Jacques Terpant

Jacques Terpant, born 11 April 1957 in Romans-sur-Isère, Drôme, is a French comics artist. He debuted in 1982 with the comic book Branle-bas de combat, made together with Luc Cornillon.[1] His style is inspired by Jean Giraud.[2]

Terpant in 2016

In 2011 he received the Prix Saint-Michel for best artwork, for the third volume of his Sept cavaliers series, which is based on Jean Raspail's novel with the same title.[3][4]

Bibliography
  • Branle-bas de combat (1982) with Luc Cornillon (Humanoïdes Associés).
  • New-York inferno (1983), scenario Doug Headline (Magic Strip).
  • La citadelle pourpre (1988), scenario Doug Headline (Éditions Delcourt).
  • Le Céleste (1988), scenario Tourette (Éditions Delcourt).
  • Le Passage de la saison morte (2 volumes, 1989–1990)
  • La Blessure du Khan (1990), scenario Cailleteau, éditions Zenda.
  • Messara (3 volumes, 1994–1996)
  • Méditerranéennes (1996), éditions Jotim
  • Pirates (5 volumes, 2001–2007)
  • Le Château des femmes (2002), text by Françoise Rey (Éditions IPM).
  • Contes et Légendes des Monts du Matin (2008), text by Patrick Bellier, éditions Glénat.
  • Sept Cavaliers (3 volumes, 2008–2010), based on Sept cavaliers by Jean Raspail
  • Le Royaume de Borée (3 volumes, 2011–2014), based on Les Royaumes de Borée by Jean Raspail
  • Capitaine perdu (2 volumes, 2015–2016), éditions Glénat, based on the life of Louis Groston de Saint-Ange de Bellerive.
  • L'Imagier de Jacques Terpant (2015), éditions Sandawe.
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References
  1. Dary, Thibaut (2016-11-17). "À recherche des temps oubliés". Valeurs actuelles (in French). Retrieved 2017-01-30.
  2. Staff writer (2010). "Interview du Cavalier numéro 9 : Jacques Terpant". Sceneario.com (in French). Retrieved 2017-01-30.
  3. Anspach, Nicolas (2011-10-10). "Le sacre de Philippe Delaby au Festival de Bruxelles-Capitale". ActuBD (in French). Retrieved 2017-01-30.
  4. Dandrieu, Laurent (2008-07-29). "Sept cavaliers de Jacques Terpant, d'après Jean Raspail". Valeurs actuelles (in French). Retrieved 2017-01-30.
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