Illusion Theater

Illusion Theater is an independent theater company based in the Hennepin Center for the Arts, in Minneapolis, Minnesota, United States. It was founded in 1974 by Michael Robins and Bonnie Morris.[1] Their work on social issues has brought national acclaim, and their support of new playwrights has launched numerous careers.[2]

History

Bonnie Morris and Michael Robins founded Illusion Theater in 1974, to create silent plays. Morris had studied improvisation, and Robins had studied mime in France. For two years they explored that medium exclusively, then began to branch out.[note 1] Their first departure from silent work was their production of Orlando, Orlando, adapted from Virginia Woolf's novel Orlando. To create their production of Orlando and incorporate the elements of music, mime and physical movement, the six members engaged in readings and improvisation, and then in 1979 toured around Minnesota and elsewhere—continuing their improvisation along the way—and including dialogues with the audience as well.[1] They continued to support new playwrights every season.

In the late 1970s and early 1980s Illusion Theater's "applied theater program" was created. It included programming designed to address specific social ills. Sexual abuse was addressed with groundbreaking work around 'Good Touch, Bad Touch' created by Cordelia Anderson (then Kent) in collaboration with Hennepin County to help reduce the incidence of child sexual abuse. They presented the play called Touch—which broke new ground in helping children identify harmful actions—to thousands of people starting in 1982, around Minnesota and the U.S.[3][4][5][6]. Their initial name was The Illusion Theater and School, and works created for performance at schools was a primary activity. The Bush Foundation, the McKnight Foundation, the St. Paul Foundation, United Way, the Gannett Foundation and others provided partial funding for those activities, helping to make the Twin Cities an internationally-recognized center of programming by and for children.[7][4][8][9][10][11][12]

Another thrust of Illlusion Theater's applied theater program directed at teenagers began with a production in the early 1980's called No Easy Answers that was performed around the state.[11] In the 2000s they pioneered a peer-education program for high school students, funded in part by the National Endowment for the Arts.[13]

In the mid 1980s, Illusion moved from a warehouse space on Washington Avenue in downtown Minneapolis to their current location, in the Hennepin Center for the Arts on Hennepin Avenue.[14] In the 1990s, Illusion developed two works for use in the workplace: Both Sides Now and Celebrating Diversity, which were performed at workplaces around the Twin Cities.[15]

Support of new playwrights was always integral for Illusion Theater. In the mid-1980s Illusion staged a showcase of company members' new projects. In 1988, Illusion launched a long-running series of new works called Fresh Ink, in which new projects underway are workshopped and collaboratively honed with audience participation. Often those works continue to be developed, emerging on main stages at Illusion and elsewhere in future years.[16][17] Some of the playwrights who launched their work in Fresh Ink include Dane Stauffer, Jeffrey Hatcher, Marion McClinton and Ping Chong.[18][14]

Illusion Theater's budget includes ticket sales, group program revenue, and funding from the Minnesota State Arts Board and others.[19][20]

Works

Illusion Theater's mainstage productions are almost exclusively original work, usually by Twin Cities artists—often works that have been nurtured in its Fresh Ink process.[21] Some artists return to Illusion Theater regularly, including Miss Richfield 1981 who explores gender identity through humor, and appears on Illusion's stage most years. Illusion's production range from full musicals to noir dramas to comedies, all in the service of illuminating the illusions of the human condition.

Notes
  1. "We got to a place where we felt we did what we could in a silent form, following what our visions were," said Robins. "We had to explore another element. That's what led us to Orlando. We found a text we could adapt. It led us to the use of songs and dialogue."[1]
gollark: Allegedly.
gollark: I think they need to have native USB instead of a USB-serial adapter.
gollark: It cannot be done with arbitrary Arduinos.
gollark: I don't think I agree with this, given the inevitable apiocity of drug prohibition stuff.
gollark: I agree entirely.

References
  1. Epstein, Bob (September 13, 1979). "Company treats theater in uncustomary way". Daily Times. St. Cloud. p. 11.
  2. Petrie, Carolyn (October 19, 1997). "Long Live the Theater: Here's how the strong survived. More than a dozen professional-level theaters here are 20 years old. What has kept them going? Passion, conviction, ingenuity, openness, and a sense of their place in the big picture". Star Tribune. p. 1F, 3F.
  3. Hudson, Deborah (April 12, 1983). "'Touch' fights sexual abuse of kids: Players act out scenes of 'bad touch'". St. Cloud Times. Little Falls. p. 1B, 2B.
  4. "109 groups to get $941,000 from St. Paul Foundation". The Minneapolis Star and Tribune. July 2, 1986. p. 18D.
  5. Anderson, Cordelia; Minneapolis MN, Illlusion Theater (1983). "Child Sexual Abuse Prevention: How to Take the First Steps". p. 1–35. Retrieved January 1, 2020. Cite magazine requires |magazine= (help)
  6. Britton, Patti O. (January 1985). "Preventing Sexual Abuse. Reference Sheet 8". p. 1–18. Retrieved January 1, 2020. Cite magazine requires |magazine= (help)
  7. Franklin, Ben (October 23, 1990). "St. Scholastica near end of drive to raise $8.25 million". Star Tribune. p. 5B.
  8. "Who to call, what to do if you observe abuse". Star Tribune. February 2, 1991. p. 2E.
  9. "Supplement: Turning Points-United Way Funds the Most Health and Human Services". Star Tribune. September 17, 1991. p. 6.
  10. Freed, Gwendolyn (November 19, 1999). "Diversion: The legend of Arthur – A new, Broadway-style 'skip and wave' touring show is the latest venture to make a fortune on a little aardvark with glasses". Star Tribune. p. 36.
  11. Hudson, Deborah (April 12, 1983). "'Touch' fights sexual abuse of kids: Local team works to protect children". St. Cloud Times. Little Falls. p. 1B, 2B.
  12. Batson, Larry (March 12, 1983). "Illusion Theater dealing with problems in real world". The Minneapolis Star and Tribune. p. 1C, 12C.
  13. Abbe, Mary (April 26, 2001). "Twin Cities arts groups get nearly $2 million in grants from the NEA". Star Tribune. p. B7.
  14. Royce, Graydon (June 29, 2007). "Success is no Illusion: Illusion's festival of new plays has become the theater's signature program. In 20 years, it has produced an impressive alumni list". Star Tribune. p. F8.
  15. Vaughan, Peter (May 7, 1995). "Corporate Theater – There's no show like a business show". Star Tribune. p. 1F, 10F.
  16. Vaughan, Peter (June 23, 1989). "Illusion to open Fresh Ink series with actor Stauffer's Letters". Star Tribune. p. 12E.
  17. Vaughan, Peter (April 24, 1992). "Illusion Theater's Fresh Ink series will present six new works through June 7". Star Tribune. p. 3E.
  18. Gale, Elaine (June 20, 1997). "Illusion debuts 10th Fresh Ink: Motley mix, new focus on intimacy". Star Tribune. p. E17.
  19. Martin, Mary Abbe (August 8, 1985). "Children's Theatre gets $93,500 state arts grant". The Minneapolis Star and Tribune. p. 1B, 3B.
  20. Abbe, Mary (April 21, 1999). "Minnesota arts groups awaded $1.9 million from federal agency". Star Tribune. p. B5.
  21. Sander, Michael (June 1999). "Twin Treasures". Backstage. Vol. 40 no. 23. p. 24. Retrieved December 28, 2019.
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