Hull House Music School

Hull House Music School was the first music school in the US settlement movement,[1] and one of the first community-based US music schools. Located in the Near West Side of Chicago, Illinois, it was founded in 1893 by Eleanor Sophia Smith and Amalie Hannig.[2]

Hull House Music School

History
Smith's singing class at Hull House in 1929. Pictured seated at the piano.
Hull House Boys Band

The Hull House Music School was situated on the fourth floor of the Hull House Children's House. It was started in the fourth year of Hull House's existence, although Smith and Hannig, who were its heads, had almost from the beginning held weekly classes there. The music school was designed to give a thorough musical instruction to a limited number of children. From the beginning, they were taught to compose.[3] Instruction was given in piano, organ, violin and singing. Applicants were tested and received at the discretion of the teachers. Occasional public recitals were given. The school was designed to provide a thorough musical education to a limited number of talented children. All pupils admitted to the instrumental department were obliged to enter classes in singing. In addition to Smith and Hannig, teachers included Gertrude Smith (sister of Eleanor), Charles Cornish, and Josephine Trott. Since the beginning of Hull House, a Christmas concert was regularly given on the Sunday of Christmas week; after the establishment of the music school, it was rendered by the Hull House Music School.[4]

Organ

In its second year, a memorial organ was erected at Hull House, which added to the resources of the music school and to the interest of the public concerts which were performed every Sunday afternoon for fifteen years.[3]

gollark: I don't think you could do so without extremely hacky fiddling.
gollark: If you plan to use many it may be better to directly use peripheral.call.
gollark: Not apart from available memory I guess.
gollark: Fira Code has nice ligatures like that, it is cool.
gollark: The stack thing can be done without forcing programs to adapt, like MBS and PotatOS do.

References
  • This article incorporates text from a publication now in the public domain: W. D. P. Bliss' The new encyclopedia of social reform, including all social reform movements and activities, and the economic, industrial, and sociological facts and statistics of all countries and all social objects (1909)
  • This article incorporates text from a publication now in the public domain: Hull House's Bulletin (1902)
  1. Howe 2013, p. 190.
  2. Glowacki & Hendry 2004, p. 24.
  3. Bliss 1909, p. 588.
  4. Hull House 1902, p. 3.

Bibliography
  • Bliss, William Dwight Porter (1909). The new encyclopedia of social reform, including all social reform movements and activities, and the economic, industrial, and sociological facts and statistics of all countries and all social objects (Public domain ed.). Funk & Wagnalls.CS1 maint: ref=harv (link)
  • Cassano (Graham), Lunin Schultz (Rima) and Payette (Jessica) (2019). Eleanor Smith’s Hull House Songs. Leiden: Brill. ISBN 978-90-04-28965-9.CS1 maint: ref=harv (link)
  • Glowacki, Peggy; Hendry, Julia (2004). Hull-House. Arcadia Publishing. ISBN 978-0-7385-3351-3.CS1 maint: ref=harv (link)
  • Howe, Sondra Wieland (7 November 2013). Women Music Educators in the United States: A History. Scarecrow Press. ISBN 978-0-8108-8848-7.CS1 maint: ref=harv (link)
  • Hull House (1902). Bulletin. VI, Issue 2. Chicago, Illinois: Hull House.CS1 maint: ref=harv (link)
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