Henri Frédéric Boot

Henri Frédéric Boot (1877, Maastricht – 1963, Haarlem), was a Dutch painter and printmaker mostly active in Haarlem.

Klein Heiligland 43, former home and studio of the painter Henri Frédéric Boot, where he lived and worked for almost 60 years.

Biography

According to the RKD he was a pupil of the painters Dirk Gerard Ezerman, Alexander Henri Robert van Maasdijk, Rein Miedema, Barent Johannes Cornelis Weingärtner in Breda, and Johan Hendrik Wijtkamp.[1] He became a member of the Kunstkring Haarlem in 1905, the artist club De Onafhankelijken in 1912 (board member in 1917), Guild of St. Luke in Amsterdam in 1931, the Kennemerse Kunstenaarskring (K.K.K.) from 1932, and chairman of Kunst zij ons doel in 1939.[1] He was infamous for being a member of the Nederlandse Kultuurkamer and member of the Kultuurraad during the German occupation 1941-1945.[1] He was a member of Arti et Amicitiae from 1943 to 1961.[1]

He became a prolific painter and teacher and lived to a great age. He taught at the School voor Kunst en Kunstnijverheid in Haarlem.[1] His students were Truida Baaren-Ruysenaars, Nel Bakema, Jan Bazuin, Maarten Bloemendaal, Maria C. Boas-Zélander, Ton de Boer, Jules Chapon, Poppe Damave, Mies Deinum, Dons Deppe, Henri Eernink, Gerard Esser, Gerrit Frederiks, Jan Habets, Jacob de Heer Kloots, Martinus Gerardus Hölscher, Otto B. de Kat, Ad Kikkert, Piet Kloes, Willem Kouwer Boomkens, Willem Jan Leffef, Henk van der (1913-1970) Linden, Benno Logtenberg, Maximiliaan Louis Maas, Janny Meijer, Truus Menger-Oversteegen, Jacob Möhlenpage, Heppe de Moor, Theo van Odyck, Andries Olthoff, Jan Harm Oostendorp, Cornelis Pijnacker Hordijk, Christiaan Pointl, Martin Ruijter, Jan Rusman, Josef Santen, Henk Schoorl, Leen Spierenburg, Wim Steijn, Joop Stoffels, Dick Stolwijk, Herman van Tongeren, René Pierre Tonneyck, Eduard Verboog, Margaretha C. Verheus, Frans Verpoorten, Kees Verwey, Gerritje Visser, Leendert de Vogel, Gerard de Voogd, Johanna Helena Vreede-Mulder, Willem Abraham de Wijn, J.H. Willemse, and Leo de Winter.[1]

gollark: This application is LITERALLY a particle of weight W placed on a rough plane inclined at an angle of θ to the horizontal. The coefficient of friction between the particle and the plane is μ. A horizontal force X acting on the particle is just sufficient to prevent the particle from sliding down the plane; when a horizontal force kX acts on the particle, the particle is about to slide up the plane. Both horizontal forces act in the vertical plane containing the line of greatest slope.
gollark: Fiiiiine.
gollark: I agree. It's precisely [NUMBER OF AVAILABLE CPU THREADS] parallelized.
gollark: > While W is busy with a, other threads might come along and take b from its queue. That is called stealing b. Once a is done, W checks whether b was stolen by another thread and, if not, executes b itself. If W runs out of jobs in its own queue, it will look through the other threads' queues and try to steal work from them.
gollark: > Behind the scenes, Rayon uses a technique called work stealing to try and dynamically ascertain how much parallelism is available and exploit it. The idea is very simple: we always have a pool of worker threads available, waiting for some work to do. When you call join the first time, we shift over into that pool of threads. But if you call join(a, b) from a worker thread W, then W will place b into its work queue, advertising that this is work that other worker threads might help out with. W will then start executing a.

References
  1. Henri Frédéric Boot in the RKD
  • H.F. Boot, legendarisch leermeester van Kees Verwey, by Michael Huig, Frans Halsmuseum, 1998, ISBN 9068681966
  • Hier ligt Boot, by Louis Ferron, Impressum Haarlem, 1998 ISBN 9025730868
  • Henry Boot biography in Beeldend Kunst in Limburg
  • Henri Frédéric Boot on Artnet
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.