New York, Toronto, and India.[1] Vadera works across media, primarily in the spaces where painting, photography, video installation, and new media intersect.[2]

Jaret Vadera
Born1976 (age 43–44)
Toronto, Ontario, Canada
NationalityCanadian
EducationOntario College of Art and Design
Yale School of Art

Early life and education

Vadera was born in Toronto in 1976. His mother and father both immigrated to Canada in the 1960s and 1970s as part of a large wave of immigration. Vadera's father was born in India and his mother in the Philippines. Vadera is of Indian, Filipino and Spanish descent. His parents were working-class immigrants who practiced different religions, and spoke different languages. Vadera describes how growing up in his family, in Toronto, at that particular time, "set the stage for his ongoing explorations into the ways that beliefs, codes, and processes of translation shape and control how we see."[3][4]

In 1999, Vadera graduated from the Ontario College of Art and Design, and participated in the Mobility Program in Fine Arts at the Cooper Union School of Art (New York, NY) the same year. He received his Master in Fine Arts in Painting and Printmaking from the Yale School of Art (New Haven, CT) in 2009.[3][5][6][7][8][9]

Career

Vadera works across media, primarily in the spaces where painting, photography, video installation, and new media intersect.[10] Through his work, Vadera explores how different social, technological, biological, and cognitive processes shape and control the ways that we see the world around and within us.[11] He often takes "things" apart, and puts them back together in new ways. Rorschach tests, algorithms, maps, infographics, and logic paradoxes are often redeployed to locate ambivalent in-between spaces, to reveal malignant meanings, and to explore the poetics of representation.[11] Mixing metaphors, shifting historical and cultural references, and code switching are some of his key strategies.[3]

Vadera seeks out the points at which these "given" sign systems break down, become permeable, porous or malleable, where glitches and short circuits upset our usual blasé consumption of images and data. Vadera materializes the ever-changing flux of empirical scientific data-as-evidence, of measurement that offers quantitative information but does not add up to any qualitative meaning of being in the world. By encountering Vadera’s accretions of objects and installations we learn that vision is filtered and fashioned with physiological, cognitive, linguistic and technological limitations.[12]

In parallel to his career as an exhibiting artist, Vadera has also been active as an organizer, programmer, curator, researcher, writer, editor, educator, and designer on projects that focus on using art as a catalyst for social change / justice.[13]

Selected exhibitions

Vaderas paintings, prints, photographs, videos, and installations have been exhibited and screened internationally at:

  • Maraya Art Centre, Sharjah, UAE (2015)
  • Museum of Modern Art, New York, NY, US (2014)(2013)
  • Bhau Daji Lad Museum, Mumbai, IN (2014)
  • William Paterson University Gallery, Paterson, NJ, US (2014)
  • Bronx River Art Center, Bronx, US (2014)
  • Films Division of India, Mumbai, IN (2013)
  • Bose Pacia Gallery, New York, US (2012)
  • EFA - Project Space, New York, US (2011)
  • Project 88, Mumbai, IN (2010)
  • Tilton Gallery, New York, US (2010)
  • Religare Arts, New Delhi, IN (2010)
  • Thomas Erben Gallery, New York, US (2009)
  • Triple Candie, New York, US (2009)
  • PPOW Gallery, New York, US (2009)
  • Art and Culture Center of Hollywood, Hollywood, US (2008)
  • Aljira, a Center for Contemporary Art, Newark, US (2007)
  • New York Arab and South Asian Film Festival, New York, US (2007)
  • Queens Museum, Queens, US (2006)(2005)
  • White Box, New York, US (2005)
  • Department of Canadian Heritage, Toronto, CA (2005)
  • Paved Art + New Media, Saskatoon, CA (2005)
  • South Asian Visual Arts Centre, Toronto, CA (2004)
  • PH Gallery, New York, US (2004)
  • A.W.O.L. Gallery, Toronto, CA (2001) (2003)
  • SOF Art House, Toronto, CA (2002)[1][3][11]
gollark: Please stand exactly here.
gollark: I need testers.
gollark: >potatOS
gollark: It is very energetic, coherent light, but light nevertheless.
gollark: The laser.

References
  1. Accented, Catalog, Maraya Art Centre, 2015
  2. Diaspora Art, Sharmistha Ray, MW Magazine India, August 2009
  3. DOUBLEBIND, Catalog, Kristen Evangelista, William Patterson University, University Galleries, 2014
  4. New Poetics of Translation: An Interview with Jaret Vadera, Carla K. Stewart, Breach Magazine – Issue 1: Decolonial Aesthetics, June 2015
  5. Younger Than Jesus / Artist Directory, The New Museum, NY. Phaidon Press, 2009
  6. http://momaps1.org/studio-visit/artist/jaret-vadera
  7. Art Review: Else, Holland Cotter, New York Times, September 24, 2010
  8. Everything All at Once / Catalog, Queens Biennial Vol. 3, Queens Museum of Art, 2006
  9. Fatal Love - South Asian American Art Today / Catalog, Queens Museum of Art, 2006
  10. Diaspora Art, Sharmistha Ray, MW Magazine India, August 2009
  11. http://www.jaretvadera.com
  12. Feeling the Doublebind, Deborah Frizzell, Depart Magazine, Issue 17, 2014
  13. http://dakshinachitra.net/dkc-fellowship.html
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