Hirohata Merc

The Hirohata Merc is a 1950s custom car, often called "the most famous custom of the classic era".[1][2] Setting a style and an attitude, it had a "momentous effect" on custom car builders,[3] appeared in several magazines at the time[4] and has reappeared numerous times since, earning an honorable mention on Rod & Custom's "Twenty Best of All Time" list in 1991.[4] The impact may be measured by the fact that, after more than fifty years and numerous owners, it is still known as "the Hirohata Merc".[5]

Hirohata Merc
The Merc on display at the NHRA Museum in 2007
Overview
ManufacturerBarris Customs
Production1953
DesignerGeorge and Sam Barris
Body and chassis
Body styleClub Coupe
Powertrain
EngineMercury flathead engine
Dimensions
Wheelbasestock

Construction

Constructed in 1953 for Bob Hirohata,[6] [7] it was designed and built by George and Sam Barris, assisted by Frank Sonzogni.[8][9] It started out as a 1951 Club Coupe.[10][11] Nosed, decked, and shaved, the top was chopped four inches in front and seven inches in back,[12] and the vertical B-pillar was reshaped so that it curved forward at the top.[8] The rear window had its posts removed, and was raked steeply forward, requiring a new roof piece to be fabricated.[8] Side trim was replaced with that from a 1952 Buick (the spears),[8] augmented by grille teeth from a 1952 Chevrolet (three per side)[8] and functional scoops. The front wheels are fitted with traditional sombrero ('47-'51 Cadillac) hubcaps.[8]

Skirts were added, fitting flush.[8] Three '51 Ford grilles were used to custom-fabricate one, and the bumper was fitted with dagmars.[10]

Barris used a vee-butted windshield,[10] a very common customizers' trick in that era, rather than a one-piece windshield, which was available on the '53 Merc. He added Appleton spotlights,[8][10] frenched the headlights (which were fitted with '52 Ford rings),[8] and added '52 Lincoln Capri taillights.[13] The exhaust pipes were routed out through the rear bumper, beneath the taillights,[8] and a pair of radio antennae were frenched into the rear quarter panels.[8]

The Hirohata Merc was painted in two shades of green, a total of thirty coats,[8] which were applied by Junior Conway.[14] The interior was upholstered with tuck-and-rolled naugahyde. The dash, seats, and headliner were white with dark green inserts, matching the exterior lower body color (below the Buick spears).[8]

Later changes

Hirohata later replaced the original Mercury flathead engine with a transplanted Cadillac engine, creating the nickname "Mercillac"[15] ("merk-ill-ack"), in the fashion of rodders of the period, who in the same way created Fordillacs and Studillacs.

In 1955, the Merc made an appearance in the film Running Wild, for which it was painted gold over the original ice green.[16]

Hirohata sold the Merc,[8] and the car changed hands several times. It was eventually purchased by Jim McNiel for $500 in 1959;[17] McNiel used it as a daily driver for years, then placed it into storage.[8] Ultimately, McNiel restored the Merc to her original configuration.[8] The paint was done by Hershel "Junior" Conway at Junior's House of Color.

Magazine appearances
  • Hot Rod March 1953
  • Motor Trend March 1953
  • Rod & Custom October 1953
  • Trend Book 109 Custom Cars 1954 Annual
  • Rodding and Re-styling January 1956
  • Trend Book 143 Restyle Your Car
  • Rod & Custom August 1989
  • Road & Track August 2004
  • Trend Book 133 Custom Cars 1957 Annua
  • The Big Book of Barris[18]
gollark: If you want long timescales or detailed predictions then weather prediction is really hard, but the simple rule of "low pressure means problems" is fairly accurate because something something air from other places moves in.
gollark: No dubious "chaos theory" involved.
gollark: This sounds basically right.
gollark: It's not a butterfly effect thing?
gollark: It's not impossible that their joints could react to air pressure somehow. And you can do very coarse weather prediction off air pressure trends.

See also

Notes
  1. Bernsau, Tim (2003-12-01). "Favorite 50 Rods & Customs". Rod & Custom. Retrieved 2018-02-15.
  2. Rod & Custom, 8/89, p.12.
  3. DeWitt, John. Cool cars, high art: the rise of kustom kulture, University Press of Mississippi, 2001. ISBN 978-1578064021 , p.69.
  4. DeWitt, p.70
  5. DeWitt, p.80
  6. Rod & Custom, 8/89, pp.12 & 14.
  7. Hoving, Rik. "'50s Hirohata Merc Photo's album - including article from Rod & Custom October 1953". FOTKI INC. Retrieved February 14, 2018.
  8. Jalopy Journal Accessed February 14, 2018
  9. Street Rodder, 1/85, p.111.
  10. Barris.com Archived 2011-07-07 at the Wayback Machine Accessed February 14, 2018
  11. The same body style as D'Agostino's Merc. Street Rodder, 1/85, pp.52-3.
  12. Hirohata, Bob (2004). "Kross Kountry in a Kustom". In Leah Noel (ed.). Rod and Custom in the 1950s. Motorbooks International. p. 29. ISBN 0760316309.
  13. They are identical to those used on D'Agostino's Merc. Street Rodder, 1/85, pp.52-3.
  14. DeWitt, p.72.
  15. DeWitt, p.69
  16. Rod & Custom Magazine, 8/89, p.12.
  17. Bernsau, Tim, editor. "Favorite 50 Rods & Customs" (written 1 December 2003), at Hot Rod Magazine online (retrieved 14 May 2018)
  18. Kustomrama: Bob Hirohata's 1951 Mercury Accessed February 14, 2018

References
  • Rod & Custom Magazine, 10/53.
  • jalopyjournal
  • Barris.com
  • DeWitt, John. Cool cars, high art: the rise of kustom kulture. Jackson : University Press of Mississippi, 2001. (at Google Books)
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