Jagath Weerasinghe

Jagath Weerasinghe (Sinhala: ජගත් වීරසිංහ) (born 1954) is a Sri Lankan contemporary artist and archeologist.

Jagath Weerasinghe
ජගත් වීරසිංහ
Born1954 (1954)
Moratuwa, Sri Lanka
NationalitySri Lankan

Weerasinghe has been a significant driving force in the development of Sri Lankan art since the early 1990s. He is Director of the Postgraduate Institute of Archaeology at the University of Kelaniya.[1][2]

He obtained a Bachelor of Fine Arts with Honours in Painting at the Institute of Aesthetic Studies, University of Kelaniya, Sri Lanka in 1981.[3] In 1985 he received a Conservation of Wall Paintings, International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM) in Rome, which was followed in 1988 by a Conservation of Rock Art from the Getty Conservation Institute in Los Angeles.

In 1991 Weerasinghe obtained a Master of Fine Arts in Painting at the American University, Washington, D.C.[3]

Weerasinghe coined the phrase ‘90s Art Trend’, recognizing at the time the need for a cohesive framework to describe the activity of his peer group.[1] This adopting of a phrase as framework by Weerasinghe acted as a catalyst for theoretical inquiry into the politically conscious contemporary art praxis of the 1990s in Sri Lanka.

He was commissioned by the Sri Lankan government to design the monument ‘Shrine for the Innocent’ as a remembrance for the innocent victims of the violence that the southern part of the country experienced in the late 1980s and early 1990s with the work completed in 1999.[4]

He co-founded the Theertha International Artists Collective in 2000, and served as its Chairman till 2017. Theertha continues to foster new artists and initiatives.[1][5] He describes current Sri Lankan artists as living in an era of ‘para-modernism’.

Exhibitions

Weerasinghe's works have been exhibited in the United States, United Kingdom, Australia, India, Netherlands, Germany and Japan.[6] Solo exhibitions include Belief: The Promise of Absence, Saskia Fernando Gallery, Colombo, Sri Lanka, 2018;[7] Dream for Me, curated by Liz Fernando at Khoj, Delhi, India, 2018;[8] and Decorated, Breese Little, London, UK, 2014;[9] among others.

gollark: The US hasn't handled it well itself.
gollark: The "try and cover it up" thing wasn't very good of them.
gollark: Also, lots of minor vaguely relevant habits will stick around.
gollark: It'll spark a bunch of people talking about how it'll change society forever, but people will mostly forget in a few decades until the next one comes along.
gollark: We may have to stop licking eyeballs as a greeting, for instance.

References
  1. "Jagath Weerasinghe". Breese Little. Retrieved 19 May 2015.
  2. "Postgraduate Studies and Research". University Grants Commission - Sri Lanka. Retrieved 19 May 2015.
  3. "Jagath Weerasinghe". Framer Framed. Retrieved 19 May 2015.
  4. Hattotuwa, Sanjana (13 June 2009). "Art, War and Politics in Sri Lanka - An Interview with Jagath Weerasinghe". Groundviews. Retrieved 19 May 2015.
  5. Dhar, Jyoti (25 January 2015). "Respite and Revival". Sunday Times. Retrieved 19 May 2015.
  6. "Jagath Weerasinghe 1954, LK". ArtFacts.net. Retrieved 19 May 2015.
  7. "Belief: The Promise of Absence | 16 November - 6 December 2018". Saskia Fernando Gallery. Retrieved 7 May 2020.
  8. "Curatorial Intensive South Asia / Seven Exhibitions « KHOJ". Retrieved 7 May 2020.
  9. "Jagath Weerasinghe: Decorated". www.artlyst.com. Retrieved 7 May 2020.

90 දශකයේ කලාව

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