Hour Glass (TV series)

Hour Glass is the first regularly scheduled variety show shown on American network television. The Encyclopedia of Television noted that the program "is historically important because it exemplified the issues faced by networks, sponsors, and advertising agencies in television's formative years."[1]

This article is about the 1940s television show. For other uses, see Hourglass (disambiguation).
Hour Glass
GenreVariety
Directed byEd Sobol
Presented byEddie Mayehoff
Helen Parrish
Country of originUSA
Original language(s)English
Production
Running time60 minutes
Release
Original networkNBC
Picture formatBlack-and-white
Audio formatMonaural
Original releaseMay 9, 1946 (1946-05-09) –
March 1947

Distribution

Hour Glass was broadcast only on WNBT (now WNBC) in New York City from May 9, 1946, through November of that year, when distribution to NBC affiliates in Philadelphia and Schenectady began.[2] From that time, the three-city network continued until March 1947.

Overview

Described as "the first [television] hour-long musical variety show",[3] Hour Glass was sponsored by Standard Brands, promoting Chase and Sanborn coffee and Tenderleaf Tea.[1] The program included comedians, musicians, entertaining films (such as a film of dance in South America),[4] and a long, live commercial for the sponsor's products.

Such famous names as Doodles Weaver, Bert Lahr, Dennis Day, Anton Reiter, Jerry Colonna, Peggy Lee and Joe Besser appeared on the program. The first show was hosted by Evelyn Eaton (daughter of one of The Seven Little Eatons); Life surmised that NBC was adapting to a paradigm shift and making better use of the visual medium by hiring an attractive woman as master of ceremonies, as opposed to the more authoritative voices of men who typically commanded radio variety shows of the era.[5]

On November 14, 1946, Edgar Bergen brought his ventriloquism act to the show. It was one of the first times that a major radio performer had appeared on television. Coincidentally, Standard Brands (via Chase and Sanborn) was the sponsor of Bergen's radio program.[5]

Duration

The Columbia History of American Television attributed the program's short life to its cost and the lack of market penetration for television at the time, saying, "Standard Brands invested $200,000 in this series over its ten-month tenure at a time when that level of investment just couldn't be supported and sustained, leading to the Hour Glass's abbreviated run."[2] Another factor was that James Petrillo, president of the American Federation of Musicians forbade musicians from performing on television without an agreement between the AFM and the networks, thus limiting directors and performers to use of recorded music and lip sync.[2][5] A report in Life at the show's start noted that the show's audience at the time was estimated at 3,500 television sets watched by up to 20,000 viewers, a thousandth of the estimated 20,000,000 radio listeners nationwide that were hearing The Chase and Sanborn Hour on a given week.[5]

Personnel

The show was co-hosted by Eddie Mayehoff and Helen Parrish.[6] Bergen later became the host of the program. Edward Sobol was the producer.[4] During the series' time on the air, a system of alternating writers was developed, giving "an individual writer two weeks in which to write a show instead of the weekly deadline."[7]

Critical reception

A contemporary review in Life praised the individual performances but panned the production values, noting that camera operators cut off the feet of dancers and that the show lacked the kind of "camera virtuosity monopolized by Hollywood." On the whole, the Life review noted that television would need "good scripts and better directors" if it were to succeed.[5]

Existing recordings

Audio-only recordings of Hour Glass from 1946–1947, including the inaugural show, are known to exist at the Library of Congress, making the show one of the few shows to have any surviving material from before 1948 still in existence. Photos of the first live Hour Glass broadcast taken from a TV monitor during the live telecast, along with a program review, appear in the May 27, 1946 issue of Life.[5]

gollark: <@!330678593904443393> What if you make `options` contain arbitrary hypergraphs?
gollark: Why does it *have* this anyway?
gollark: CLEARLY it needs to have a built-in computer algebra system for this.
gollark: Yes. I would add functions if I *needed* them.
gollark: See, Minoteaur is technically public but entirely without support, so if I somehow need to change a thing, I'll just dump the database, manually edit the SQL dump, fix the migrations, make a new database, and load it back in.

See also
  • 1946-47 United States network television schedule

References
  1. Newcomb, Horace; Newcomb, Lambdin Kay Distinguished Professor for the Peabody Awards Horace (2014). Encyclopedia of Television. Routledge. p. 1141. ISBN 9781135194727. Retrieved 18 August 2017.
  2. Edgerton, Gary (2010). The Columbia History of American Television. Columbia University Press. p. 87. ISBN 9780231512183. Retrieved 18 August 2017.
  3. Macfarlane, Malcolm; Crossland, Ken (2012). Perry Como: A Biography and Complete Career Record. McFarland. p. 56. ISBN 9781476600246. Retrieved 18 August 2017.
  4. Murray, Susan (2013). Hitch Your Antenna to the Stars: Early Television and Broadcast Stardom. Routledge. ISBN 9781135465278. Retrieved 18 August 2017.
  5. "Commercial Television: First Show is Fuzzy, Funny Life Magazine (May 27, 1946)
  6. Terrace, Vincent (2011). Encyclopedia of Television Shows, 1925 through 2010 (2nd ed.). Jefferson, N.C.: McFarland & Company, Inc., Publishers. p. 479. ISBN 978-0-7864-6477-7.
  7. "(untitled brief)" (PDF). Broadcasting. September 9, 1946. p. 84. Retrieved 18 August 2017.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.