Horace Mills

Horace Mills (1 September 1864–14 August 1941) was a British singer, actor and dramatist who specialised in playing pantomime dames in the early 20th-century.[1]

Horace Mills as the Dame in Jack and the Beanstalk (1911)

Born in Portsea in Portsmouth in 1864,[2] he was the oldest of six children born to Elizabeth Ann née Jolly and Herbert James Mills, a Colonel in the Ordnance Supply Board.[3]

Theatre career

He co-wrote the book for the musical play Miss Esmeralda (1887) to music by Meyer Lutz and first performed at the Gaiety Theatre in London.[4]

His stage appearances include Bertie Fitz Bunnyon in As Large as Life (1890) at Terry's Theatre,[5] Remendado in Carmen up to Data (1890) at the Gaiety Theatre[6] Tom Edge in Zephyr (1891) at the Avenue Theatre,[7] touring in The Circus Girl (1897),[8] Widow Twankey in Aladdin at the Prince’s Theatre in Manchester (1900) with Ada Reeve and G. P. Huntley,[9] in the Comedy Oddity ‘Mashing the Misses’ (1904) at the Argyle Music Hall in Birkenhead,[10] Adolphus Dudd in The Girl Behind the Counter (1906),[11] Valet in The Hon'ble Phil with Denise Orme and G. P. Huntley at the Hicks Theatre (1908),[12] and Swaak in A Persian Princess (1909).

Pantomime

For some years he appeared as the Dame in the annual pantomime at the Prince's Theatre in Bristol, playing the Dame in Humpty Dumpty (1906) and Jack and the Beanstalk (1911),[13] the widow Mrs Tutt in the pantomime Goody Two Shoes (1915), Old Mother Hubbard in Mother Hubbard at Bristol (1922), and Mrs Tippett in Goldilocks and the Three Bears (1924).[13]

Personal life

He married Jessie Julia Raynes at the church of St John the Baptist in Plumstead in London on 18 February 1892.[3] They retired to Bexhill-on-Sea where they were living in 1939.[14]

Mills died at the Derbyshire Royal Infirmary in Derby in 1941 aged 76. In his will he left £6,324 9s 2d.[15]

gollark: Read some of the textbook and someone's notes, and spent a few hours revising and learning it and stuff, and got 75% on the exam.
gollark: One of my friends did roughly that because they wanted to switch from DT to Economics late in the year.
gollark: There's not very much nuance in any of it, not really anything about how economists don't actually *agree* on everything, and not any maths more complicated than division.
gollark: I also do Economics as an option (we do 7-ish (depends how you count them) required subjects and 3 options here) which seemed interesting but is kind of pointless, since basically all of the stuff they teach for that is pretty simplistic.
gollark: Writing pages upon pages of random nonsense to express something like a paragraph of content is very unpleasant.

References
  1. J. P. Wearing, The London Stage 1900-1909: A Calendar of Productions, Performers, and Personnel, Rowman & Littlefield (2014) Google Books pg. 647
  2. 1881 England Census for Horace Mills
  3. Horace Mills in the London, England, Church of England Marriages and Banns Register 1754–1932
  4. Miss Esmeralda - University of Bristol Theatre Collection - Theatricalia website
  5. Wearing, pg. 18
  6. Wearing, pg. 37
  7. Wearing, pg 56
  8. The Circus Girl - Footlight Notes
  9. Neville Cardus, Second Innings: Autobiographical Reminiscences (London: Collins, 1950), pp. 23-34
  10. Argyle Theatre Collection - University of Sheffield
  11. The Girl Behind the Counter - University of Kent Theatre Collection
  12. Denise Orme (1884-1960) - Stage Beauty website
  13. Prince's Theatre, Bristol: the Home of Pantomime
  14. Horace Mills, 1939 England and Wales Register, Ancestry.com (subscription required)
  15. Horace Mills in the England & Wales, National Probate Calendar (Index of Wills and Administrations), 1858–1995
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