Janene Higgins

Janene Higgins is a graphic designer and video artist based in New York City. Her work spans several genres, from video performance in the experimental music scene to videos for Saks Fifth Avenue, and the design of several hundred CD packages for such record labels as Sony, BMG, PolyGram, and a wide variety of independents.

Higgins' projection design for the set of "Port Bou", opera by Elliott Sharp (Jenny Lin on piano; bass/baritone Nicholas Isherwood; and William Schimmel on accordion). Konzerthaus Berlin, 2015. Photo courtesy of the American Academy in Berlin.

Higgins moved to New York City to design magazines, working for such publications as Esquire, Working Woman, and Fame, culminating in three years as a designer for Vanity Fair magazine. While at VF, she began designing CD covers and videos for friends in the downtown music scene, which led to an ongoing series of music/video performance collaborations with some of New York's preeminent composers and improvisors of new music. These include duos with Elliott Sharp, Ikue Mori, Mari Kimura, Alan Licht, Nurit Tilles, Okkyung Lee, Aki Onda, and Zeena Parkins. She has directed several short experimental works, often with sound design by notable avant-garde artists including Sharp, Parkins, Christian Marclay and John Duncan.[1] Projection design for theatre include the operas Binibon[2], Port Bou[3], and Filiseti Mekidesi[4]. Her work has been performed and exhibited at The New York Video Festival at Lincoln Center; documenta in Kassel, Germany; The Kitchen, NYC; Musée d'art contemporain de Lyon; City of Women festival, Slovenia; The Chelsea Art Museum, NYC; HiTeca Festival in Porto, Portugal; Art Institute of Chicago; Konzerthaus Berlin; The Hamburg Short Film Festival; and at The Impakt Festival in The Netherlands.[5]

Appearances on Film
gollark: It wasn't me, blame OpenAI.
gollark: https://www.openai.com/blog/triton/ ← fear it.
gollark: The actual computation for ML tasks runs on your GPU in highly optimized code, so the language in use to direct it doesn't matter that much.
gollark: It's very elegant and minimal.
gollark: Lua is very cool but kind of annoying ecosystemwise.

References
  1. "Ruhrtriennale". www.ruhrtriennale.de. Retrieved 2019-11-11.
  2. "Binibon". Wingspace Theatrical Design. Retrieved 2019-11-11.
  3. Schweitzer, Vivien (2014-10-21). "A Lively Mind, Soon Before Death". The New York Times. ISSN 0362-4331. Retrieved 2019-11-11.
  4. Peppered. "Filiseti Mekidesi (In Search of Sanctuary) - Elliott Sharp, Ensemble Musikfabrik, Voxnova Italia, Kamilya Jubran | Was ist los | Ruhrtriennale". www.ruhrtriennale.de. Retrieved 2019-11-11.
  5. etc_admin_1 (2011-03-21). "Written Word". experimentaltvcenter.org. Retrieved 2019-11-11.
  6. "Janene Higgins & Zeena Parkins, Ela Troyano & Tessa Hughes-Freeland". search.library.brown.edu. Retrieved 2019-11-11.
  7. Shadows Choose Their Horrors, retrieved 2019-11-11
  8. Elliott Sharp: Doing the Don't, retrieved 2019-11-11
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