Ivan Božičević

Ivan Božičević (born 27 May 1961 in Belgrade, Serbia) is a Croatian composer, pianist, organist and jazz musician.[1]

Biography

Božičević was born in Belgrade. After initial piano studies, he joined the composition class of A. Obradović at the Belgrade Faculty of Music. He graduated in 1984, earning a master's degree in 1989. Until 2001 he occupied a teaching post for Harmony, Counterpoint and Analysis there and at the Academy of Arts in Novi Sad. Since December 2001 he has lived and worked in Split, Croatia, as a free-lance artist.

From 1984 to 1988 he studied organ at the Hochschule für Musik in Frankfurt with the renowned professor Edgar Krapp. His work encompasses a broad repertoire, with special emphasis on baroque and modern music. Specializes early organ music in Salamanca (with Guy Bovet and Montserrat Torrent). Gives many successful concerts in Croatia, Germany, Hungary, Serbia, Spain, Sweden, Switzerland and the United States.

His creative output encompasses three symphonies, orchestral, chamber, choir and soloistic works, as well as electronic compositions and jazz music. He received numerous composition awards, and his works are frequently played on radio, TV and concerts (performances in Croatia, Germany, Russia, Serbia, Sweden, the United Kingdom and the United States).

After moving to Split, he widens his music activity to include organ and piano playing, composing, arranging and theatre music. His collaborations include top Croatian jazz and pop musicians (Dražen Bogdanović, Tedi Spalato, Hari Rončević) as well as Dalmatian klapa ensembles («Cambi»). Božičević runs a jazz-band called SplitMinders, whose repertoire is based on originals and arrangements of dalmatian folk songs. He also works with Partet, (jazz standards, blues and bossa-nova) and a fusion band "Waveform". Božičević is a founding member of the Split society for contemporary music ("Splithesis", 2008). As of 2018, Ivan leads the newly formed composition class at the Split Academy of Arts.

Awards and recognitions

Awards that Božičević has received for his compositions include: Stevan Hristić Award, Silver Medal of the Belgrade University of Arts (Serbia); Mandolina Imota, Cro Patria Golden Cathedral,[2] Hrvatski sabor kulture[3] (Croatia); CEC Artslink Fellowship Award,[4] Garth Newel Award,[5] Aliénor Award,[6] AGO/ECS Publishing Award,[7] AGO/Marilyn Mason Award,[8] Random Access Music Award,[9] (United States); Anton Stadler Award,[10] John Clare Award[11] (United Kingdom); Prague Philharmonic Choir Composition Award[12] (Czech Republic); Premio Cristobal Halffter[13] (Spain); Trio Anima Mundi Prize[14] (Australia).

Selection of works

Symphony orchestra:

  • Music for big orchestra (1983)
  • Essercizi sinfonici (1986)
  • Five haiku after Bashô (1989)

Chamber ensembles:

  • Sonata (1981) for violin and piano
  • Three ‘female’ songs (1981) for soprano voice and piano
  • Pathways (1982) for string quartet
  • Rivers, like in a dream (1983) for bass-clarinet and organ
  • Play E.S. (1983) for two women's voices, bass-clarinet, piano, organ, synthesizer and percussion
  • Essercizi da camera (1985) for 13 string players
  • Chamber Music (1986) for soprano voice, violoncello and piano (poetry of J. Joyce, in English)
  • Mandorle dolce, mandorle amare (1999) for mandolin orchestra
  • Marittimo (2006) for oboe, piano and string orchestra; version for soprano saxophone, piano and string quintet (2008); version for trumpet, piano and string quintet (2010)
  • Airborne (2007) for bas clarinet and string quartet (or string orchestra); version for clarinet and string quartet (2008)
  • Pebbles (2008) for flute, oboe, double-bass and piano
  • Cascades classiques (2008) for string orchestra
  • Canto de la ave rapiega (2009) for violoncello and piano; version for bass clarinet and piano, version for bass clarinet and organ (2012)
  • A thousand pines, one Moon (2009) for chamber ensemble; version for two pianos (2012)
  • Lamento (2009) for alto flute and organ
  • Tracing (2010) for one harmony and three melody instruments
  • Sustainable development (2010) for chamber ensemble; version for two pianos (2016)
  • Raven's Pass (2010) for basset clarinet and piano
  • Monkey Face (2010) for violin, viola, cello and piano; version for string quartet and piano (2016)
  • Spring passes (2011) for piano four-hands and string quintet; version for two pianos (2013)
  • Alienor Courante (2011) for soprano (or choir), cello (or gamba) and harpsichord
  • Ascent to the Cold Mountain (2012) for string quartet
  • Prayer Wheel/Coiling Clouds (2013) for saxophone quartet
  • Shaken From a Crane's Bill (2014) for clarinet, violin and piano
  • Come, Sit With Me in the Clouds (2016) for violin, cello and piano
  • Ibis (2016) for flute, cello and piano
  • Circling (2017) for clarinet quartet

Solo keyboard instruments:

  • Five haiku after Bashô (1987) for organ
  • Sotto voce (1994/2008) for piano
  • Behind the cloud (1996) for organ
  • Microgrooves (2011) for harpsichord; version for organ (2016)
  • Summer in the world (2013) for harpsichord
  • If There Is a Place Between (2014) for harpsichord
  • The Moonpiper (2015) for organ
  • Summer Triptych (2015) for organ
  • Radiance (2016) for organ


Computer-controlled electronics:

  • Senecio / Astrolabe (1992)
  • Sanza (1992)
  • Isle of voices (1992), cycle of 6 pieces
  • Moon's turning point (1993)
  • Weather Forecast of the Heart (2015) for clarinet and electronics

Choral music:

  • Good Shepherd (2000), for women's choir and piano
  • Sundial (2003), for women's choir, percussion and piano
  • Veronica (2004), for women's choir and piano
  • The Everlasting Voices (2010), for women's choir; version for mixed choir (2010)
  • Kyrie eleison (2012), for mixed choir and organ
  • Spring passes (2012), for 8-part mixed choir and piano 4-hands; version for mixed choir a cappella ("Yuku haru ya")
  • With a glorious eye (2014), for mixed choir and organ

Theoretical:

  • Technique and structure of fugue in organ works of D. Buxtehude (1995), dissertation paper
  • Introduction to Renaissance and Baroque ornamentation (1998)
gollark: Idea: go to the fairly recent past, bring a random laptop or something, wow people with your more powerful computer.
gollark: The programmers of the past were better than you, and made their programming languages from scratch on less power than random microcontrollers have.
gollark: With lots of tooling already.
gollark: On fast computers.
gollark: But you can't even implement Macron now.

References
  1. "Božičević, Ivan" (in Croatian). HDS.hr. Retrieved 2017-12-11.
  2. "CRO Patria 2001" (in Croatian). Matica hrvatska. Retrieved 5 May 2011.
  3. "Natječaj za nove skladbe za tamburaške orkestre 2008" (in Croatian). Hrvatski sabor kulture. Archived from the original on 23 March 2012. Retrieved 5 May 2011.
  4. "Splićanin pobjednik prestižnog 'Garth Newel' natječaja" (in Croatian). Slobodna Dalmacija. Retrieved 5 May 2011.
  5. "Aliénor Awards for 2012". Aliénor. Retrieved 13 April 2013.
  6. "New Music Competitions and Commissions". American Guild of Organists. Archived from the original on 19 February 2012. Retrieved 11 September 2013.
  7. "AGO/Marilyn Mason Award in Organ Composition". www.agohq.org. Retrieved 2016-12-18.
  8. {{Cite web|http://ram-nyc.org/2018-call-for-scores-closed/}
  9. "The Anton Stadler Composition Competition 2011". Archived from the original on 23 March 2012. Retrieved 5 May 2011.
  10. "Clare Competition Winner". All Saints' Church Northampton. Retrieved 2016-12-18.
  11. "Three winners of Composition Competition". Prague Philharmonic Choir. Retrieved 20 February 2013.
  12. "Fallo del XXXV Concurso de Órgano Cristóbal Halffter - Instituto de Estudios Bercianos". ieb.org.es. Retrieved 2016-12-18.
  13. "trioanimamundi". trioanimamundi. Retrieved 2016-12-18.
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