Inez Storer

Inez Storer, (née Bachelin; born October 11, 1933) is a San Francisco Bay Area painter and mixed-media artist who creates work in the magical realism genre.[1]

Inez Storer
BornInez Bachelin
(1933-10-11)October 11, 1933
Santa Monica, California
SpouseThomas Storer
Prince Andrew Romanov
(
m. 1987)
HouseHolstein-Gottorp-Romanov (by marriage)
FatherFranz Bachelin
MotherAnita Hirtfield
OccupationArtist

Biography

Storer was born in Santa Monica, California, on October 11, 1933. She was raised Catholic but her mother was Jewish.[2] When her mother was on her deathbed, Storer found out that her mother had left Germany to escape from the Nazis.[3] Storer had believed that there was more to her family's past than she had been told and had suspected that she had Jewish ancestry since the age of thirteen.[3] Storer's mother said that all of her relatives had died, but after her mother's death, Storer located more than two dozen cousins, some living in California.[4]

As a child, she spent time on Hollywood movie sets with her father, Franz Bachelin, who worked as an art director.[5] From 1951 to 1955, Storer attended the San Francisco College for Women, and she earned a bachelor's degree in art from the Dominican College in 1970. She earned her master's degree in 1971 from California State University, San Francisco (now San Francisco State University).

From 1968 through the 1970s, she taught at the College of Marin in Kentfield. She held a teaching appointment at San Francisco State University from 1970 to 1973. She taught briefly at UC Santa Cruz in 1976 and taught at Sonoma State University from 1976 to 1988. Storer also taught at the San Francisco Art Institute from 1981 to 1999.[6][7] Storer was a visiting artist at the American Academy in Rome in 1996 and 1997.

Storer lives in Inverness, California, and is married (since 1987) to Prince Andrew Romanov, an artist and the grandnephew of Nicholas II, Russia's last Emperor.[8][9] She was a friend of author Philip K. Dick.[10]

Style and influences

Storer's paintings are richly textured, mixed-media collages that often include a playful juxtaposition between contemporary cultural icons and historical objects or references.[11] She paints in a faux-naïve style. The process she uses to create her work involves creating many layers and then "peeling away the surface to come back to the first marks."[3] Writing that appears in her work is considered "childlike."[5] An article in the Philadelphia Weekly pointed to the influence of Storer's ancestry in her art, saying, "The frustration at being kept from the truth has given Storer's art a kind of angry edge."[4] Her 2004 exhibition at the National Museum of American Jewish History was organized by the museum at Santa Clara University and concerned personal identity and the discovery of her heritage.[12] A 2003 review in the San Jose Mercury News said, "Pictures, we like to think, should yield up their meanings easily – at least pictures of the real world: flowers, animals, people and the like. So it can be a bit discomfiting when our expectation of such instant understanding is thwarted, as so often happens in the art of Inez Storer."[13] Her art is also influenced by Hollywood stage design and can be in seen in the "theatrical space" that her female figures inhabit in much of her work.[2] Storer's art often deals with difficult issues that are hidden within symbols and children's stories.[5] Her work has been compared to that of artists such as Wassily Kandinsky, Paul Klee, Jean-Michel Basquiat, Henri Rosseau, Marc Chagall and Salvador Dalí.[3]

Exhibits and collections

Work by Storer is held by museums including the de Young,[14] the Reno Museum of Art, the San Jose Museum of Art, the Monterey Museum of Art, the Missoula Museum of Art in Montana, the Linda Lee Alter Collection of Art by Women of the Pennsylvania Academy of the Fine Arts,[15] and the National Museum of American Jewish History in Philadelphia.[16][17]

Awards and honors
gollark: You're vaguely "privileged" in that you're in a country which can afford to do that.
gollark: Also, I suspect most people don't actually care very much. I mean, abstractly, if you ask people "would you like people to not get malaria/be cured of malaria", they'll say yes. But people generally do *not* really care enough to actually pay the various charities which are able to provide malaria nets and stuff, despite these being extremely effective at lives saved per $.
gollark: Declaring something a right doesn't magically solve all the huge logistical hurdles in getting everyone ever the relevant treatment tsuff.
gollark: Huh, wow.
gollark: That sounds very unpleasant. You'd really expect to get immunity to it after the first time somehow.

References
  1. Henley, Patricia Lynn (August 22, 2007). "Doubly Creative: Inez Storer and Andrew Romanoff are married to the arts". Metro Silicon Valley.
  2. Van Proyen, Mark (October 2004). "Inez Storer at the De Saisset Museum". Art in America. 92 (9): 165. Retrieved June 2, 2015.
  3. Wecker, Menachem (September 15, 2004). "Amnesia in Color and Line: Inez Storer's Identity Paintings". The Jewish Press. Retrieved June 2, 2015.
  4. "Secrets and Lives; Inez Storer's work is infused with a sadness about her family and her past". Philadelphia Weekly. April 28, 2004. Archived from the original on September 24, 2015. Retrieved May 31, 2015.  – via HighBeam (subscription required)
  5. Gangelhoff, Bonnie (August 2006). "True Stories: Inez Storer's Art Often Reflects Real-Life Dramas of Her Family History". Southwest Art: 142–147. Archived from the original on June 3, 2015. Retrieved June 2, 2015.
  6. "Inez Storer". Inezstorer.com. Retrieved May 30, 2015.
  7. Glueckert, Stephen. "Missoula Art Museum: Inez Storer, September 2 – October 15, 2005". Traditional Fine Arts Organization, Inc. Resource Library. Retrieved May 31, 2015.
  8. Liberatore, Paul (January 22, 2007). "Liberatore at Large: Shrinky Dink autobiography tells storybook life of Russian prince in Inverness". Marin Independent Journal.
  9. Labong, Leilani Marie (May 15, 2015). "Inverness artist is Russian royalty in retirement". San Francisco Chronicle.
  10. Dick, Anne R. (2010). The Search for Philip K. Dick (1st ed.). San Francisco: Tachyon. pp. 68–69. ISBN 978-1-61696-000-1.
  11. "Inez Storer at Seager Gray Gallery". Seager Gray Gallery. Retrieved May 30, 2015.
  12. Sozanski, Edward J. (May 21, 2004). "French spirit, English stiffness One makes up for the other in a show at Penn mounted by art-history students". The Inquirer.
  13. Fischer, Jack (October 23, 2003). "Headline here". San Jose Mercury News. Archived from the original on September 24, 2015. Retrieved May 30, 2015.  – via HighBeam (subscription required)
  14. "And So Goes the World – Inez Storer". Fine Arts Museums of San Francisco. December 12, 2002. Retrieved May 30, 2015.
  15. Cozzolino, Robert, ed. (2012). "Storer, Inez". The Female Gaze: Women Artists Making their World. New York: Hudson Hills. ISBN 978-1-55595-389-8.
  16. "Sandra Lee, Jack Fischer, McKinley Art Solutions, RayKo Photo, SFMOMA Artists Gallery, SF20 20th Century Modernism Show, 50 Shotwell, Pro Arts (Oakland) – San Francisco California Art Galleries Events: September 16, 2010". Artbusiness.com. September 16, 2010. Retrieved May 30, 2015.
  17. "Inez Storer – Artist, Fine Art Prices, Auction Records for Inez Storer". Askart.com. Retrieved May 30, 2015.
  18. "Inez Storer" (PDF). ARTProjectA. Retrieved June 2, 2015.
  19. "Distinguished Women Artists". Fresno Art Museum. Retrieved June 2, 2015.

Further reading
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