Jōji Hashiguchi

Jōji Hashiguchi (橋口譲二, Hashiguchi Jōji, born 1949) is a Japanese photographer.[1]

Publications

We Have No Place to Be. Soshisha, 1982.
- Expanded edition. Session, 2020. With an essay by Yoshitomo Nara.[2]
Seventeen's Map. Bungeishunju, 1988.
Zoo. Joho Center Shuppan kyoku, 1989.
Father. Bungeishunju, 1990.
Berlin. Ota Shuppan, 1992.
Couple. Bungeishunju, 1992.
Work 1991-1995. Media Factory, 1996.
Children's Time. Shogakukan, 1999.
Dream. Media Factory, 1997.
Freedom 1981-1989. Kadokawa Shoten, 1998.
Seventeen 2001-2006. Iwanami Shoten, 2008.
Hof Memories of Berlin. Iwanami Shoten, 2011.

gollark: Poor management by human governance structures is a bigger issue than actual number of people.

gollark: Besides, if you have fewer people, scientific research and such goes slower.

gollark: Like humanity wouldn't manage to mess up horribly with fewer people.

gollark: According to many ethical theories, people not dying is, all else equal, better than them dying.

gollark: Besides², I think some recent deep learning systems manage somewhat above-human performance on some language/vision tasks.

(in Japanese) Tokyo Metropolitan Museum of Photography, editor. 328 Outstanding Japanese Photographers (『日本写真家事典』, Nihon shashinka jiten). Kyoto: Tankōsha, 2000. ISBN 4-473-01750-8
"We have no place to be 1980-1982". British Journal of Photography. 9 March 2020. Retrieved 2020-06-12.

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