Hayes McMullan

Hayes McMullan (January 29, 1902 – May 1986) was an American Delta blues singer, guitarist and songwriter.[1] He was also employed at various times as a sharecropper and as a deacon and was a civil rights activist.[2]

Hayes McMullan
Born(1902-01-29)January 29, 1902
New Hope or Murphreesboro, Tallahatchie County, Mississippi, United States
DiedMay 1986 (aged 84)
Tutwiler, Mississippi, United States
GenresDelta blues
Occupation(s)Singer, guitarist, songwriter
InstrumentsVocals, guitar
Years active1920s–1930s; 1960s
LabelsLight in the Attic

McMullan's first major recorded work was released in February 2017, over 30 years after his death, and was drawn from recordings he made in 1967 and 1968 in Tallahatchie County, Mississippi.[3]

Biography

McMullan was born in either New Hope or Murphreesboro, Tallahatchie County, Mississippi.[1] His musical talents were unearthed following a chance encounter in 1967 between McMullan and the American roots scholar, music collector and documentarian Gayle Dean Wardlow.[2][4] Wardlow, striking up a conversation with him, discovered that McMullan had known Wardlow's idol, Charley Patton, and had played alongside him in the 1920s. This was at a time when McMullan had drifted from his Mississippi Delta homeland to perform the blues in juke joints across the Deep South.[4] Wardlow also learned that McMullan had stopped playing the blues when he joined a church in the 1930s.[4] Explaining why he had given up the opportunity to record with Patton, McMullan stated, "They only offered me $5 a song, and you know they could make thousands off just one song."[5] Wardlow's unlikely friendship with McMullan led him to visit McMullan's sharecropper shack in Tallahatchie County, Mississippi, on a number of occasions in the late 1960s, and he recorded McMullan both on tape recorder and in writing. Wardlow wrote at the time that "Hayes was playing like no one I had ever heard."[4]

McMullan died in May 1986, aged 84.[4]

Wardlow subsequently wrote, "The few old snapshots I took, the handful of tunes we recorded, and his brilliant performance of 'Hurry Sundown' captured on film are all that's left of the musical legacy of Hayes McMullan, sharecropper, deacon, and—unbeknownst to so many for so long—reluctant bluesman."[4] Wardlow also transcribed the songs and wrote the sleeve notes for the 2017 release of McMullan's album Everyday Seem Like Murder Here.[2] Another song on the album, "Smoke Like Lightning", later became "Smokestack Lightnin'" as recorded by Howlin' Wolf.[5]

Album
gollark: You said "then diode gives them a role", and "diode" sounds like a person.
gollark: Oh, so have beginner versions for only a few channels? Makes sense. Although it should be automated. And I think it only makes sense to restrict access to channels you are actually going to make a noob version for.
gollark: Okay, continue.
gollark: Yes, you already wrote that.
gollark: <#426054105577029654> and stuff too?

See also

References
  1. Bob Eagle; Eric S. LeBlanc (2013). Blues: A Regional Experience. Santa Barbara, California, United States: Praeger. p. 217.
  2. "Hayes McMullan". Light in the Attic Records. Retrieved 2017-03-05.
  3. "Hayes McMullan Illustrated Discography". Wirz.de. Retrieved 2017-03-05.
  4. "Hayes McMullan, Everyday Seem Like Murder Here". Piccadilly Records. Retrieved 2017-03-05.
  5. "The Magnificent Unknown Bluesman—Hayes McMullan". Socialistworker.co.uk. 2017-01-24. Retrieved 2017-03-05.
  6. "Hayes McMullen [sic], Everyday Seem Like Murder Here: Songs, Reviews, Credits". AllMusic.com. Retrieved 2017-03-05.
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