Ibrahim Ineke

Ibrahim R. Ineke (born 1976) is a visual artist of German-Indonesian descent, based in The Hague.[1] He works mainly in the medium of Comic books, exploring the historical connection between these and the penny dreadfuls of the nineteenth century, and believing that they represent a quintessential Gothic art form.[2] His work is published by Sherpa.[3] "The White People," his debut, was an homage to Arthur Machen's 1904 novella of the same name.[4] He is also curator for and initiator of artist-run gallery Baracca,[5] together with Yvo van der Vat, and occasional curator for Locatie Z.[6] His father is jazz drummer Eric Ineke.

Bibliography

  • The White People, Sherpa Haarlem 2015, ISBN 978-90-8988-085-7,[7][8]
  • Half Blood, Sherpa Haarlem 2016, ISBN 978-90-8988-102-1
  • Cahier Noir # 1, Sherpa Haarlem 2016, ISBN 978-90-8988-110-6
  • Cahier Noir # 2, Sherpa Haarlem 2016, ISBN 978-90-8988-111-3
  • Eloise, Sherpa Haarlem 2017, ISBN 978-90-8988-122-9,[9][10]
  • Contribution to Becoming The Forest, Het Bos Antwerpen 2017, ISBN 978-90-9030-346-8
  • Contribution to Helvete Journal, Punctum Books New York 2013, ISBN 978-0615758282

Shows/Solo/Duo

  • Galerie Bries Space, Antwerpen, Belgium, 2017
  • Galerie De Vijf Ramen, Arnhem, 2016
  • Galerie Maldoror, Den Haag, 2012
  • Galerie De Aanschouw, Rotterdam, 2011

Shows/Group

  • 30 years of Dutch Underground Comics, De Vishal, Haarlem, 2016
  • Le Garage, Forcalquier, France, 2016
  • Galerie Knoth & Krüger, Berlin, Germany, 2016
  • All You Can Eat, Locatie Z, Den Haag, 2015
gollark: Either way, the real-world credit card system... honestly seems woefully insecure and the only reason it works most of the time is the law and people being somewhat trustworthy.
gollark: I think you either need physical presence of the card or some numbers on it.
gollark: I would be worried about the networking between the payment terminals and central server, too - if it's not secured properly people could intercept it and/or run attacks on it.
gollark: You *don't* trust the payment terminals, because people can go around editing the code on them to do basically whatever, and they have to read the card and contact the bank server.
gollark: You trust the central server but it can't actually physically be there to handle every transaction somehow.

References

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