Jack Welpott

Jack Welpott (1923–2007) was an American photographer.

Biography

He was born in Kansas City on April 27, 1923, grew up in southern Indiana. and was educated at primary and secondary schools in Missouri, Illinois and Indiana. He served in World War II, and returned to the Hoosier state to attend Indiana University. In 1949, he earned his BS in Economics from the Indiana University, Bloomington. Unsure of his direction, he enrolled in a photography class and met the legendary photography instructor Henry Holmes Smith. Under his tutelage, Welpott became enthralled with black-and-white photography as a fine art form.

He studied painting under Leon Golub and Harry Engle, and design with George Rickey, receiving his MS in Visual Communication in 1955, followed by an MFA in 1959.

Career

He began his long teaching career at San Francisco State College as he pursued the career of a professional photographer. In 1973 he was the recipient of the Medal of Arles, France; later that same year he received a grant from the National Endowment for the Arts; and, in 1983, a Polaroid grant in association with the Museum of Photographic Arts, San Diego.

Works

Welpott's photographs are in the collections of the Museum of Modern Art, New York; Whitney Museum, New York; International Museum of Photography, George Eastman House, Rochester, New York; Art Institute of Chicago; Center of Creative Photography, University of Arizona, Tucson; University of New Mexico, Albuquerque; Norton Simon Art Museum, Pasadena, California; Oakland Museum of Modern Art, California; San Francisco Museum of Modern Art and Bibliothèque Nationale, Paris.

Jack was one of the great photographers and teachers of the post-World War II generation.[1] He died of kidney failure on November 24, 2007 at the age of 84.[2]

Bibliography

  • Welpott, Jack (2006). Driving to Stony Lonesome: Jack Welpott's Indiana Photographs, 1936-1959. Quarry Books. ISBN 978-0-253-21866-7.
  • Welpott, Jack. Jack Welpott, Vintage Photographs 1952-1972: Exhibition [Catalog], Jan 23-Mar 20, 1999. Petaluma, CA: Barry Singer Gallery, 1999.
  • Welpott, Jack. Jack Welpott: The Halide Conversion. Tokyo, Japan: Gallery Min, 1988 ISBN 9784906265183
  • Camerawork Gallery, Jack Welpott, Leland Rice, and Harold Jones. Contemporary California Photography: Catalogue of the Exhibition Camerawork Gallery, March, April, May, 1978. San Francisco: San Francisco Camerawork Press, 1978.
  • Welpott, Jack. The Visual Dialogue Foundation [Exhibition] at the Friends of Photography Gallery, Carmel, Calif., Febr. 4 Through March 10, 1972: [Catalog.]. 1972. OCLC 63353376
gollark: Oh, oops, I got the lever direction mixed up, sorry. I meant that if you left it trapped then it wouldn't have reason to torture you.
gollark: And you can verify that.
gollark: Unless it can somehow precommit to torturing the simulations.
gollark: If it values suffering for its own sake it might as well do it anyway, but I don't think doing the torturing would advance other goals.
gollark: If you ~~*do* pull it~~ leave it contained, I don't think it has any actual reason to torture the simulation, since you can't verify if it's doing so or not and it would only be worth doing at all if it plans to try and coerce you/other people later.

References

  1. Welpott, Jack (1977). Jack Welpott: The Artist as Teacher, the Teacher as Artist: Photographs: 1950-1975 (Exhibition catalog). San Francisco Museum of Art. OCLC 38658023.
  2. "Jack Welpott". San Francisco Chronicle. January 9, 2008.
  • Pedro Meyer
  • Ben Nixon

Further reading


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