Ivor Roberts-Jones

Ivor Roberts-Jones RA (2 November 1913 – 9 December 1996) was an English sculptor of Welsh heritage on both his parents' sides. He is best known for his sculpted heads of notable people such as Yehudi Menuhin and George Thomas, Viscount Tonypandy.[1]

He was born in Oswestry,where one of his works, "The Borderland Farmer", stands in the town centre. He studied at Oswestry School and Worksop College before attending Goldsmiths College, London and the Royal Academy of Arts.

During the Second World War he served in the Burma Campaign. From 1964 he taught sculpture at Goldsmiths, University of London.

He received his first full-scale commission in 1964 for the memorial sculpture of the Bohemian British painter Augustus John (1878-1961). This sculpture took three years to complete and required major alteration (from a double sculpture of John and his wife Dorelia) due to limitation of funds. Nonetheless, the final 1967 single-figure sculpture was dramatically successful and led to Roberts-Jones' election as an Associate of the Royal Academy. This sculpture was erected in Fordingbridge, Hampshire, near John's last home.

In 1971 he was commissioned to produce the full-length statue of Winston Churchill which now stands in Parliament Square, London.[2] The organiser of the appeal to raise money for the statue did not like its initial appearance, and reported: "At the moment the head is undoubtedly like Churchill, but perhaps not quite right of him at the pinnacle of his career. The cheeks, the eyes, the forehead and the top of the head require improvement. I told Mr Roberts-Jones that above the eyes I thought I was looking at Mussolini." The sculptor promised to "remove the dome of the head to bring about a lowering of the forehead".[3]

His 1984 sculpture "The Two Kings" at Harlech Castle illustrates a scene from Welsh mythology, in which Bendigeidfran carries the body of his nephew Gwern.

Further reading
  • Black, Jonathan; Ayres, Sara (2013). Abstraction and Reality: the sculpture of Ivor Roberts-Jones. London: Philip Wilson. ISBN 978-1-78130-010-7.
  • Black, Jonathan (12 May 2014). "Ivor Roberts-Jones". 3rd Dimension. Public Monuments and Sculpture Association. Retrieved 10 December 2014.
gollark: If you actually believe that, you could make money off it when it happens.
gollark: You're talking about one *in the next 20 years*, which hasn't.
gollark: 1. that hasn't *happened* yet. You're generalizing from a literally nonexistent example.2. I think their regulation kind of goes in the wrong directions.
gollark: Anyway, my original meaning with the question (this is interesting too, please continue it if you want to) was more like this: Phones and whatnot require giant several-billion-$ investments in, say, semiconductor plants. For cutting-edge stuff there are probably only a few facilities in the world producing the chips involved, which require importing rare elements and whatnot all around the world. How are you meant to manage stuff at this scale with anarchy; how do you coordinate?
gollark: Which "capitalism" is a very rough shorthand for.

References
  1. National Portrait Gallery
  2. About Parliament Square Archived 2011-07-12 at the Wayback Machine
  3. "Winston Churchill's statue 'had a look of Mussolini'", The Telegraph, 1 January 2004. Accessed 6 January 2015


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.