Jacquelynn Baas

Jacquelynn Baas is an independent curator, cultural historian, writer, and Director Emeritus of the University of California Berkeley Art Museum and Pacific Film Archive.[1] She has published on topics ranging from the history of the print media to Mexican muralism to Fluxus to Asian philosophies and practices as resources for European and American artists.

Early life and education

Jacquelynn Baas was born in Grand Rapids, Michigan where she attended Grand Rapids Christian High School. As an undergraduate at Michigan State University she studied with Elizabeth Gilmore Holt, receiving her B.A. with a major in Art History in 1971. In 1973 Baas was awarded an M.A. with Certificate in Museum Practice from the University of Michigan; the following year she served as curatorial intern at the Grand Rapids Art Museum. In 1982 Baas was awarded a Ph.D. in Art History from the University of Michigan, earned while working as Registrar and then Assistant to the Director at the University of Michigan Museum of Art. Her dissertation topic, Auguste Lepère and the Artistic Revival of the Woodcut in France, 1875-1895,[2] was the subject of a 1984 exhibition and catalogue[3] co-authored with Richard S. Field.

Museum affiliations

In 1982 Baas moved to Hanover, New Hampshire to serve as Chief Curator of the new Hood Museum of Art, Dartmouth College, then being designed by Charles W. Moore with Centerbrook Architects. In 1984 she was named Interim Director of the museum and the next year was appointed Director and presided over the opening of the new Hood Museum of Art.[4] In 1988 Baas was named Director of the then-University Art Museum in Berkeley, California, securing an endowment gift to rename it the Berkeley Art Museum Pacific Film Archive a few years later. Named Director Emeritus in 1999, Baas returned to BAMPFA as Interim Director in 2007-08.[5] In 2008-09 she served as Interim Director for the Mills College Art Museum. Museum directors who have worked under Baas include BAMPFA Director Lawrence Rinder, Philadelphia Museum of Art Director Timothy Rub, Princeton University Art Museum Director James Steward, and Aspen Art Museum Director Heidi Zuckerman.

Exhibitions

Jacquelynn Baas has organized over thirty exhibitions, including the 1990 exhibition, The Independent Group: Postwar Britain and the Aesthetics of Plenty (ICA London; LAMOCA; BAMPFA; Hood Museum, Dartmouth; IVAM Valencia); No Boundary: Duchamp, Cage, and Mostly Fluxus at the 2006 Gwangju Biennale; and Fluxus and the Essential Questions of Life.[6] The exhibition traveled from Dartmouth to the New York University Gray Art Gallery and the University of Michigan Museum of Art in 2011-2012. It was voted “Best Show in a University Gallery” by the American Chapter of the International Association of Art Critics.[7] Berkeley Eye: Perspectives on the Collection was the first collection exhibition in the new building of the Berkeley Art Museum Pacific Film Archive (designed by Diller Scofidio + Renfro). In 2018, Baas curated BAMPFA's Art Wall: Land(e)scape 2018[8] by Barbara Stauffacher Solomon, the originator of Supergraphics in the 1960s.

Scholarship and writing

In 2000 Baas co-founded with Mary Jane Jacob the arts consortium, Awake: Art, Buddhism, and the Dimensions of Consciousness, which over the course of its five-year existence generated some fifty exhibitions, educational programs, artist residencies, and two books: Buddha Mind in Contemporary Art (California 2004) and Smile of the Buddha: Eastern Philosophy and Western Art from Monet to Today (California 2005).[9] Baas is co-editor of Learning Mind: Experience into Art (2010),[10] and Chicago Makes Modern: How Creative Minds Changed Society (2012).[11] She was editor and co-author of Fluxus and the Essential Questions of Life (2011),[12] and has published a number of essays, including “The Epic of American Civilization” in Jose Clemente Orozco in the United States (Norton 2003), “Unframing Experience” in Learning Mind (cited above), “Before Zen: The Nothing of American Dada” in East-West Interchanges in American Art (Smithsonian Institution Scholarly Press, 2012),[13] and “Agnes Martin: Readings for Writings” in Agnes Martin (2015).[14] Her book Marcel Duchamp and the Art of Life was published by MIT Press in Fall 2019.[15]

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References
  1. UC Berkeley Appoints Lawrence Rinder As Director of Berkeley Art Museum and Pacific Film Archive. University press release dated April 25, 2008. URL: https://bampfa.org/press/uc-berkeley-appoints-lawrence-rinder-director-berkeley-art-museum-and-pacific-film-archive-0 Accessed 23 September 2018
  2. Baas, Jacquelynn (1982). "Auguste Lepère and the Artistic Revival of the Woodcut in France, 1875-1895" (Ph.D. Thesis). Deep Blue. Retrieved 27 August 2018.
  3. Baas, Jacquelynn and Richard S. Field. 1984. The Artistic Revival of the Woodcut in France 1850-1900. Ann Arbor, Michigan: University of Michigan Museum of Art url=https://books.google.com/books/about/The_artistic_revival_of_the_woodcut_in_F.html?id=dCgktQEACAAJ Accessed 27 August 2018
  4. Kimball, Roger (November 1985). "Dartmouth's Hood Museum". The New Criterion. Retrieved 27 August 2018.
  5. Shapiro, Michael (2015). Eleven Museums, Eleven Directors. Atlanta: High Museum of Art. pp. 107–108, 158.
  6. Smee, Sebastian. 2011. “Art, Life, and the Legacy of Fluxus.” The Boston Globe. May 15, 2011. Accessible at: http://archive.boston.com/ae/theater_arts/articles/2011/05/15/fluxus_exhibit_at_hood_museum_of_art_looks_at_a_legacy_of_provocation/ Accessed September 23, 2018
  7. Jones, Kristin. "Making Art Out of Living". The Wall Street Journal. Retrieved 11 September 2018.
  8. Hotchkiss, Sarah. "At 90, Barbara Stauffacher Solomon Has No Time for the Art World (and Never Did)". KQED Arts. Retrieved 27 August 2018.
  9. Hartel, Herbert. "Baas, Jacquelynn: Smile of the Buddha". arthist.net. Retrieved 11 September 2018.
  10. Baas, Jacquelynn, and Mary Jane Jacob, eds. 2010. Learning Mind. Experience into Art. Berkeley: University of California Press. ISBN 9780520260764.
  11. Jacob, Mary Jane and Jacquelynn Baas, eds. 2012. Chicago Makes Modern: How Creative Minds Changed Society. Chicago: University of Chicago Press. ISBN 9780226389585.
  12. Baas, Jacquelynn, ed. 2011. Fluxus and the Essential Questions of Life. Chicago: University of Chicago Press. ISBN 978-0-226-03359-4 url=https://www.bibliovault.org/BV.book.epl?
  13. Baas, Jacquelynn. 2012. “Before Zen: The Nothing of American Dada” in Cynthia Mills, Lee Glazer, and Amelia A. Goerlitz, eds. 2012. East–West Interchanges in American Art: A Long and Tumultuous Relationship. Washington, DC: Smithsonian Institution Scholarly Press, pp. 53-65. ISBN 9781935623083 URL https://opensi.si.edu/index.php/smithsonian/catalog/book/25 Accessed 23 September 2018
  14. Agnes Martin. D.A.P./TATE. 2015. ISBN 9781938922763. Retrieved 27 August 2018.
  15. Baas, Jacquelynn. 2019. Marcel Duchamp and the Art of Life. Cambridge, Massachusetts: The MIT Press. ISBN 9780262042741 url=https://mitpress.mit.edu/books/marcel-duchamp-and-art-life
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