James Gardner (designer)

James "Leslie" Gardner OBE RDI (1907–1995) was a British museum and exhibition designer. Although most widely known for his exhibition work, Gardner also undertook illustration and ship design work. His archive is located at the University of Brighton Design Archives.[1]

We Too Must Defend Our Freedom, by James Gardner.

Early career

Educated at Westminster School of Art, Gardner's career began as an apprentice for Cartier jewellers in 1923. After a period of international travel in the 1930s, Gardner returned to London and began working for the commercial design consultancy, Carlton Studios. His early commissions included advertising work for a number of clients, including Shell. Commissioned by their art director Jack Beddington, Gardner undertook poster and exhibition work for them.[2]

Second World War
War effort bombing scene by James Gardner.

Drafted into the Camouflage Training School at Farnham during World War Two, Gardner designed a series of inflatable deception projects which included dummy tanks and landing craft.[3] Gardner was also employed by the Ministry of Information as an illustrator at this time.

In the 1940s, Gardner designed three non-fiction children's books for Puffin Picture Books.[4]

Exhibition and museum design

Following the war, the Council of Industrial Design commissioned Gardner to oversee various exhibition projects; the most significant of these was the Britain Can Make It exhibition of industrial and product design in 1946. So began Gardner's career which included contributions to the Enterprise Scotland exhibition in 1947, and the Festival of Britain in 1951, where he designed displays for the 'People of Britain' and part of the South Bank exhibition.[5] He was also Chief Designer of the Battersea Park pleasure gardens.

Festival of Britain, Pleasure Gardens, Battersea Park, London, UK.

In 1953, Gardner designed the public decorations for Elizabeth II's Coronation.[6]

Trade shows were a key area of Gardner's work, both at home and overseas. He designed exhibition stands for Central Office of Information projects, Ideal Home exhibitions, and the United Kingdom Board of Trade.[7]

At the Brussels World Fair in 1958 and Expo 67 in Montreal, Gardner's exhibition designs presented ideas concerning British identity. According to Gardner, his aim was 'to offer quirky reinterpretations of people's expectations'.[8]

Gardner worked extensively for museums and on cultural heritage exhibitions; in 1962, he designed dioramas for the newly relocated Commonwealth Institute in London, commissioning artists such as Barbara Jones to design murals.[9] His 1972 'Story of the Earth' display for the Geological Museum, London, was acknowledged as a significant breakthrough in science museum design and critically acclaimed and imitated worldwide.[10]

Amongst Gardner's other notable projects were:

Other commissions

Alongside exhibition design, Gardner was also involved in mainstream industrial design and interior design commissions. These included a prestigious commission from the Cunard cruise line to design the interior and superstructure for the QE2. His design for the ocean liner was described by The Council of Industrial Design as that of a "very big yacht" and with a "look [that was] sleek and purposeful".[18]

James Gardner (3-D Concepts) Ltd.

Together with Eve Harrison and Simon Muirhead, Gardner established James Gardner (3-D Concepts) Ltd. in 1978. The London-based company provided a specialist service in museum and exhibition design, from initial concept to installation.

Awards and accolades

Gardner received an OBE in 1947 for services in connection with the British Government Pavilion at the Universal and International Exhibition, Brussels.[19] He was also elected a Royal Designer for Industry (RDI) in this year.[20]

In 1989 Gardner was awarded the Chartered Society of Designers Medal for outstanding achievement in industrial design.[21]

Bibliography
  • War in the Air, Penguin, lithographed by W. S. Cowell Ltd, 1940, ASIN: B000XA75J6
  • On the Farm, Penguin, lithographed by W. S. Cowell Ltd, 1940
  • The Battle of Britain, Penguin, lithographed by W. S. Cowell Ltd, 1941, ASIN: B0013EBH2M
  • Exhibition and Display, with Caroline Heller, B.T. Batsford, 1960, ASIN: B000XA0BMO
  • Elephants in the Attic, with Ralph Steadman, Orbis, 1983, ISBN 978-0856134760
  • The ARTful Designer: Ideas Off the Drawing Board, James Gardner, 1993, ISBN 978-0952127703
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References
  1. James Gardner – University of Brighton Design Archives
  2. Maguire, P & Woodham, J, Design and Cultural Politics in Postwar Britain: The Britain Can Make it Exhibition of 1946, A&C Black, 1997, ISBN 978-0718501419
  3. James Gardner Archive – The Archives Hub
  4. Penguin First Editions
  5. Cadbury-Brown, HT, A Good Time-and-a-half was had by All, Twentieth Century Architecture, No. 5, FESTIVAL OF BRITAIN (2001), pp. 58–64
  6. Gardner, James – The National Archives
  7. Fair Designs, The Glasgow Herald, 11 March 1957
  8. Darling, Elizabeth, Exhibiting Britain: Display and National Identity 1946–1967
  9. Bradley, Kenneth, The New Commonwealth Institute, Journal of the Royal Society of Arts, Vol. 111, No. 5081 (April 1963), pp. 403–411
  10. New Scientist, 27 October 1977, p. 238
  11. Velarde, Giles, James the First, Design Week, April 1995
  12. Evoluon
  13. Museums in Israel: Beit Hatefusot – Diaspora Museum
  14. Historic England. "Syon Park (1000148)". National Heritage List for England. Retrieved 19 May 2015.
  15. Taiwan Info: Scientific Artistry, November 1989. Retrieved May 2015
  16. Socken, Hillel, Packaging the Evolving Museum, Curator 49/1, January 2006
  17. Obituary, The Independent, 29 March 1995
  18. QE2 Engineering and Design
  19. Supplement to the London Gazette, 1 January 1947, p13
  20. Obituary, RSA Journal, June 1995
  21. Chartered Society of Designers – Minerva Medal Winners Archived 5 September 2015 at the Wayback Machine
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