Jacob Ben-Ami

Jacob Ben-Ami (November 23[1][2] or December 23,[3] 1890 in Minsk, Russian Empire – July 2, 1977 in New York City, New York, United States) was a noted Belarusian-born Jewish stage actor who performed equally well in Yiddish and English.[4][5][6]

From a 1923 magazine

Biography

Ben-Ami was born in 1890 and grew up in Russia, performing in various acting troupes, before emigrating to the United States in 1912.[2][7] He had a long and distinguished international career, including acting in, staging and directing a number of Broadway plays.[1] In 1918, he founded[6][8] or co-founded[3] the Jewish Art Theatre.[5]

Ben-Ami's first English-language production was the 1920 Broadway play Samson and Delilah. According to biographer Alan Gansberg in Little Caesar: A Biography of Edward G. Robinson, Ben-Ami earned Robinson's disdain by allegedly trying to upstage the other actors and overacting.[9] Both the play and Ben-Ami, however, were hits.[9] In her 1921 review of the production, Dorothy Parker proclaimed him "one of the greatest actors on the stage today."[10] He was also lauded by John Barrymore ("inspired"), The New York Times and Alexander Woollcott ("the cocktail question of the year was 'Ben-Ami or not Ben-Ami'"), among others.[11]

He had much less success in Eugene O'Neill's 1924 play Welded, in which he starred. Among other problems, the style of play did not suit Ben-Ami, and he had a thick accent.[12] Welded closed after three weeks and 24 performances. On the other hand, his last Broadway play was The Tenth Man, written by Paddy Chayefsky; it had one of the longer runs on Broadway at 623 performances from November 5, 1959, to May 13, 1961.[13]

As an established star, Ben-Ami helped the then-unknown John Garfield get accepted into the American Laboratory Theater.[14]

He also co-directed the 1937 film Green Fields with Edgar G. Ulmer and appeared in the films The Wandering Jew (1933) and Esperanza (1949), and on television.[15]

His niece is the actress and film director Jennifer Warren.

gollark: But there are something like 10 good ones.
gollark: Those don't actually need many crypto libraries. Why do people have 3000 of them?
gollark: Worryingly, the biggest category it defines is crypto libraries.
gollark: To be fair, some of these are probably specific to specific software.
gollark: Rust sure does need 200 HTTP clients.

See also

References
  1. Jacob Ben-Ami at the Internet Broadway Database
  2. "Jacob Ben-Ami scripts: 1927-1967". New York Public Library.
  3. "Jacob Ben-Ami". Museum of Family History.
  4. "Jacob Ben-ami Dead at 86". Jewish Telegraphic Agency. July 26, 1977.
  5. Quindlen, Anna (July 23, 1977). "Jacob Ben-Ami Actor, Dies at 86; A Founder of Jewish Art Theater; Helped to Make Stage More Realistic and Less Farcical". The New York Times.
  6. Nahshon, Edna (February 2, 2016). New York's Yiddish Theater: From the Bowery to Broadway. Columbia University Press. p. 156. ISBN 9780231541077. Retrieved May 16, 2016.
  7. "Jacob Ben-Ami". Oxford University Press.
  8. Nahma Sandrow. "Yiddish Theater in the United States". Jewish Women's Archive.
  9. Gansberg, Alan L. (May 18, 2004). Little Caesar: A Biography of Edward G. Robinson. Scarecrow Press. p. 24. ISBN 9780810849501. Retrieved May 16, 2016.
  10. Parker, Dorothy; Fitzpatrick, Kevin C. (May 1, 2014). Dorothy Parker: Complete Broadway, 1918–1923. iUniverse. p. 185. ISBN 9781491722664. Retrieved May 16, 2016.
  11. Sandrow, Nahma (1996). Vagabond Stars: A World History of Yiddish Theater. Syracuse University Press. p. 274. ISBN 9780815603290. Retrieved May 16, 2016.
  12. Shafer, Ivonne (November 28, 2011). Eugene O'Neill and American Society. Universitat de València. pp. 97–98. ISBN 9788437083506. Retrieved May 16, 2016.
  13. The Tenth Man at the Internet Broadway Database
  14. McGrath, Patrick J. (January 1, 1993). John Garfield: The Illustrated Career in Films and on Stage. McFarland. p. 5. ISBN 9780899508672. Retrieved May 16, 2016.
  15. Jacob Ben-Ami on IMDb
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