Jan-Baptist Huysmans

Jan-Baptist Huysmans or Jean Baptiste Huysmans[1] (French pronunciation: ​[ʒanbatist ɥijsmã]; 25 April 1826 in Antwerp – May 1906 in Hove, Belgium), was a Belgian painter known for his Orientalist scenes. He led a peripatetic life style and travelled and worked in many countries.[2]

For the 16th and 17th landscape painter, see Jan Baptist Huysmans.
Jan-Baptist Huysmans
The artist sketching in a courtyard in Damascus, by Jan-Baptist Huysmans
Born25 April 1826, Antwerp
DiedMay 1906, Hove, Belgium
NationalityBelgian
EducationRoyal Academy of Fine Arts (1843-1849)
Known forOrientalist paintings

Life

Jan Baptist Huysmans was born in Antwerp. He studied at the Royal Academy of Fine Arts (Koninklijke Academie voor Schone Kunsten) in Antwerp from 1843 to 1849. Starting from 1856, he travelled widely and visited Greece, Turkey, Syria, Palestine, Egypt and Algeria.[3] He was clearly fascinated and sensitive to the intricacies of local costume, accessory, and custom as is shown in his sketchbooks, studies, paintings and written accounts of these travels.[2]

A celebration

He spent 30 years in Paris before returning to live in his native city of Antwerp.[4] He settled later with his wife Maria-Catherina in Hove, Belgium where he died in 1906.[5]

He exhibited in Antwerp in 1853, at the Royal Glasgow Institute of the Fine Arts and the Manchester Art Gallery from 1863 to 1891, and at the Salon des Artistes Français in Paris in 1889 for the Exposition Universelle.[3]

Work

Huysmans is now mainly known for his Orientalist compositions. During his lifetime he also produced vast religious compositions for churches in Jerusalem as well as decorative panels in the church and municipal buildings of the Belgian cities Gheel and Comines.[3]

Huysmans' Orientalist paintings were clearly influenced by Orientalism's greatest master Gérôme. He may also have been influenced by the popular British Orientalist painter John Frederick Lewis (1804-1876), whose "domesticated" Middle Eastern genre scenes were internationally praised.[2] His Orientalist paintings represent simple, everyday scenes with strong colouring and well-observed details of costumes and objects.[5]

He published his memoirs in illustrated works entitled Voyages en Italie et en Orient en 1856-1857. Notes et Impressions 1857 ('Travels in Italy and the Orient. Notes and Impressions 1857')[6] in 1857 and Voyage illustré en Espagne & en Algérie, 1862 ('Illustrated travels in Spain and Algeria, 1862')[7] in 1865.[3]

  • Selected works
  • A plume of smoke
  • The Moorish Boudoir
  • The presentation of the bride to the Court of Syria in Damascus
  • The juggler
  • The captive
  • Emir Abd-el-Kader protects the Christians
  • A private meeting
gollark: I don't actually know whatsoever, having not checked.
gollark: Does this fit with history? I'm sure you could look at societies with differing levels of external pressures/fighting and check.
gollark: I see.
gollark: If men were going around coordinating to organize things to benefit themselves, they would probably *not* want high suicide rates and prison populations and such.
gollark: Suuuure.

See also

References
  1. Also known as 'Jan Baptist Huysmans', 'Jan Baptiste Huysmans', 'Jan Baptist Huysmans II'
  2. Jan Baptist Huysmans (Belgian, 1826-1906), The Celebration at Bonhams
  3. "HUYSMANS, Jan Baptist." Benezit Dictionary of Artists. Oxford Art Online. Oxford University Press. Web. 16 Feb. 2017
  4. Jean Baptiste Huysmans at the Netherlands Institute for Art History (in Dutch)
  5. Lynne Thornton, Les Orientalistes Peintres voyageurs, ACR Édition Poche Couleur, Courbevoie, 1994 ISBN 978-2-86770-060-6
  6. Jan Baptist Huysmans, Voyages en Italie et en Orient en 1856-1857. Notes et Impressions 1857 on archive.net
  7. Jan Baptist Huysmans, Voyage illustré en Espagne & en Algérie, 1862 on archive.net
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