James Fotopoulos

James Fotopoulos (born 1976, Norridge, Illinois) is an independent filmmaker whose work is low-budget and rigorous, and consists of experimental narrative features, non-narrative shorts, and video installations.[1] He began creating his film projects as a teenager in 1993, and as of 2012, has made over 100 films and videos.[2][3]

Partial filmography

Recognition

Fotopoulos' work was featured in the 2004 Whitney Biennial[4] and he has collaborated with media artist Cory Arcangel.

The Film Journal praises Fotopoulos, writing he is "one of cinema's most unique voices, a filmmaker of uncompromising vision."[2]

Of Fotopoulos' film Migrating Forms, Amy Taubin of The Village Voice wrote that while it was not a pleasurable experience, the film stayed with her most vividly as a "kind of stripped-down Eraserhead", which offered "a formal purity and obsessive power that's all too rare these days".[5]

Awards and nominations

Personal

James Fotopoulos was raised in Norridge, Illinois. His father was a policeman and his mother a hairdresser. He displayed artistic aptitude as a child and devoted his attention to filmmaking at age 15. His 1997 film Zero, shot when he was 18 years old during his first year as a film student at Columbia College Chicago, was his first feature.[7] In 1998 James founded his production company Fantasma Inc.[8]

  1. Frye, Brian. "James Fotopoulos: An Interview". Other Cinema. Archived from the original on January 31, 2013. Retrieved June 5, 2013.
  2. Curnutte, Rick. "Unquiet Cinema - An Interview with James Fotopoulos". Film Journal, Issue 4. Retrieved June 6, 2013.
  3. Filmmaker Magazine, Summer 2012, Donal Foreman (April 29, 2013). "James Fotopoulos in Filmmaker Magazine Now Online" (reprint in Fantasma). Retrieved June 6, 2013.
  4. Whitney website Archived 2006-05-03 at the Wayback Machine
  5. Taubin, Amy (March 7, 2000). "Getting Over; Going Underground". The Village Voice. Retrieved June 6, 2013.
  6. Everleth, Mike (May 4, 2012). "James Fotopoulos' Migrating Forms". Underground Film Journal. Retrieved June 5, 2013.
  7. Halter, Ed (November 21, 2000). "Horror, Violence, Sociopathic Loners: The Films of James Fotopoulos Play Downtown". New York Press. Retrieved June 6, 2013.
  8. "James Fotopoulos – Film". jamesfotopoulos.com. Retrieved 2018-08-04.
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gollark: Planes couldn't land because tinsels kept crashing into them.
gollark: The REAL reason for no biome prizes: confusion with golds.
gollark: That'd be very confusing.
gollark: Ah, but if it was rare in the biomes, by existing logic it would also be in the market.
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