Jacques Baumer
Jacques Baumer (born Jacques Henri Nusbaumer; 12 April 1885 - 20 June 1951), was a French theatre director and comedian.
Jacques Baumer | |
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![]() Grave at the cimetière du Père-Lachaise | |
Born | Jacques Henri Nusbaume 12 April 1885 |
Died | 20 June 1951 66) | (aged
Filmography
- 1932: Ce cochon de Morin by Georges Lacombe
- 1933: Étienne by Jean Tarride
- 1936: La Reine des resquilleuses by Max Glass and Marco de Gastyne – (M. Legrand)
- 1936: L'Homme sans cœur by Léo Joannon - (Jeanton)
- 1936: La Belle Équipe by Julien Duvivier - (M. Jubette)
- 1937: Southern Mail by Pierre Billon – (Le procureur)
- 1937: La Porte du large by Marcel L'Herbier - (commandant Bovy)
- 1937: Gribouille by Marc Allégret - (M. Morinier)
- 1937: Mollenard by Robert Siodmak
- 1937: Feu ! (film, 1937) by Jacques de Baroncelli - (Di-Larco)
- 1937: Un déjeuner de soleil by Marcel Cravenne - (M. Fleury-Vallée)
- 1937: Double crime sur la ligne Maginot by Félix Gandera - (inspector Finois)
- 1938: La Glu (film, 1938) by Jean Choux - (doctor Cézambre)
- 1938: La Piste du sud by Pierre Billon - (Gomez)
- 1938: Café de Paris (film, 1938) by Yves Mirande and Georges Lacombe - (Le commissaire de police)
- 1938: Légions d'honneur by Maurice Gleize -
- 1938: Désiré (film, 1937 by Sacha Guitry - (Félix)
- 1938: Rasputin (1938 film) by Marcel L'Herbier - (Prokoff)
- 1938: Durand bijoutier by Jean Stelli
- 1938: Accord final by J. Rosenkranz - (M. Hénard)
- 1939: Le Jour Se Lève by Marcel Carné
- 1939: Entente cordiale by Marcel L'Herbier - (Clemenceau)
- 1939: Behind the Facade by Yves Mirande and Georges Lacombe -
- 1940: Paris-New York by Yves Mirande -
- 1942: The Strangers in the House (film) by Henri Decoin - (Gérard Rogissart)
- 1942: Les Ailes blanches by Robert Péguy - (Henri Lebourg)
- 1942: Les affaires sont les affaires (film, 1942) by Jean Dréville - (Grugh)
- 1942: L'Appel du bled by Maurice Gleize - (the doctor)
- 1942: The Benefactor by Henri Decoin - (director of P.J)
- 1942: Mahlia la métisse by Walter Kapps
- 1942: Mademoiselle Béatrice by Max de Vaucorbeil - (Maître Bergas)
- 1943: The Count of Monte Cristo (1943 film) by Robert Vernay - (Noirtier), Edmond Dantès during the first period
- 1943: Le Colonel Chabert by René Le Hénaff - (M. Delbecq)
- 1943: L'Éternel Retour by Jean Delannoy
- 1943: Coup de tête (film, 1944) by René Le Hénaff - (M. Vorage)
- 1944: Les Caves du Majestic by Richard Pottier - (Arthur Donge)
- 1947: Par la fenêtre by Gilles Grangier - (M. Miroud, the commanditaire)
- 1948: Dilemma of Two Angels by Maurice Tourneur - (Jérôme)
- 1948: Le Comédien (film, 1948) by Sacha Guitry - (M. Maillard)
- 1949: Millionnaires d'un jour by André Hunebelle - (president of the court)
- 1949: 'Night Round by François Campaux - (judge)
- 1949: Le Furet (film, 1949) by Raymond Leboursier - (Le commissaire Hyacinthe)
- 1949: Manèges by Yves Allégret - (Louis)
- 1950: Ma pomme by Marc-Gilbert Sauvajon - (Maître Dubuisson)
- 1951: Darling Caroline by Richard Pottier -
Theatre
Comedian
- 1921: La Souriante Madame Beudet by Denys Amiel and André Obey, Théâtre de Paris
- 1923: La Vagabonde by Colette and Léopold Marchand, théâtre de la Renaissance
- 1924: La Galerie des glaces by Henri Bernstein, Théâtre du Gymnase
- 1927: Vient de paraître (pièce de théâtre) by Édouard Bourdet, directed by Victor Boucher, Théâtre de la Michodière
- 1929: Durand, bijoutier by Léopold Marchand, Théâtre Saint-Georges
- 1930: Étienne by Jacques Deval, Théâtre Saint-Georges
- 1933: Karma by Jeffrey Dell, Théâtre de l'Œuvre
- 1934: Les Temps difficiles by Édouard Bourdet, Théâtre de la Michodière
- 1936: Europe by Maurice Rostand, Théâtre Pigalle
- 1936: La vie est si courte by Léopold Marchand, Théâtre Pigalle
- 1938: Duo de Paul Géraldy, directed by Jean Wall, Théâtre Saint-Georges
- 1941: La Machine à écrire by Jean Cocteau, directed by Jean Cocteau, Théâtre Hébertot
- 1943: Clotilde du Mesnil by Henry Becque, directed by Alice Cocéa, Théâtre des Ambassadeurs
- 1943: Mais n'te promène donc pas toute nue ! by Georges Feydeau, directed by Alice Cocéa, Théâtre des Ambassadeurs
- 1943: À la gloire d'Antoine by Sacha Guitry, Théâtre Antoine
- 1947: Nuits noires by John Steinbeck, directed by Henri Rollan, Théâtre Saint-Georges
- 1944: Mademoiselle Antoinette by Jean Guitton, Théâtre de l'Apollo
- 1950: Harvey by Mary Chase, mise-en-scène Marcel Achard, Théâtre Antoine
Theatre director
- 1929: L'Amoureuse Aventure by Paul Armont and Marcel Gerbidon, Théâtre Édouard VII
- 1930: Mistigri by Marcel Achard, Théâtre Daunou
- 1930: Langrevin père et fils by Tristan Bernard, Théâtre des Nouveautés
- 1931: Le Cyclone de Somerset Maugham, Théâtre des Ambassadeurs
- 1932: Mademoiselle (pièce de théâtre) by Jacques Deval, Théâtre Saint-Georges
- 1932: Trois et une by Denys Amiel, Théâtre Saint-Georges
- 1933: Lundi 8 heures by George S. Kaufman and Edna Ferber, Théâtre des Ambassadeurs
- 1934: Le Discours des prix, play with 3 acts and 4 scenes by Jean Sarment, Théâtre Saint-Georges, 27 September in Paris
- 1934: Liberté provisoire by Michel Duran, Théâtre Saint-Georges
- 1936: Ma liberté by Denys Amiel, Théâtre Saint-Georges
- 1942: Les Inséparables by Germaine Lefrancq, Théâtre de Paris
- 1942: Les J3 ou la nouvelle école by Roger Ferdinand, Théâtre des Bouffes-Parisiens
- 1946: Ce soir je suis garçon ! by Yves Mirande & André Mouëzy-Éon, Théâtre Antoine
- 1946: Les Derniers Seigneurs by Roger Ferdinand, Théâtre Édouard VII
- 1946: La Nuit du 16 janvier by Ayn Rand, Théâtre de l'Apollo
- 1946: Étienne by Jacques Deval, Théâtre La Bruyère
- 1948: Ils ont vingt ans by Roger Ferdinand, Théâtre Daunou
- 1954: Les J3 de Roger Ferdinand, Théâtre de l'Ambigu-Comique
Bibliography
- Raymond Chirat, Olivier Barrot, Les Excentriques du cinéma français : 1929-1958, Henri Veyrier, Paris, 1983 ISBN 9782851993045
- Yvan Foucart, Dictionnaire des comédiens français disparus, Éditions cinéma, Mormoiron, 2008, 1185 p. ISBN 978-2-9531-1390-7
gollark: Assuming these "military police" had higher standards than regular police now, would that still be the case if you scaled that system up to match all the ones they're replacing?
gollark: Members of parliament?
gollark: Whatever the cause actually is, I'm not sure there really is a hugely consistent one.
gollark: Destroying random people's stuff is unlikely to make anyone sympathetic to the cause.
gollark: We live in a society.
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