Jan Schultsz

Jan Schultsz (Amsterdam) is a Dutch pianist and conductor. He is an accompanist in lieder recitals.[1][2]

Biography

Schultsz first took piano lessons at the age of 4 and commenced horn lessons at the age of 10. Emphasis was laid on both these instruments during his student years under Jan Wijn and Adriaan van Woudenberg at the Sweelinck Conservatoire in Amsterdam. In 1986, he removed to Basle, where he continued his studies of the horn among other instruments at the Schola Cantorum Basiliensis under Thomas Müller-Pering and at the Conservatoire de Lausanne under Bruno Schneider. He was finally awarded the Premier Prix de Virtuosité and played in numerous orchestras, such as the Concertgebouw Orchestra, the Netherlands Radio Orchestra Hilversum, in the Basle Orchestra, the Camerata Bern and in various Baroque ensembles such as the Concerto Köln, the Freiburg Baroque Orchestra and the Clementi Consort.

Jan Schultsz ended his studies of the pianoforte at the City of Basel Music Academy under László Gyimesi and Peter Efler. As a concert pianist, he gave concerts together with singers and instrumentalists in many countries of Europe; he was a co-founder of the Kammerorchester Basel and appeared as a soloist with the Sinfonieorchester Basel and with various chamber orchestras. He accompanied the master courses of Hermann Baumann and Paul Tortelier and lead the Lieder and oratorio class at the Bruckner Conservatory Linz. In 1996, the young artist gave his debut at the Carnegie Hall, New York City with the Finnish Cellist, Marko Ylönen. He has also collaborated at the Zurich Opera House. At the present time, he is a professor at the FHNW School of Music in Basel.

Conducting

From 1991 to 1995, Jan Schultsz absolved studies for the position of orchestral leader in Basle, Berne and Zurich under Horst Stein, Manfred Honeck, Wilfried Boettcher and Ralf Weikert. He took part in courses on conducting under Jorma Panula in Helsinki and under Sir Edward Downes in the Kyrill Konrashin Conductors Master Classes in the Netherlands. He has also studied at the Saint Petersburg Conservatory under Ilya Musin (conductor).

He has appeared as a guest conductor with many orchestras in Europe. In this position, he has conducted the Chamber Orchestra in Basle, Tonhalle Orchestra in Zurich, the Basle Symphony Orchestra, the Mozarteum Orchestra of Salzburg, the Vienna Chamber Orchestra, the Hungarian National Orchestra in Budapest, the Orchestre de Chambre of Geneva, the RTL Orchestra in Luxembourg, the Bieler Orchester-Gesellschaft (OGB), the Orchester Musikkollegium Winterthur, the Radio Symphony Orchestra of Hilversum and the L'Orchestre de chambre de Neuchâtel (OCN) at which he has been retained as musical director as from 1999 until his retirement in 2009.[3] He was engaged as orchestral leader at the Oslo Opera House and conducted the Hungarian State Opera in Budapest. Schultsz has also contributed to numerous radio and television programmes. He has won several awards and scholarships Schultsz was appointed as jury for the final of the first Altenburg International Baroque Trumpet Competition in 1996. Schultsz recently toured Asia with the Gstaad Menuhin Festival Orchestra[4] and soloist Lynnette Seah, as a part of the orchestra and festival's 50th anniversary celebration.

Discography

Jan Schultsz has recorded several recordings of works by composers such as Bellini, Delibes, Mendelssohn, Mozart, Rossini, Schumann and Verdi. As an accompanist he often works with soloists such as Romanian soprano de:Elena Moșuc, Jenő Jandó, Birgit Remmert and Felix Renggli.

gollark: This actually looks 3D, which is very cool.
gollark: I don't know how that "self-organizes" into a fairly pleasant image, but generally it produces several regions containing bands of color going in the same direction, meeting at the starting point.
gollark: There are some minor additional complexities in mine, such as reducing it from 16-bit to 8-bit color.
gollark: It *continues* doing that until the ring is entirely offscreen.
gollark: It moves outward from that in concentric square "rings", and sets each pixel in that to a randomly selected adjacent pixel plus some random adjustments.

References
  1. Gramophone: Volume 86, Issues 1035-1037 2008 "Jan Schultsz, too, is one of the most eloquent of pianists, duetting tenderly with the voice in "Verborgenheit* and matching Richter's demonic virtuosity in "Der Feuerreiter", where the piano glitters that much more garishly in the ..."
  2. Goldberg: early music magazine: Issues 42-45 2006 "Over the years some of the greatest performers and conductors of baroque music have passed through the Swiss city ... the Choeur Da Camera and Orchestre de Cham- bre Neuchatel, under the direction of Jan Schultsz, will inaugurate the.. "
  3. L'Ensemble symphonique de Neuchâtel orphelin
  4. Gstaad Menuhin Festival Orchestra
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