Jacques Rémy (writer)
Jacques Rémy (1911–1981) was the pen name of Rémy Assayas or Raymond Assayas a Turkish-born Jewish French screenwriter.[1][2][3]
Jacques Rémy | |
|---|---|
| Born | 21 June 1911 |
| Died | 1 December 1981 |
| Occupation | Screenwriter |
| Years active | 1947-1981 |
Rémy is the father of film director and critic, Olivier Assayas and Michka Assayas. He is Jewish.[4]
Selected filmography
- The Damned (1947)
- The Secret of Mayerling (1949)
- The Fighting Men (1950)
- The Big Meeting (1950)
- Paris Vice Squad (1951)
- Paris Is Always Paris (1951)
- Matrimonial Agency (1952)
- The House on the Dune (1952)
- Cavallina storna (1953)
- Passionate Song (1953)
- Follow That Man (1953)
- Beatrice Cenci (1956)
- Engaged to Death (1957)
- The Night Heaven Fell (1958)
- The Cat (1958)
- The Cat Shows Her Claws (1960)
- All the Gold in the World (1961)
- Casablanca, Nest of Spies (1963)
- The Dirty Game (1965)
gollark: Δy/Δx, if you prefer.
gollark: The slope of the line.
gollark: Ah, so if two adjacent things are the same and both extrema it wants the midpoint?
gollark: If they mean approximately the same things as in the calculus I did, then if the gradient was positive/negative on one side and the same sign on the other it would not be a maximum/minimum but just an inflection point. But if the gradient changes sign, then it can be, and this probably requires a different value to on either side. But I don't really get what they're saying either.
gollark: I think to be a valid maximum/minimum it has to be >/< but *not* equal?
References
- Oscherwitz & Higgins p.26
- "Olivier Assayas Interview". Outside In Tokyo.
- Franck Le Gac, "Olivier Assayas", Senses of Cinema, Issue 39, Great Directors.
- Chouaki, Yasmine (1 June 2012). "2. Michka Assayas (rediffusion)". RFI. Retrieved 1 October 2012.
Bibliography
- Dayna Oscherwitz & MaryEllen Higgins. The A to Z of French Cinema. Scarecrow Press, 2009.
External links
- Jacques Rémy on IMDb
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