James Peter Quinn

James Peter Quinn (4 December 1869 – 18 February 1951) was an Australian portrait painter born in Melbourne.[1]

James Quinn standing fifth from the left in this group portrait of Australian official war artists, 1916-1918 by George Coates, 1920. Oil on canvas, 124.2 x 104.5 cm. The painting presents, left to right: front — George Bell; standing — John Longstaff, Charles Bryant, George Washington Lambert, A. Henry Fullwood, Quinn (leaning over Leist), H. Septimus Power, Arthur Streeton; and seated back — Will Dyson, Fred Leist.
My friend Harold Parker, c. 1907. Oil on canvas on board, 35.5 x 31 cm., collection of the National Library of Australia
Lieutenant General Sir Henry Chauvel, 1919. Oil on canvas, 121.2 x 75.2 cm., collection of the Australian War Memorial

Biography

He studied part-time under Frederick McCubbin 1887–1999, at the Melbourne's National Gallery of Victoria Art School under George Folingsby and Bernard Hall 1889–1893, then in Paris at the Académie Julian and the École des Beaux-Arts from 1893–1901 under Jean Paul Laurens aided by a National Gallery of Victoria travelling scholarship.[1] He spent time painting at the Etaples art colony in northern France, alongside other Australians including Rupert Bunny and Hilda Rix Nicholas.[2]

By 1904, he was a highly successful portrait painter and exhibited at the Royal Academy of Arts. His Mère et Fils (of his wife and son), was awarded an honourable mention at the Salon, Paris, in 1912. He was commissioned to paint Joseph Chamberlain, the Duchess of York and the Duke of Windsor.[1]

He was accredited official war artist for the First AIF during World War I, painting prominent officers in France (causing considerable friction with authorities and fellow artists).[3]

In 1919 in London, Quinn painted General Sir John Monash, Commander in Chief of the Australian Corps. Monash, credited as the most resourceful and innovative General of WW1, planned and carried out with his 5 Australian Divisions, and the Canadian Corps on their right flank, the significant victory at the Battle of Amiens, 8 Aug 1918 - 0808 - which brought about the earlier than expected end to WW1. Quinn's portrait belonged to the Monash-Bennett family mantel until being gifted to the National Portrait Gallery of Australia,[4] Canberra. This portrait was the model for the Monash Medal[5] awarded each year to an Outstanding Australian for her/his contribution in Leadership, Integrity, and Service to the Australian community and beyond.

Then from 1919, Quinn worked with Canadian War Records, only returning to Australia in December 1935 after the death of son René.[3] He rejoined the highly conservative Victorian Artists Society and was even president for a year, but his openness to modern art made him no friends and was the basis of a public confrontation with Prime Minister Robert Menzies.[1] However, he continued exhibiting his paintings and taught at the National Gallery of Victoria Art School.[1] His work was also part of the painting event in the art competition at the 1932 Summer Olympics.[6]

A commemorative exhibition was held at the Victorian Centre for the Arts in 1980.

Selected works

The National Library of Australia hosts three works by Quinn:

The collection of the Australian War Memorial, Canberra includes a number of his war portraits, e.g.,

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References
  1. Fraser, Alison (18 February 1951). "Biography - James Peter Quinn - Australian Dictionary of Biography". Adbonline.anu.edu.au. Retrieved 8 June 2014.
  2. Eagle & Jones 1994, p. 120.
  3. "Lieutenant James Peter Quinn profile". Awm.gov.au. Australian War Memorial. Retrieved 20 March 2020..
  4. "John Monash, 1919". portrait.gov.au/. National Portrait Gallery of Australia. Retrieved 20 March 2020..
  5. "Monash Medal", rotaryclubofmelbourne.org.au.
  6. "James Peter Quinn". Olympedia. Retrieved 2 August 2020.
  7. My Friend Harold Parker, National Library of Australia.
  8. Portrait of Richard Gardiner Casey, National Library of Australia.
  9. Dr Cecil John Davenport, National Library of Australia.

Further reading
  • Art in Australia no.8 1921
  • Eagle, Mary; John Jones (1994). A Story of Australian Painting. Chippendale, NSW: Macmillan Australia. ISBN 0-7329-0778-0.CS1 maint: ref=harv (link)
  • McCullough, Alan (1968). Encyclopedia of Australian Art. London: Hutchinson. ISBN 0-0-908142-0-7.

Media related to James Peter Quinn at Wikimedia Commons

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