Jackie Mills

Jackie Mills (born March 11, 1922, New York City - died March 22, 2010, Beaumont, California) was an American jazz drummer.

Mills first learned guitar before picking up drums when he was ten years old. He played in the swing groups of Charlie Barnet and Boyd Raeburn in the 1940s, then with Jazz at the Philharmonic, Gene Norman, Babe Russin, Mannie Klein, Dizzy Gillespie, Benny Goodman, Rene Touzet, Sonny Criss, Andre Previn, Lionel Hampton, Stan Getz, Woody Herman, and Red Norvo. Later in the 1940s he became interested in bebop and began playing in a style influenced by Max Roach. He began playing with Harry James in 1949, working with him through the late 1950s. He recorded as a session musician in the 1950s, including with Gerry Wiggins and Anita O'Day, and did production work for Columbia, MGM, Mainstream, Capitol and Liberty Records, founding the Larrabee Sound Studios. He occasionally recorded in the 1960s, including with Freddie Roach in 1966 and Dodo Marmarosa in 1978, but was chiefly active as a record executive in his later career.

Discography

With Dodo Marmarosa

  • ’’Mellow Mood / How High The Moon (Atomic Records EP, 1945)

With Howard McGhee’’’

  • ’’Just Jazz Concert (GNP Crescendo, 1947)

With Dodo Marmarosa

  • ’’Piano Contrasts (Concert Hall, 1956)

With Benny Carter

With Harry Edison

With Harry James

With Jimmy McGriff

  • I've Got a Woman (Sue, 1962)

References
  • "Jackie Mills". The New Grove Dictionary of Jazz. 2nd edition, ed. Barry Kernfeld.
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