Incredible! Kaleidoscope
Incredible! Kaleidoscope is Kaleidoscope's third album. The line-up had changed, with original bassist Chris Darrow and drummer John Vidican replaced by Stuart Brotman and Paul Lagos. It was the only Kaleidoscope album to chart, reaching number 139 on Billboard, and it's still remembered fondly by members of the band, especially David Lindley.[3]
Incredible! Kaleidoscope | ||||
---|---|---|---|---|
Studio album by The Kaleidoscope | ||||
Released | June 1969 | |||
Recorded | 1968, 1969 | |||
Genre | Folk, psychedelic rock, country, Arabic | |||
Length | 30:39 | |||
Label | Epic | |||
Producer | Jackie Mills | |||
The Kaleidoscope chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | |
Rolling Stone | (favorable) [2] |
Track listing
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Lie to Me" | Lindley, Feldthouse, Brotman, Lagos, Parcely | 2:47 |
2. | "Let the Good Love Flow" | Smith, Lindley | 2:11 |
3. | "Killing Floor (aka Tempe Arizona)" | Chester Burnett | 2:44 |
4. | "Petite Fleur" | Lindley, Feldthouse, Brotman, Lagos, Parcely | 3:31 |
5. | "Banjo" | Lindley | 3:34 |
6. | "Cuckoo" | Traditional; arranged by Kaleidoscope | 4:16 |
7. | "Seven-Ate Sweet" | Lindley, Feldthouse, Brotman, Lagos, Parcely | 11:31 |
Personnel
- David Lindley – guitar, banjo, fiddle, mandolin
- Stuart Brotman – bass, vocals
- Solomon Feldthouse – vocals, saz, bouzouki, oud, dulcimer, guitar, jumbus
- Chester Crill (as Templeton Parcely and Max Buda) – violin, organ, vocals, harmonica
- Paul Lagos – drums, percussion, vocals
gollark: If you don't trust your compute nodes, you basically can't do anything.
gollark: > The Internet Computer is a decentralized cloud computing platform that will host secure software and a new breed of open internet services. It uses a strong cryptographic consensus protocol to safely replicate computations over a peer-to-peer network of (potentially untrusted) compute nodes, possibly overlayed with many virtual subnetworks (sometimes called shards). Wasm’s advantageous properties made it an obvious choice for representing programs running on this platform. We also liked the idea of not limiting developers to just one dedicated platform language, but making it potentially open to “all of ’em.”How is *that* meant to work?
gollark: ... "internet computer"? Oh bees.
gollark: https://git.osmarks.tk/mirrors/rpncalc-v4
gollark: Hmm, maybe just hook MDN pages up to a text to speech system and stick some javascripty backgrounds on.
References
- Incredible! Kaleidoscope at AllMusic
- Winner, Langdon (26 July 1969). "Records". Rolling Stone. San Francisco: Straight Arrow Publishers, Inc. (38): 36.
- David Biasotti, liner notes for the Pulsating Dreams compilation
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.