Ibrahim Mahama (artist)
Ibrahim Mahama (born in 1987) is a Ghanaian author and an artist[1] of monumental installations. [2][3] He lives and works in Tamale, Ghana.[4] His work was shown during the 56th International Art Exhibition of the Venice Biennale in Italy All The World’s Futures curated by Okwui Enwezor in 2015.[5]
Ibrahim Mahama | |
---|---|
Born | 1987 Tamale, Northern Ghana |
Nationality | Ghanaian |
Other names | Mohammed |
Education | Kwame Nkrumah University of Science and Technology |
Occupation | Artist |
Known for | Art |
As part of his contribution to the development of Africa through art, Ibrahim was named the 73rd most influential African by theafricareport.com in the list of 100 most influential Africans 2019/2020[6]
In 2019, he started the Savannah Center for Contemporary Art (SCCA), Tamale.[7]
Ibrahim Mahama repurposed 120 scratched second-class train seats through a parliament he calls the "parliament of ghost", a replica of Ghana's parliament chamber. The parliament of ghost was installed at the Whitworth Art gallery in Manchester.[8]
Education
He obtained a Master of Fine Arts in Painting and Sculpture in 2013 and a Bachelors in Fine Arts in Painting in 2010 at the Kwame Nkrumah University of Science and Technology, Kumasi, Ghana.
Exhibitions
EXHIBITION | YEAR | LOCATION | COUNTRY |
---|---|---|---|
Fragments[9] | 2017 | White Cube | UK |
Material Effects | 2015 | Eli and Edythe Broad Art Museum,Michigan State University | USA |
Civil Occupation | 2014 | Ellis King, Dublin | IRELAND |
Kawokudi Coal Sack Installation, Accra, Ghana
Nima Coal Sack Installation, Accra, Ghana Adum Coal Sack Installation, , Kumasi, Ghana Jute, What Is Art? |
2013 | Accra
Accra Railway Station,Kumasi K.N.U.S.T Museum,Kumasi |
GHANA |
Sisala Coal Market, Coal Sack Installation Trading Identities, Installation |
2012 |
Newtown, Accra MFA Block, Kumasi |
GHANA |
The colonized body, Installation | 2011 | Kokomlemle,Accra | GHANA |
Class and Identity, Installation, K.N.U.S.T, Kumasi Ghana | 2010 | K.N.U.S.T,Kumasi | GHANA |
Purity? Cultures of display, Installation | 2009 | Bomso,Kumasi | GHANA |
EXHIBITION | YEAR | LOCATION | COUNTRY |
---|---|---|---|
Documenta 14 | 2017 | Athens
kassel |
GREECE GERMANY |
Broken English, Tyburn Gallery, London, UK.
All The World's Futures, Arsenale, 56th Biennale di Venezia, Pangaea II New Art from Africa and Latin America, Saatchi Gallery Edson Chagas / Ibrahim Mahama Material Effects Silence between the Lines: Anagrams of emancipated Futures, K.N.U.S.T, Jackson, , Ghana. |
2015 | London
Biennale de venezia Saatachi Gallery,London Apalazzo Gallery, Brescia Eli and Edythe Broad Art Museum Michigan State University, Michigan Contemporary Art Centre |
UK
ITALY UK ITALY USA GHANA |
Pangaea New Art from Africa and Latin America | 2014 | Saatchi Gallery, London | UK |
Masked and Unmasked | Dak’Art OFF, Saint Louis | SENEGAL | |
The Divine Comedy | Museum für Moderne Kunst, Frankfurt | GERMANY | |
Illumination, Installation | 2011 | K.N.U.S.T Museum, Kumasi | GHANA |
Hatching Out | 2009 | K.N.U.S.T Museum, Kumasi | GHANA |
References
- "5 Contemporary Artists in Ghana". AsiwomeWrites.Com. Retrieved 31 January 2020.
- https://www.contemporaryand.com/person/ibrahim-mahama-2/
- "Ibrahim Mahama - "A Friend" - Milan | My Art Guides". myartguides.com. Retrieved 29 September 2019.
- Gallery. "Tyburn".
- "Tyburn Gallery". Retrieved 18 February 2020.
- "The 100 most influential Africans (71-80)". The Africa Report.com. 16 May 2019. Retrieved 18 February 2020.
- "The Savannah Centre for Contemporary Art (SCCA) | Contemporary And". contemporaryand.com (in German). Retrieved 18 February 2020.
- Youngs, Ian (9 July 2019). "The artist building a parliament with train seats". BBC News. Retrieved 18 February 2020.
- "Ibrahim Mahama – Artist's Profile – The Saatchi Gallery". saatchigallery.com. Retrieved 6 July 2019.
Further reading
- Casavecchia, Barbara (2 March 2018). "'In Dependence': Ibrahim Mahama's Monuments to the Anonymous". frieze (194). ISSN 0962-0672.
- Cascone, Sarah (11 May 2016). "Stefan Simchowitz Settles Lawsuit with Artist". Artnet News. Retrieved 27 May 2019.
- Freeman, Nate (31 March 2016). "Jute-Sack Case Heats Up: Ibrahim Mahama Countersues Simchowitz, Ellis King". ARTnews. Retrieved 27 May 2019.
- Freemantle, Julia (16 February 2019). "Ghana's Ibrahim Mahama drapes huge buildings in recycled hessian sacks". TimesLIVE. Retrieved 27 May 2019.
- Kinsella, Eileen; Halperin, Julia (29 April 2019). "Flags Can Be 'a Symbol of Oppression': Artist Ibrahim Mahama on Why He Replaced 50 National Flags at Rockefeller Center". Artnet News. Retrieved 27 May 2019.
- O'Toole, Sean. "Ibrahim Mahama at daadgalerie". frieze. Retrieved 28 May 2019.
- Obuobi, Sharon (November 2018). "Conversation with Ibrahim Mahama". Nka Journal of Contemporary African Art. 2018 (42–43): 284–289. doi:10.1215/10757163-7185941. ISSN 1075-7163.
- Powhida, William; Sawon, Magdalena (25 September 2015). "Artists Are Not Kale: A Gallery Management Guide's Many Failures". Hyperallergic. Retrieved 28 May 2019.
- Rea, Naomi (30 January 2018). "Belgium Has a Racist Monuments Problem Too—Here's How They're Dealing With It". Artnet News. Retrieved 28 May 2019.
- Ruiz, Cristina (28 February 2017). "Ibrahim Mahama presents a portrait of Ghana told through its objects". The Art Newspaper. Retrieved 27 May 2019.
- Ruiz, Cristina (17 June 2016). "The art of Ghana". Financial Times. Retrieved 28 May 2019.
- Shaw, Anny (6 December 2017). "Early sale in Miami: Martin Margulies buys Ibrahim Mahama's installation". The Art Newspaper. Retrieved 27 May 2019.