Henrico Leone

Henrico Leone (also Enrico Leone) is an opera (dramma per musica) in three acts composed by Agostino Steffani to an Italian libretto by Ortensio Mauro. Based on the life of the powerful German prince Henry the Lion, the opera was first performed on 30 January 1689 in Hannover to inaugurate the new royal theatre in the Leineschloss (Leine Palace).[1][2]

Set design by Johann Oswald Harms, 1696
Title page of the libretto published in 1689

The opera was performed in German at the Oper am Gänsemarkt in Hamburg in 1696 with sets designed by Johann Oswald Harms, who was inspired by Flemish seascapes.[3] It was also performed in 1697, 1699 and 1716 in Braunschweig, the residence of Henry the Lion, in an arrangement by Georg Caspar Schürmann[4] and a translation by Gottlieb Fiedler.

The opera was revived as Enrico Leone in Hannover in 1989 when it was performed by the Capella Agostino Steffani to commemorate the 300th anniversary of the Hannover State Opera and of the composition. In May of that year the ensemble with the same soloists gave a concert performance of the opera at Boston's Jordan Hall as part of the Boston Early Music Festival.[5]

Recording
  • Enrico Leone – Capella Agostino Steffani conducted by Lajos Rovatkay; Monika Frimmer (Metilda), Ralf Popken (Enrico), Sabine Szameit (Idalba), Nagashima Yoko (Errea), Carola Guber (Eurillo), Dantes Diwiak (Almaro), Gerhard Faulstich (Ircano/Demone). Released on LP in 1986, reissued on CD in 1995. Label: Calig
gollark: Is that *GregTech* in the background?
gollark: The factory grows.
gollark: Sure!
gollark: I'm trying and failing to design this new production area here nicely. I was going for splitting it into quarters with different types of wood in each, but as it turns out we don't actually have much different wood, and now I have no idea what to do with this.
gollark: This is boring.

References
  1. Casaglia, Gherardo (2005). "Henrico Leone". Retrieved 28 June 2013 (in Italian).
  2. Timms, Colin (2003). Polymath of the Baroque: Agostino Steffani and His Music. pp. 52-56. Oxford University Press
  3. Frese, Hans Martin: Ein Bühnenbildner des Barock. Johann Oswald Harms im Dienst Herzog Anton Ulrichs, In: Braunschweig – Berichte aus dem kulturellen Leben, Braunschweig 1971, ps. 16–21.
  4. Moderhack, Richard: Spätmittelalterliche Wandmalereien zur Heinrichssage in Karden a. d. Mosel, in: Braunschweigische Heimat, 1978, 64. Jahrg., volume 2, September, p. 51.
  5. Dyer, Richard (30 May 1989). "Styling a Straitjacket for Steffani". Boston Globe. Retrieved 28 June 2013 via HighBeam Research (subscription required)
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