Hendrik Wijdeveld

Hendricus Theodorus Wijdeveld (The Hague, 4 October 1885 - Nijmegen, 20 February 1987) was a Dutch architect and graphic designer. He was an important figure of the Amsterdam School and is known for his work as editor-in-chief for the Wendingen magazine.

Hendrik Wijdeveld
Born1885
Died1987
NationalityDutch
OccupationArchitect

Life and work

Wijdeveld started his career at the architectural firm of Jacques van Straaten and the studio of Pierre Cuypers. He then worked in France as an assistant to the architect Louis Cordonnier.[1] He returned to Amsterdam in 1914. From 1914 to 1940, he completes his main designs:

  • 1920-1021: Bendien Residence
  • 1922-1927: Villa De Wachter
  • 1927: Plan West Amsterdam
  • 1928: Villa de Bouw
  • 1936: Tilburg villa
Villa de Wachter
Plan West Amsterdam 1922–1927. Hoofdweg / Jan van Galenstraat. Urban ensemble and architecture by H.Th. Wijdeveld (1885-1987).

He is also known for his futuristic projects:

  • 1918: A vagina shaped building for the People's theater [2]
  • A reforestation project for Amsterdam [3]
  • The 'Plan the impossible' project [4]

Editor for Wendingen

From 1918 to 1932, Wijdeveld was the editor-in-chief of the magazine Wendingen, a publication for the architecture association Architectura et Amicitia. The magazine is known for its groundbreaking architectural approach to typography.[5] It also was an important platform for several modernist movements in the Netherlands.

War period

Wijdeveld published a book titled De Nieuwe Orde (The New Order) in 1940, suggesting his sympathy for the German occupation. As a result, he fell out of public favor, but appears to have been rehabiliitated after the war since the Stedelijk Museum, a major national museum in Amsterdam, dedicated a major retrospective to him in 1953.[1]

Teaching

Wijdeveld taught in America between 1947 and 1952 at the invitation of Frank Lloyd Wright.[6] In 1949–1950, he was a visiting professor at NC State College's School of Design.

Family

Wijdeveld was married to the cellist Ellen Philippine Kohn, then to the actress Charlotte Köhler. He has one daughter, illustrator Ruscha Wijdeveld, and two sons, Wolfgang Wijdeveld and Roland Matthijs Wijdeveld.

gollark: That would require the random child to do slightly more work.
gollark: Slavery is probably somewhat bad for the economy in the longer run, slaves aren't as effective as paid workers probably.
gollark: I mean, you could probably argue that those had good sides of *some* sort, however small.
gollark: Not *always*.
gollark: "Fortunately", average internet upload speeds here are too slow for lone children to do much.

See also

List of Dutch architects

Publications about Wijdeveld
  • Jean-Paul Baeten & Aaron Betsky: Design the impossible. The world of architect Hendrik Wijdeveld (1885-1987). Rotterdam, NAI Publishers, 2006. ISBN 9056624970
  • H.Th. Wijdeveld, 50 years of creative work. Architecture and urbanism, ideal projects, theatre, sets, costumes, typography, Wendingen, decorative work, publications, books. Inl. by W.M. Dudok. Amsterdam, Stedelijk Museum Amsterdam, 1953

References
  1. "Hendrik Wijdeveld - Treasures of the NAI". schatkamer.nai.nl. Retrieved 2020-05-30.
  2. "A Brief History of Buildings That Look Like Vaginas". Gizmodo. Retrieved 2020-05-30.
  3. "Archive: Wijdeveld | Designblog". Retrieved 2020-05-30.
  4. "Cosmic and Theatrical". Archined (in Dutch). 2006-03-09. Retrieved 2020-05-30.
  5. "Periodicals as Collections, No. 1: Het Overzicht and Wendingen". letterformarchive.org. Retrieved 2020-05-30.
  6. "H. Th. Wijdeveld Collection, 1920-1962 | NC State University Libraries Collection Guides". www.lib.ncsu.edu. Retrieved 2020-05-30.
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