Hecht-Lancaster & Buzzell Music
Hecht-Lancaster & Buzzell Music Inc. (sometimes referred to as Hecht-Lancaster-Buzzell Music Publishing and later Hecht & Buzzell Music Inc.) was an American music publishing company, founded by the film producer Harold Hecht, his brother-in-law Loring Buzzell; and his business partner, actor/producer Burt Lancaster.[1] Hecht-Lancaster & Buzzell Music was solely associated with the American Society of Composers, Authors and Publishers (ASCAP). The same three founders also created Calyork Music Inc. (sometimes referred to as Calyork Music Corporation or Calyork Music Publishing), which was solely associated with Broadcast Music, Inc. (BMI). Both Hecht-Lancaster & Buzzell Music and Calyork Music were divisions of Hecht and Lancaster's film production company Norma Productions.[2]
Industry |
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Founded | January 1955 |
Founder |
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Defunct | 1960 |
Headquarters |
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Key people | Lu Ann Simms |
Products | Music Publishing |
Parent |
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Divisions |
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Compositions published by Hecht-Lancaster & Buzzell Music and Calyork Music have been released by Columbia Records, Warner Bros. Records, MGM Records, ABC-Paramount Records, Capitol Records, London Records, United Artists Records, Decca Records, Mercury Records, RCA Victor Records, Jubilee Records, Coral Records, Top Rank Records, Date Records, Kapp Records, Apollo Records, Maine Records and Cabot Records. The business venture also briefly operated its own record label, Calyork Records.
Origin and Cromwell Music association
Following World War II, Hollywood's Golden Age started to fade. After a 1948 ruling that major studios could no longer own theater houses and thereby monopolize production, distribution and exhibition, things changed greatly.[3] More room was awarded to independent producers, and fewer relied on long-term deals with major studios. Talent agent Harold Hecht and actor Burt Lancaster formed Norma Productions, a film production company, in the summer of 1947. But income in the movie business box office, although far from poor, continued to dwindle, because of stiff competition from radio and television.[4] By the mid-1950s most households owned a television, and the producers who could afford it started producing shows for that market. A similar situation was happening in the music business, as most households owned at least one phonograph. All the major studios either bought out existing record labels or started their own.[5] The studios also began exploiting the soundtrack album, which had before then mostly been an M-G-M musical fad but caught on with all types of films in the mid-1950s.[6]
In January 1955 Hecht-Lancaster Productions, by then the leading independent film production unit in Hollywood, announced that it was extending its operations into music publishing, entering into a partnership with Howie Richmond's Cromwell Music Inc. company.[7][8] The contacts were made through Loring Bruce Buzzell, Hecht's brother-in-law (the brother of his first wife, Gloria Joyce Buzzell), who worked for Richmond at Cromwell Music. Loring and Gloria's father, Samuel Jesse Buzzell, had been a music patent attorney, and their uncle, Edward Buzzell, was a successful film director.[9] Both Hecht and Buzzell had worked for Irving Mills' Mills Music Inc. company earlier in their careers.[10][11] Buzzell was also a field man for the American Society of Composers, Authors and Publishers (ASCAP) and in July 1954 married singer Lu Ann Simms (née Lu Ann Ciminelli), who got her big break performing on the Arthur Godfrey show and had since then released a series of successful singles through Columbia Records.[12][13]
Hecht-Lancaster Productions first published the music from their film Marty in April and June 1955 through Cromwell Music.[14][15] This gave way for a series of interpretations by various artists of Marty's theme song.[16][17][18][19] Hecht-Lancaster Productions' next film soundtrack, The Kentuckian, composed by Bernard Herrmann, was published through Frank Loesser's publishing company, Frank Music Inc.[20] It is unknown what kind of deal Hecht and Lancaster worked out with Frank Loesser.
In mid-July 1956, the Hollywood-based Record Releasing Corporation approached Hecht-Lancaster Productions regarding a music a deal, though no information surfaced as to future plans.[21] A second collaboration with Cromwell Music was made with the theme song from their 1956 film Trapeze. In July 1956 a title song, Trapeze, was published solely through Cromwell Music. A second song from the film, Lola's Theme was published in August 1956 by a new company named Hecht-Lancaster & Buzzell, Inc, in collaboration with Cromwell Music.[22][23] The new company was listed under the same address as Cromwell Music, 151 West 46th Street, New York City.[24] Lola's Theme also received various interpretations and singles.[25][26][27]
Hecht-Lancaster & Buzzell Music and Calyork Music publishing companies
The new company remained silent for the next six months, until a press announcement was made in March 1957. By then Hecht-Lancaster Productions had made James Hill a full partner in the company and changed its name to Hecht-Hill-Lancaster Productions, which was a subsidiary of Norma Productions. This announcement revealed that Harold Hecht, Loring Buzzell and Burt Lancaster had formed a publishing company with plans to publish the scores of Hecht-Hill-Lancaster Productions films and non-film-related pop music.[28] Hill was not included in the music venture.
Two separate publishing firms were announced in the March 1957 press release. Hecht-Lancaster & Buzzell Music Inc. was to be solely associated with ASCAP, while Calyork Music Inc. was to work exclusively with BMI (Calyork Music's CAE/IPI number is 4901911).[29] The partners intended to alter between the companies for each release, starting with the soundtrack to Hecht-Hill-Lancaster Productions' The Bachelor Party through Hecht-Lancaster & Buzzell, and then the soundtrack to Sweet Smell of Success through Calyork.[30] Both Hecht-Lancaster & Buzzell and Calyork were under the umbrella of Norma Productions.
In the summer of 1957, Howie Richmond announced that he was interested in acquiring overseas distribution of the Hecht-Lancaster & Buzzell soundtracks.[31]
Notable releases and success
The soundtrack to Hecht-Lancaster Productions' film Trapeze was released by Columbia Records in June 1956 (catalog CL 870), to a degree of success.[32][33] But it was the film's and soundtrack LP's theme song, Lola's Theme, that became a radio favorite. It spanned three successful singles interpreted by different bands; in June 1956 Columbia Records released a Muir Mathieson Orchestra version featuring Lola's Theme on the A-side and Mike and Lola's Love Theme on the B-side (catalog Columbia 40725).[34] This was followed in July by a Coral Records release of Steve Allen's version featuring Lola's Theme on the A-side and Conversation (on the Telephone) on the B-side (catalog Coral 61681).[35] Later that same month, a third single was released by Mercury Records of Ralph Marterie and His Orchestra's version featuring Lola's Theme on the A-side and Yes Sir, That's My Baby on the B-side (catalog Mercury 70197).[36]
Hecht-Lancaster & Buzzell Music and Calyork Music went on to publish songs for every future Norma Productions (and its subsidiary companies) films. Their films include The Bachelor Party and Sweet Smell of Success in 1957, Run Silent, Run Deep and Separate Tables (which was nominated for an Academy Award for Best Music, Scoring of a Dramatic or Comedy Picture) in 1958, Cry Tough, The Rabbit Trap, Take a Giant Step and Summer of the Seventeenth Doll in 1959 and finally, The Unforgiven in 1960.
It is now practically impossible to know all of the various interpretations of songs copyrighted and published by Hecht-Lancaster & Buzzell Music and Calyork Music, as some may only have been performed live with no documentation, others may have been recorded but not released, while others may have been recorded and released but did not chart. However, most of the movie soundtracks have been well discussed, even in negative criticism. The company's first official single, the theme song from The Bachelor Party, was composed and performed by Alex North but was not successful.[37] Theme Song from The Bachelor Party appeared on the B-side of an RCA Victor Records 7" showcasing Alex North's theme for Playhouse 90 on the A-side (catalog Victor 6896).[38]
The company's second offering, which featured music from Sweet Smell of Success, was extremely well received and was also of significant importance in the soundtrack category.[39] Sweet Smell of Success marked the first time that a film had two different soundtracks, each featuring completely different music.[40][41] Thus, Sweet Smell of Success spanned two soundtrack LPs and two promotional singles.[42] The first soundtrack LP was released in July 1957 by Decca Records (catalog DL 8610) and featured the jazz score composed by Elmer Bernstein.[43] That same month, the lead single was released by Decca Records with the songs The Street and Toots Shor's Blues (catalog Decca 30379).[44] The second soundtrack LP featured music composed and performed by the Chico Hamilton Quintet, who also appeared in the film. Decca Records released this LP in August 1957 (catalog DL 8614) and promoted it with a single by Mark Murphy featuring Goodbye Baby on the A-side and The Right Kind of Woman on the B-side (catalog Decca 30390).[45][46]
In October 1958 the Clifton Productions film (a subsidiary of Norma Productions) Separate Tables yielded three singles of its theme song. The first was performed by Vic Damone, released by Columbia Records (catalog Columbia 41287); the second was by Eydie Gormé, released by ABC-Paramount Records (catalog ABC 9971); and the third was by Lu Ann Simms, released by Jubilee Records (catalog Jubilee 1092).[47][48][49]
Hecht-Lancaster & Buzzell Music's most significant song was May You Always, composed by Dick Charles and Larry Markes in the fall of 1958. It was first recorded by the McGuire Sisters, who were friends of Lu Ann Simms and had worked with her on the Arthur Godfrey show and attended Simms and Buzzell's wedding.[50] The version by the McGuire Sisters, released by Coral Records (catalog Coral 62059), peaked at number 11 on Billboard's Hot 100 list on January 26, 1959, and became the second-best-selling sheet music in the United States.[51][52][53]
The theme song from The Unforgiven, entitled Theme from the Unforgiven (The Need for Love), was a hit in the spring of 1960, in four recorded versions: the Dimitri Tiomkin version, straight from the film, released by United Artists Records; a version recorded by Don Costa, also released by United Artists Records (catalog UA 221); a version by the McGuire Sisters, released by Coral Records (catalog Coral 62196); and a version by Clyde Otis, released by Mercury Records (catalog Mercury 71628).[54][55][56][57] Costa's version peaked at number 27 on the Billboard Hot 100 chart on July 4, 1960, and was number 22 on the Billboard Honor Roll of Hits chart on July 11, 1960.[58][59]
Calyork Records
Little documentation has been found about Calyork Records, a record label that Hecht, Lancaster and Buzzell operated together. The only known release by this record label is from 1958 (the two songs featured were published on April 15th of 1958). The 7" vinyl credits Calyork Records with the two songs published to Calyork Music as a Lou Bartel Production. It features the songs Anxiously Waiting and She Flipped Me performed by doo wop band The Flipteens. The record also indicates that it is a "Promotion Record" and a "Sample Copy Not For Sale". The address listed, 729 7th Avenue in New York City, differs from the Hecht-Lancaster & Buzzell Music office located at 151 West 46th Street in New York City.[60]
Demise
Calyork Music's final known registry is listed on September 23, 1958, with three Steve Karmen songs.[61] Although the copyrights remained active, no new works were published under that company, with Hecht-Lancaster & Buzzell Music taking on all new publication. The Hecht and Lancaster Companies started having interpersonal issues in early 1959, resulting in an announced hiatus from the film business in April 1959.[62] In July 1959 Harold Hecht and Gloria Buzzell separated. This may have caused friction between Hecht and the Buzzell family. All these factors played against Hecht-Lancaster & Buzzell Music.
On October 20, 1959 Loring Buzzell suffered a fatal heart attack.[63] Following this, few additional songs were published by Hecht-Lancaster & Buzzell Music. The exceptions include theme songs for the Hecht-Hill-Lancaster Productions film Summer of the Seventeenth Doll and four songs co-written by the widowed Lu Ann Simms and family friend Jaye P. Morgan. The final material published by the firm was Dimitri Tiomkin's soundtrack of the Hecht-Hill-Lancaster Productions film The Unforgiven, which was filled under the name Hecht & Buzzell Music Inc., as the film production company had dissolved by then and the three partners went separate ways.[64][65] Simms is reported to have taken over the publishing company following Hecht's exit.[66]
Published works
This list was compiled from the Catalog of Copyright Entries, Music from 1955–1960. It is believed to be incomplete.[67][68][69][70][71][72][73][74][75][76][77][78][79][80][81][82][83][84][85]
- Composer legend: a = arrangement, l = lyrics, m = music, w = words
Date | Song | Composer | Catalog Number | Publisher | Associated Film |
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April 21, 1955 | Hey, Marty | Harry Warren (m) & Paddy Chayefsky (w) | EP89219 | Cromwell Music | Marty |
June 10, 1955 | Saturday Night Mambo | Roy Webb (m) | EP90516 | Cromwell Music | Marty |
June 29, 1956 | Lola's Theme | Malcolm Arnold (m) | EU442973 | Cromwell Music | Trapeze |
June 29, 1956 | Mike and Lola's Love Theme | Malcolm Arnold (m) | EU442974 | Cromwell Music | Trapeze |
July 6, 1956 | Trapeze | Paul Elie (m) & Johnny Burke (l) | EP100758 | Cromwell Music | Trapeze |
August 24, 1956 | Lola's Theme | Malcolm Arnold (w, a) & Al Stillman (l) | EP101709 | Cromwell Music / Hecht-Lancaster & Buzzell Music | Trapeze |
April 1, 1957 | Ragamuffin's Holiday | Kenny Jacobson (m) | EU472529 | Hecht-Lancaster & Buzzell Music | |
April 1, 1957 | While the City Sleeps | Kenny Jacobson (m) | EU472528 | Hecht-Lancaster & Buzzell Music | |
April 3, 1957 | Cheek to Chico | Chico Hamilton (m) & Fred Katz (m) | EU476352 | Calyork Music | Sweet Smell of Success |
April 3, 1957 | Goodbye Baby | Chico Hamilton (m) & Fred Katz (m) | EU476352 | Calyork Music | Sweet Smell of Success |
April 3, 1957 | Sidney's Theme | Chico Hamilton (m) & Fred Katz (m) | EU476351 | Calyork Music | Sweet Smell of Success |
April 26, 1957 | Run, Don't Walk | Kenny Jacobson (m) & Rhoda Roberts (w) | EU475523 | Hecht-Lancaster & Buzzell Music | |
May 3, 1957 | The Forest and the Sea | Kenny Jacobson (m, w) | EU476246 | Hecht-Lancaster & Buzzell Music | |
May 10, 1957 | Green Silk Pajamas | Joe Marsala (w) & Guy Wood (m) | EU477347 | Hecht-Lancaster & Buzzell Music | |
May 22, 1957 | No Place to Rest | Kenny Jacobson (m) & Rhoda Roberts (w) | EU478793 | Hecht-Lancaster & Buzzell Music | |
May 22, 1957 | If I Were the Judge and the Jury | Don Marsh (m, w) | EU478773 | Calyork Music | |
May 31, 1957 | Theme from The Bachelor Party | Alex North (m) | EP109947 | Hecht-Lancaster & Buzzell Music | The Bachelor Party |
July 3, 1957 | Goodbye Baby | Chico Hamilton (m) & Fred Katz (m) & William Engvick (l) | EP110121 | Calyork Music | Sweet Smell of Success |
July 5, 1957 | The Street | Elmer Bernstein (m) | EU484174 | Calyork Music | Sweet Smell of Success |
July 5, 1957 | Tangerine Peel | Elmer Bernstein (m) | EU484173 | Calyork Music | Sweet Smell of Success |
July 5, 1957 | Toots Shor's Blues | Elmer Bernstein (m) | EU484172 | Calyork Music | Sweet Smell of Success |
July 5, 1957 | Tropical Island Mood | Elmer Bernstein (m) | EU484171 | Calyork Music | Sweet Smell of Success |
July 29, 1957 | I'll Be Waitin' | Kenny Jacobson (m) & Rhoda Roberts (w) | EU486778 | Hecht-Lancaster & Buzzell Music | |
July 31, 1957 | Crazy Dreamer | Kenny Jacobson (m) & Rhoda Roberts (w) | EU487130 | Hecht-Lancaster & Buzzell Music | |
August 6, 1957 | My Haunted House | Kenny Jacobson (m) & Rhoda Roberts (w) | EU487896 | Hecht-Lancaster & Buzzell Music | |
August 6, 1957 | Puppet on a String | Kenny Jacobson (m) & Rhoda Roberts (w) | EU487895 | Hecht-Lancaster & Buzzell Music | |
September 9, 1957 | Who Can I Believe | Vance Packard (m, w) | EU492147 | Calyork Music | |
September 18, 1957 | Didja Mean Whatcha Said? | Kenny Jacobson (m) & Rhoda Roberts (w) | EU493353 | Hecht-Lancaster & Buzzell Music | |
October 16, 1957 | Run Silent, Run Deep | Kenny Jacobson (m) | EU496941 | Hecht-Lancaster & Buzzell Music | Run Silent, Run Deep |
October 24, 1957 | Made for Each Other | Kenny Jacobson (m) & Rhoda Roberts (w) | EU497986 | Hecht-Lancaster & Buzzell Music | |
November 8, 1957 | Dark Hazard | Anthony Tamburello (m) | EU499877 | Calyork Music | |
November 8, 1957 | Goblin's Gavotte | Anthony Tamburello (m) | EU499875 | Calyork Music | |
November 8, 1957 | Lady of Fashion | Anthony Tamburello (m) | EU499876 | Calyork Music | |
November 8, 1957 | Mama's Song | Anthony Tamburello (m) & Marianina Miraglis (m) | EU499874 | Calyork Music | |
November 8, 1957 | March Forth | Anthony Tamburello (m) | EU499878 | Calyork Music | |
November 8, 1957 | Naughty Nautical | Anthony Tamburello (m) | EU499879 | Calyork Music | |
November 8, 1957 | Theme for Radio | Anthony Tamburello (m) | EU499880 | Calyork Music | |
November 12, 1957 | Darts | Fred Elton (m, w) | EU500258 | Hecht-Lancaster & Buzzell Music | |
November 19, 1957 | So This Is How It Ends | Kenny Jacobson (m) & Rhoda Roberts (w) | EU501184 | Hecht-Lancaster & Buzzell Music | |
November 19, 1957 | Cross Country Tour | Anthony Tamburello (m) | EU501117 | Calyork Music | |
November 19, 1957 | 'Sembly | Anthony Tamburello (m) | EU501115 | Calyork Music | |
November 19, 1957 | So This Is Love | Anthony Tamburello (m) | EU501116 | Calyork Music | |
November 19, 1957 | Waltz for Jane | Anthony Tamburello (m) | EU501118 | Calyork Music | |
November 22, 1957 | You're the Prettiest Thing | Jane Douglas White (m) & Sydney Shaw (w) | EU501545 | Hecht-Lancaster & Buzzell Music | |
November 22, 1957 | Post and Horn Gallop | Anthony Tamburello (m) | EU501554 | Calyork Music | |
November 22, 1957 | Roundelay | Anthony Tamburello (m) | EU501555 | Calyork Music | |
December 18, 1957 | That's All That Matters | Kenny Jacobson (m) & Rhoda Roberts (w) | EU504584 | Hecht-Lancaster & Buzzell Music | |
February 12, 1958 | I Don't Want to Do a Thing but Love You | Jane Douglas White (m) & Sydney Shaw (w) | EU511228 | Calyork Music | |
February 12, 1958 | Whispering Campaign | Jane Douglas White (m) & Sydney Shaw (w) | EU511227 | Calyork Music | |
February 17, 1958 | Made for Each Other | Kenny Jacobson (m) & Rhoda Roberts (w) | EP116677 | Hecht-Lancaster & Buzzell Music | |
March 20, 1958 | Now, Down to Earth | Kenny Jacobson (m) & Rhoda Roberts (w) | EU515896 | Hecht-Lancaster & Buzzell Music | |
March 21, 1958 | Bye Um Byee | Kenny Jacobson (m) & Rhoda Roberts (w) | EU516234 | Hecht-Lancaster & Buzzell Music | |
March 21, 1958 | The Mooch | Kenny Jacobson (m) & Rhoda Roberts (w) | EU516236 | Hecht-Lancaster & Buzzell Music | |
March 21, 1958 | Lovable | Kenny Jacobson (m) & Rhoda Roberts (w) | EU516235 | Hecht-Lancaster & Buzzell Music | |
April 4, 1958 | Be on the Lookout | Jane Douglas White (m) & Sydney Shaw (w) | EU517932 | Calyork Music | |
April 4, 1958 | Time Will Tell | Jane Douglas White (m) & Sydney Shaw (w) | EU517931 | Calyork Music | |
April 15, 1958 | Anxiously Waiting | Lou Bartel (m, w) | EU519508 | Calyork Music | |
April 15, 1958 | She Flipped Me | Lou Bartel (m, w) | EU519507 | Calyork Music | |
April 23, 1958 | Chum-Bam-Bele | Fred Elton (m, w) & Clint Ballard Jr. (m, w) | EU521044 | Calyork Music | |
April 24, 1958 | Separate Tables | Harry Warren (m) & Harold Adamson (w) | EU521155 | Hecht-Lancaster & Buzzell Music | Separate Tables |
April 29, 1958 | Easy Does It | Kenny Jacobson (m) & Rhoda Roberts (w) | EU521783 | Hecht-Lancaster & Buzzell Music | |
May 7, 1958 | Ring Around the Moon | Don Marsh (m, w) | EU523275 | Hecht-Lancaster & Buzzell Music | |
May 9, 1958 | Baby, Je Vous Aime | Kenny Jacobson (m) & Rhoda Roberts (w) | EU523617 | Hecht-Lancaster & Buzzell Music | |
June 4, 1958 | Jackanapes | Anthony Tamburello (m) | EU527764 | Calyork Music | |
June 6, 1958 | Just About | Don Marsh (m, w) & Nancy Lee Marsh (m, w) | EU528079 | Calyork Music | |
June 10, 1958 | Green Jeans | Kenny Bowers (m, w) | EU528485 | Calyork Music | |
June 10, 1958 | Help! | Kenny Bowers (m, w) | EU528486 | Calyork Music | |
June 12, 1958 | Valse Viennese | Anthony Tamburello (m) | EU529893 | Calyork Music | |
July 1, 1958 | Someone Else's Ring | Steve Karmen (m, w) | EU531431 | Calyork Music | |
July 1, 1958 | Zoom Zoom | Steve Karmen (m, w) | EU531432 | Calyork Music | |
July 18, 1958 | Foolishly Young | Horace Linsley (m, w) | EU533818 | Hecht-Lancaster & Buzzell Music | |
August 15, 1958 | Run Silent, Run Deep | Kenny Jacobson (m) | EP121980 | Hecht-Lancaster & Buzzell Music | Run Silent, Run Deep |
September 19, 1958 | Good Time Charlie | Fred Elton (m, w) | EU542450 | Hecht-Lancaster & Buzzell Music | |
September 23, 1958 | I Found Love | Steve Karmen (m, w) | EU543067 | Calyork Music | |
September 23, 1958 | Oh! Oh! | Steve Karmen (m, w) | EU543068 | Calyork Music | |
September 23, 1958 | Watchin' and Waitin' | Steve Karmen (m, w) | EU543066 | Calyork Music | |
October 7, 1958 | Smile for the People | Fred Elton (m, w) | EU544914 | Hecht-Lancaster & Buzzell Music | |
October 20, 1958 | Easy Does It | Kenny Jacobson (m) & Rhoda Roberts (w) | EP123982 | Hecht-Lancaster & Buzzell Music | |
October 22, 1958 | Separate Tables | Harry Warren (m) & Harold Adamson (l) | EP123983 | Hecht-Lancaster & Buzzell Music | Separate Tables |
November 14, 1958 | May You Always | Dick Charles (m, w) & Larry Markes (m, w) | EU550467 | Hecht-Lancaster & Buzzell Music | |
December 18, 1958 | May You Always | Dick Charles (m, w) & Larry Markes (m, w) | EP125691 | Hecht-Lancaster & Buzzell Music | |
January 26, 1959 | After | Dick Charles (m, w) & Larry Markes (m, w) | EU559562 | Hecht-Lancaster & Buzzell Music | |
January 26, 1959 | Dream Girl | Kenny Jacobson (m) & Rhoda Roberts (w) | EU559561 | Hecht-Lancaster & Buzzell Music | |
January 26, 1959 | Motherless Child | Jerry Fielding (m, a, w) | EU559560 | Hecht-Lancaster & Buzzell Music | |
February 26, 1959 | Zeitgeist – Cafe of Blue Mirrors | Kenny Jacobson (m) | EU564334 | Hecht-Lancaster & Buzzell Music | |
March 12, 1959 | Only Wishful Thinking | Horace Linsey (m, w), Bill Eisenhauer (m, w) & Pat Noto (m, w) | EU566792 | Hecht-Lancaster & Buzzell Music | |
March 17, 1959 | Don't Try to Make Me Smile Tonight | Gloria Shayne (m, w) & Noel Paris (m, w) | EU567450 | Hecht-Lancaster & Buzzell Music | |
March 18, 1959 | Somebody Loses, Somebody Wins | Kenny Jacobson (m) & Rhoda Roberts (w) | EU567735 | Hecht-Lancaster & Buzzell Music | |
March 24, 1959 | Enthusiasm | Fred Elton (m, w) | EU568550 | Hecht-Lancaster & Buzzell Music | |
May 11, 1959 | Have Another | Kenny Jacobson (m) & Rhoda Roberts (w) | EU576234 | Hecht-Lancaster & Buzzell Music | |
May 21, 1959 | Just for Two | Kenny Jacobson (m) & Rhoda Roberts (w) | EU577817 | Hecht-Lancaster & Buzzell Music | |
June 1, 1959 | That's the Way I Am | Gloria Shayne (m, w) | EU579267 | Hecht-Lancaster & Buzzell Music | |
June 10, 1959 | Cinderella | Jim Palmer (m/w) & Anthony Tamburello (m, w) | EU580518 | Hecht-Lancaster & Buzzell Music | |
June 16, 1959 | Smile for the People | Fred Elton (m, w) | EP131071 | Hecht-Lancaster & Buzzell Music | |
June 26, 1959 | Absence | Laurindo Almeida (m) | EU582858 | Hecht-Lancaster & Buzzell Music | Cry Tough |
June 26, 1959 | The Big Town | Laurindo Almeida (m) | EU582853 | Hecht-Lancaster & Buzzell Music | Cry Tough |
June 26, 1959 | Club Caballeros | Laurindo Almeida (m) | EU582855 | Hecht-Lancaster & Buzzell Music | Cry Tough |
June 26, 1959 | Luna De Miel | Laurindo Almeida (m) | EU582852 | Hecht-Lancaster & Buzzell Music | Cry Tough |
June 26, 1959 | Mambo a la Teen | Laurindo Almeida (m) | EU582857 | Hecht-Lancaster & Buzzell Music | Cry Tough |
June 26, 1959 | Mambo Sin Mayores Consecuencias | Laurindo Almeida (m) | EU582859 | Hecht-Lancaster & Buzzell Music | Cry Tough |
June 26, 1959 | Nena | Laurindo Almeida (m) | EU582862 | Hecht-Lancaster & Buzzell Music | Cry Tough |
June 26, 1959 | The Old Man's Mambo | Laurindo Almeida (m) | EU582854 | Hecht-Lancaster & Buzzell Music | Cry Tough |
June 26, 1959 | Sarita's Mambo | Laurindo Almeida (m) | EU582856 | Hecht-Lancaster & Buzzell Music | Cry Tough |
June 26, 1959 | Stool Pigeon | Laurindo Almeida (m) | EU582851 | Hecht-Lancaster & Buzzell Music | Cry Tough |
June 26, 1959 | The Suspense Cha-Cha | Laurindo Almeida (m) | EU582860 | Hecht-Lancaster & Buzzell Music | Cry Tough |
June 26, 1959 | Trece Perros | Laurindo Almeida (m) | EU582861 | Hecht-Lancaster & Buzzell Music | Cry Tough |
July 9, 1959 | Midnight Blues | Kenny Jacobson (m) & Rhoda Roberts (w) | EU584540 | Hecht-Lancaster & Buzzell Music | |
July 9, 1959 | This Could Be the Night | Kenny Jacobson (m) & Rhoda Roberts (w) | EU584541 | Hecht-Lancaster & Buzzell Music | |
July 21, 1959 | The Rabbit Trap Theme | Jack Marshall (m) | EU586203 | Hecht-Lancaster & Buzzell Music | The Rabbit Trap |
July 29, 1959 | Growing Up | Kenny Jacobson (m) & Rhoda Roberts (w) | EU587262 | Hecht-Lancaster & Buzzell Music | |
September 3, 1959 | Take a Giant Step | Jay Livingston (m, w) & Ray Evans (m, w) | EP133495 | Hecht-Lancaster & Buzzell Music | Take a Giant Step |
October 16, 1959 | Does She, or Doesn't She? | Jerry Alters (m) & Don Meyer (w) | EU598106 | Hecht-Lancaster & Buzzell Music | |
October 20, 1959 | I'll Always Remember | Dick Charles (m, w) & Larry Markes (m, w) & Murray Kane (m, w) | EU596288 | Hecht-Lancaster & Buzzell Music | |
December 9, 1959 | Ben Bernard Theme No. I | Benjamin Frankel (m) | EU604954 | Hecht-Lancaster & Buzzell Music | Summer of the Seventeenth Doll |
December 9, 1959 | Ben Bernard Theme No. II | Benjamin Frankel (m) | EU604953 | Hecht-Lancaster & Buzzell Music | Summer of the Seventeenth Doll |
December 11, 1959 | I Care | Jaye P. Morgan (m, w) & Lu Ann Simms (m w) | EU605544 | Hecht-Lancaster & Buzzell Music | |
December 11, 1959 | If Something's Gonna Happen Let It Happen | Jaye P. Morgan (m, w) & Lu Ann Simms (m, w) | EU605543 | Hecht-Lancaster & Buzzell Music | |
December 11, 1959 | Love Has Gone | Jaye P. Morgan (m, w) & Lu Ann Simms (m, w) | EU605546 | Hecht-Lancaster & Buzzell Music | |
December 11, 1959 | Somewhere There's a Rainbow | Jaye P. Morgan (m, w) & Lu Ann Simms (m, w) | EU605545 | Hecht-Lancaster & Buzzell Music | |
March 23, 1960 | The Unforgiven – The Need for Love | Dimitri Tiomkin (m) & Ned Washington (l) | EP139141 | Hecht & Buzzell Music | The Unforgiven |
Partial list of releases
Though Hecht-Lancaster & Buzzell never focused on operating a record label themselves (one record has been found), many of their published songs have been recorded by other artists and have since been released on vinyl, cassette and CD. This is an attempt to gather them all.
Legend: ≈ = Cromwell Music publishing, † = Hecht-Lancaster & Buzzell Music publishing, ¤ = Calyork Music publishing, ‡ = Hecht & Buzzell Music publishing
Singles
Date | Record Label | Catalog Number | Artist | A Side | B Side | Ref. |
---|---|---|---|---|---|---|
May 1955 | MGM Records | MGM 11981 | Dave (Tico) Robbins Quintette | Silvana Mangano Mambo | Saturday Night Mambo ≈ | [86] |
May 1955 | MGM Records | K11970 | The Naturals | Marty ≈ | The Jitterbug Waltz | [87] |
June 1955 | Coral Records | Coral 61425 | Les Brown Orchestra | Something's Gotta Give | Saturday Night Mambo ≈ | [88] |
June 1955 | Columbia Records | Columbia 40513 | The Chappaqua High School Kids | Marty ≈ | East Side, West Side | [89] |
June 1956 | Columbia Records | Columbia 40725 | Muir Mathieson Orchestra | Lola's Theme ≈ | Mike and Lola's Love Theme ≈ | [90] |
July 1956 | Coral Records | Coral 61681 | Steve Allen | Lola's Theme ≈ | Conversation (on the Telephone) | [91] |
July 1956 | Mercury Records | Mercury 70197 | Ralph Marterie and His Orchestra | Lola's Theme ≈ | Yes Sir, That's My Baby | [92] |
April 1957 | RCA Victor Records | Victor 6896 | Alex North Orchestra | Theme from Playhouse 90 | Theme from The Bachelor Party † | [93] |
June 1957 | Columbia Records | Columbia 40937 | Lu Ann Simms | Run, Don't Walk † | The Still Small Voice | [94] |
June 1957 | Cabot Records | Cabot 104 | Danny Davis | I Wonder Why † | To Mend My Broken Heart | [95] |
July 1957 | Decca Records | Decca 30390 | Mark Murphy | Goodbye Baby ¤ | The Right Kind of Woman | [96] |
July 1957 | Decca Records | Decca 30379 | Elmer Bernstein | The Street ¤ | Toots Shor's Blues ¤ | [97] |
December 1957 | Jubilee Records | Jubilee 5313 | Don Rondo | Made for Each Other † | What a Shame | [98] |
1958 | Calyork Records | none | The Flipteens | Anxiously Waiting ¤ | She Flipped Me ¤ | [99] |
April 1958 | Jubilee Records | Jubilee 5321 | Lu Ann Simms | The Mooch † | Bye Um Bye † | [100] |
April 1958 | Decca Records | Decca 30641 | Jack Pleis Orchestra | Run Silent Run Deep † | Gigi | [101] |
April 1958 | Columbia Records | Columbia 41161 | Jill Corey | Sweet Sugar Lips | Lovable † | [102] |
July 1958 | Date Records | Date 1004 | The Temples | Whispering Campaign † | I Don't Want to Do a Thing But Love You † | [103] |
October 1958 | Columbia Records | Columbia 41287 | Vic Damone | We Kiss in a Shadow | Separate Tables † | [104] |
October 1958 | ABC-Paramount Records | ABC 9971 | Eydie Gormé | Separate Tables † | The Voice in My Heart | [105] |
October 1958 | Jubilee Records | Jubilee 1092 | Lu Ann Simms | Separate Tables † / There Will Never Be Another You | You're Getting to be a Habit with Me / Oh That Kiss | [106] |
November 1958 | Coral Records | Coral 62059 | McGuire Sisters | May You Always † | Achoo-Cha Cha (Gesundheit) | [107] |
November 1958 | Mercury Records | Mercury 71386 | Steve Karmen | Watchin' and Walkin' ¤ | Oh! Oh! ¤ | [108] |
January 1959 | London Records | London 45-1848 | Mantovani | Separate Tables † | Under Paris Skies | [109] |
February 1959 | Warner Bros. Records | Warner Bros. 5036 | Margaret Ann and the Ja Da Quartette | My Cutey's Due at Two to Two Today | Good Time Charlie † | [110] |
March 1959 | Maine Records | Maine 6000 | Ken Colby | Cafe of Blue Mirrors † | Ragamuffin's Holiday † | [111] |
April 1959 | Coral Records | Coral 62108 | Lillian Briggs | Rag Mop | Smile for the People † | [112] |
June 1959 | RCA Victor Records | Victor 7554 | Lou Monte | Pistol Packin' Mama | Have Another † | [113] |
July 1959 | MGM Records | MGM 12815 | Jaye P. Morgan | Somebody Else Is Taking My Place | Somebody Loses, Somebody Wins † | [114] |
August 1959 | Capitol Records | Capitol 4259 | Tommy Sands | I'll Be Seeing You | The Way I Am † | [115] |
September 1959 | ABC-Paramount Records | ABC 10046 | Johnny Nash | But Not for Me | Take a Giant Step † | [116] |
October 1959 | Decca Records | Decca 30981 | Margaret Imlau | Bye Um Bye † | No No Baby | [117] |
October 1959 | Top Rank Records | Top Rank 2018 | Herb Corey | Midnight Blues † | This Could Be the Night † | [118] |
January 1960 | Kapp Records | Kapp 315 | The Arena Twins | Jimbalay'a | This Could Be the Night † | [119] |
February 1960 | Apollo Records | Apollo 3854 | Bobby Miller | That's All That Matters † | The Wonder of It All † | [120] |
February 1960 | Jubilee Records | Jubilee 5383 | Lu Ann Simms | After † | Just About ¤ | [121] |
March 1960 | United Artists Records | UA 221 | Don Costa | Theme from The Unforgiven (The Need for Love) ‡ | Streets of Paris | [122] |
April 1960 | Coral Records | Coral 62196 | McGuire Sisters | Theme from The Unforgiven (The Need for Love) ‡ | I Give Thanks | [123] |
May 1960 | Mercury Records | Mercury 71628 | Clyde Otis | Theme from The Unforgiven ‡ | It's So Much Fun | [124] |
LPs
Date | Record Label | Catalog Number | Artist | Title | Ref. |
---|---|---|---|---|---|
June 1956 | Columbia Records | CL 870 | Malcolm Arnold | Trapeze ≈ | [125] |
June 1957 | Decca Records | DL 8610 | Elmer Bernstein | Sweet Smell of Success ¤ | [126] |
July 1957 | Decca Records | DL 8614 | Chico Hamilton Quintet | Sweet Smell of Success ¤ | [127] |
January 1959 | Jubilee Records | JLP 1092 | Lu Ann Simms | At Separate Tables † | [128] |
November 1959 | Capitol Records | ST 1263 | Laurindo Almeida | Happy Cha Cha Cha † | [129] |
March 1960 | United Artists Records | UAL 4068 / UAS 5068 | Dimitri Tiomkin | The Unforgiven ‡ | [130] |
References
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