Henry Dumas

Henry Dumas (July 20, 1934 – May 23, 1968) was an African-American writer and poet. He has been called "an absolute genius" by Toni Morrison,[1] who as a commissioning editor at Random House published collections both of his poetry, Play Ebony, Play Ivory,[2] and his short stories, Ark of Bones.[3]

Henry Dumas
Dumas
Born	(1934-07-20)July 20, 1934 Sweet Home, Arkansas
Died	May 23, 1968(1968-05-23) (aged 33) Manhattan, New York
Occupation	poet, short fiction writer, teacher
Literary movement	Black Aesthetic
Spouse	Loretta Ponton
Children	2

Biography

Dumas was born in Sweet Home, Arkansas, in 1934 and lived there until the age of ten, when he moved to New York City; however, he always kept with him the religious and folk traditions of his hometown. In Harlem, he attended public school and graduated from Commerce High School in 1953. After graduating, he attended City College in New York, before joining the Air Force. He was stationed at Lackland Air Force Base in San Antonio, Texas and also spent eighteen months on the Arabian Peninsula, where he developed an interest in Arab culture. During his time at Lackland, he met future wife, Loretta Ponton. The couple married in 1955. Dumas was in the military until 1957, at which time he enrolled at Rutgers University, where he attended as a full-time and a part-time student without attaining a degree.[4][5] Dumas and Ponton had two sons, David, born in 1958, and Michael, born in 1962. In 1967, he became a teacher-counselor and director of language workshops at Southern Illinois University's Experiment in Higher Education, in East St. Louis. He worked there under the direction of Dr. Edward W. Crosby, who was also an editor of the Hiram Review at the time. Some of Dumas's early work was published in the Hiram Review, which is likely how the two became acquainted. Dumas also became an editor of the Hiram Review from 1967 until his death in 1968. After Dumas's untimely death Dr. Crosby returned to the editorial staff of the Hiram Review and urged Eugene Redmond, one of Dumas's fellow teachers and poet, to talk to Loretta Dumas about publishing his works posthumously. The die was cast, arrangements were made and with the editorial assistance of Hale Chatfield, founder of the Hiram Poetry Review, his works were published by SIU Press.[5][6]

Death

On May 23, 1968, at approximately 12:15 a.m., Dumas was shot to death at the age of 33 by a New York City Transit Police officer on the southbound platform of the 125th Street/Lenox Avenue station of the New York City Subway. According to the Associated Press report, the officer claimed that Dumas had been threatening another man with a knife. The officer said that he ordered Dumas to drop the knife, but that Dumas instead turned, attacked the officer, and slashed the officer's cheek. The officer stated that he fired three times.[7]

The circumstances of the shooting remain unclear as no witnesses testified[8] and no records remain as the Transit Police Department's records of the shooting were destroyed when the agency merged into the New York City Police Department in 1995.[9] Dumas's death is often called "a case of mistaken identity".[10][11][12][13]

Dumas was buried in Long Island National Cemetery in Suffolk County, New York.[14][15] His death is mentioned in the poem "An Alphabet of My Dead," by Poet Laureate Robert Pinsky,[16] as well as the poem "Night, for Henry Dumas" by Aracelis Girmay.

Posthumous recognition

A limited amount of Dumas's work was published during his lifetime in several small magazines and journals in the 1960s. It was mainly through the efforts of Eugene B. Redmond, the executor of Dumas's literary estate, that various collections of his work have been published. Poetry for My People was first published in 1970 by Southern Illinois University Press, where Dumas worked before his death. Toni Morrison, then working as an editor at Random House, read Poetry for My People and used her influence to have Random House publish two collections of Dumas's published and unpublished writings in 1974, Play Ebony, Play Ivory, which was a reprint of Poetry for my People, and Ark of Bones.[8][10] To generate interest in Dumas, Morrison hosted a book launch party on October 13, 1974. In her invitation, Morrison said of Dumas's work that it was "some of the most beautiful, moving, and profound poetry and fiction that I have ever in my life read."[1] When Play Ebony, Play Ivory appeared in 1974, Julius Lester, in The New York Times Book Review, called Dumas "the most original Afro-American poet of the sixties."[17]

In 1976, Dumas's short story "Thalia" was awarded the Black Scholar's literary award by James Baldwin.[10] Poet Eugene Redmond, Dumas's literary executor and editor, helped renew interest in Dumas in 1988 with the publication of the short story anthology, Goodbye Sweetwater, which contained both previously published and new works. Redmond released a second anthology, Knees of a Natural Man, in 1989. In 2015, Redmond spoke of his hope that "the Black Lives Matter movement will help introduce Dumas to a whole new audience and help bolster the foundation that the moment rests upon."[8]

Influences

Dumas described himself as having been heavily influenced by Moms Mabley and gospel music at a young age. Dumas used his spiritual upbringing as well as his other experiences as a black child growing up in the south during the 1930s and 1940s frequently in his writings.[5]

Dumas had a strong interest in the music and folk elements that are strongly related to the black experience. In the 1960s, he became increasingly recognized as one of the most important voices of the Black Power Movement and its artistic manifestation, the Black Arts Movement, immersing himself in music, particularly gospel, spirituals, jazz, and blues. Dumas studied with jazz musician Sun Ra during the mid-1960s. Dumas's poem "Black Paladins" became the title track for a recording by Joseph Jarman and Famoudou Don Moye in 1979.[5] Dumas often addresses other prevalent themes of the 1960s. In his poem "Afro American," he attempts to define not only, what it means to be black, but also of dual heritage and proposes the recognition of both a dual heritage and that of each of its creators.

Writer Margaret Walker and musicians James Brown and John Coltrane proved to be major influences on his writing. Elements of Black Christianity, Islam, Sufi mysticism, Hinduism, Buddhism, Native American mythology, and African mythology appear in Dumas's works.[5]

Both his fiction and his poetry developed themes of the Black Arts, or Black Aesthetic movement.[8]

Bibliography

• Poetry for My People (1970) (poetry)
• Ark of Bones and Other Stories (1974) (short stories)
• Play Ebony, Play Ivory (1974) (poetry)
• Jonoah and the Green Stone (1976) (novel)
• Rope of Wind and Other Stories (1979) (short stories)
• Goodbye, Sweetwater: New and Selected Stories (1988) (short stories)
• Knees of a Natural Man: The Selected Poetry of Henry Dumas (1989) (poetry)
• Echo Tree: The Collected Short Fiction of Henry Dumas (Coffee House Press, 2003) (short stories)[18]

References

1. Morrison, Toni (1988). "On Behalf of Henry Dumas". Black American Literature Forum. 22 (2): 310–312. doi:10.2307/2904523. JSTOR 2904523.
2. Henry Dumas, Play Ebony, Play Ivory: Poetry. Edited by Eugene B. Redmond. New York: Random House, 1974.
3. Henry Dumas, Ark of Bones and Other Stories. Edited by Eugene B. Redmond. New York: Random House, 1974.
4. "Henry Dumas". Poetry Foundation. Poetry Foundation. October 28, 2017. Retrieved October 29, 2017.CS1 maint: others (link)
5. "Henry Dumas's Life and Career". www.english.illinois.edu. Retrieved October 29, 2017.
6. Smithson, Isaiah (1994). ENGLISH STUDIES/CULTURE STUDIES: Institutionalizing Dissent. Urbana and Chicago: University of Illinois Press. pp. 108–126. ISBN 0252063988.
7. Associated Press, Knife Brings Death Bullet, reprinted in the Herald Statesman (May 23, 1968), page 5. Retrieved on August 23, 2015.
8. "Henry Dumas Wrote About Black People Killed By Cops. Then He Was Killed By A Cop". NPR.org. Retrieved October 29, 2017.
9. Jeffrey B. Leak, Visible Man: The Life of Henry Dumas, pages 2 and 145-53 (2014).
10. 1969-, Bader, Philip (2004). African-American writers. New York: Facts On File. ISBN 1438107838. OCLC 234075137.CS1 maint: numeric names: authors list (link)
11. Scott Saul, "The Devil and Henry Dumas – A lost voice of the Black Arts Movement", Boston Review, October/November 2004.
12. Doris Grumbach, Notes of a Visible Man, New York Times (June 26, 1988). Retrieved on August 23, 2015.
13. M. Dion Thompson, Author left legacy of promise and magic; Anniversary: 30 years after his untimely death, Henry Dumas is remembered for what he wrote and what he might have been, Baltimore Sun (July 24, 1998). Retrieved on August 23, 2015.
14. Page for Henry Lee Dumas, Find A Grave. Retrieved on August 23, 2015.
15. National Gravesite Locator, from the website of the National Cemetery Administration of the United States Department of Veterans Affairs. Retrieved on August 23, 2015.
16. "The Hopkins Review | Krieger School of Arts and Sciences | Johns Hopkins University". Krieger School of Arts and Sciences. Retrieved October 29, 2017.
17. Lester, Julius (January 19, 1975). "Play Ebony Play Ivory". New York Times. New York. Retrieved June 29, 2020.
18. "Archived copy". Archived from the original on September 25, 2017. Retrieved September 24, 2017.CS1 maint: archived copy as title (link)

Further reading

• Eugene B. Redmond, introduction to Ark of Bones' and Other Stories, 1974.
• Carolyn A. Mitchell, "Henry Dumas", in Dictionary of Literary Biography, vol. 41, Afro-American Poets since 1955, eds. Trudier Harris and Thadious M. Davis, 1985, pp. 89–99.
• John A. Williams, "Henry Dumas: Black Word-Worker", in Black American Literature Forum Vol. 22, No. 2 (Summer, 1988): 402-404.
• Eugene B. Redmond, "The Ancient and Recent Voices within Henry Dumas", introduction to Goodbye Sweetwater, 1988.
• Eugene B. Redmond, "Poet Henry Dumas: Distance Runner, Stabilizer, Distiller", introduction to Knees of a Natural Man: The Selected Poetry of Henry Dumas, 1989.
• Dana A. Williams, "Making the Bones Live Again: A Look at the 'Bones People' in August Wilson's Joe Turner's Come and Gone and Henry Dumas' Ark of Bones", College Language Association Journal 42: 3 (March 1999): 309–19.
• Jeffrey B. Leak, Visible Man: The Life of Henry Dumas, Univ of Georgia Press (2014) ISBN 978-0-8203-2870-6

External links

• Modern American Poetry material
• Poets.org – The Academy of American Poets