Hayley Carmichael
Hayley Carmichael is an English actress and theatre-director. She is co-founder of Told By An Idiot and has both devised and performed in almost all their productions. She won the TMA and Time Out awards in 1999 for Best Actress for her performances in I Weep At My Piano, Mr Puntilla and The Dispute.[1]
Theatre work
"Here Be Lions" (French text by Stéphane Olry/La Revue Eclair Paris, English translation by Neil Bartlett). Theatre of Europe - The Print Room at the Coronet - London 2015
For Told by an Idiot
- I'm A Fool To Want You
- Playing The Victim
- The Firework-Makers Daughter
- A Little Fantasy
- Aladdin
- Shoot Me In The Heart
- Happy Birthday Mister Deka D
- I Weep At My Piano
- Casanova (2007)
Other work
- The Dispute (RSC)
- Mr Puntilla and his Man Matti (The Right Size/Almeida co-production)
- The Maids (2007, Brighton Festival)
- Cymbeline (2006, RSC/ Kneehigh Theatre)
- Theatre of Blood (Royal National Theatre)
- Bliss (2008, Royal Court Theatre)
- The Birds (Royal National Theatre)
- The Street of Crocodiles (Complicite)
- The New Tenant (Young Vic)
- King Lear (Young Vic)
- Mother Courage and Her Children (Shared Experience)
- A Servant to Two Masters (Sheffield Crucible)
- Gormenghast (David Glass Ensemble)
- David Copperfield (Dundee Rep)
- Metamorphosis (Dundee Rep)
- Loser
Film work
- National Achievement Day (1995)
- Simon Magus (1999)
- Anazapta (2001)
- One Day (2007)
- Tale of Tales (2015)
Television work
- Viva Blackpool (2006)
- Tunnel of Love
- Little Robots
- The Emperor's New Clothes
- The Bill
- The Many Cinderellas
- Life's A Bitch (aka Life's a Bitch and So Am I)
- Our Zoo (2014)
- The Witness for the Prosecution (Alice Mayhew, 2016)
gollark: I'm saying that I don't think you can operate them off altruism/social connections because they involve too much scale.
gollark: If you want nice 5nm CPUs you're going to need giant fabs and the companies supplying tooling to them and whoever supplies exotic chemicals to them and whatever.
gollark: The last thing? We rely on things like semiconductors and complex medical whatever with ridiculously complex global supply chains which require things across the planet.
gollark: However, current technology requires us to operate economic systems at a global scale.
gollark: If you expect people to just do it out of altruism or something, this may work entirely fine in a small community where everyone knows each other and they can lean on social mechanisms or something.
References
- Theatrical Management Association Awards Archived 2013-12-03 at the Wayback Machine
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