Harry Keller
Harry Keller (22 February 1913 – 19 January 1987) was an American film editor, producer and director, who made a number of westerns and worked for many years at Universal Pictures.
In 1958, Keller was tasked by Universal Pictures with directing re-shoots and additional scenes on the Orson Welles film Touch of Evil.
Select Credits
- The Witness Vanishes (1939) editor
- Inside Information (1939)
- Mystery of the White Room (1939)
- Black Hills Express (1943) editor
- Days of Old Cheyenne (1943) editor
- Sheriff of Sundown (1944) editor
- Northwest Outpost (1947) editor
- Moonrise (1948) editor
- The Blonde Bandit (1949) director
- The Red Menace (1949) editor
- The Arizona Cowboy (1950) editor
- Tarnished (1950) director
- Fort Dodge Stampede (1951) assoc. producer
- Desert of Lost Men (1951) associ. producer
- Belle Le Grand (1951) director
- The Dakota Kid (1951) editor
- Thundering Caravans (1952) director
- Black Hills (1952) assoc. producer
- Rose of Cimarron (1952) director
- Leadville Gunslinger (1952) assoc. producer
- Marshal of Cedar Rock (1953) director
- Bandits of the West (1963) director
- Savage Frontier (1953) director
- El Paso Stampede (1953) director
- Red River Shore (1953) director
- Phantom Stallion (1954) assoc. producer
- The Unguarded Moment (1956) director
- Man Afraid (1957) director
- Quantez (1957) director
- The Female Animal (1958) director
- Day of the Badman (1958) director
- Voice in the Mirror (1958) director
- Touch of Evil (1958) - director, additional scenes and re-shoots
- Step Down to Terror (1958) director
- Seven Ways from Sundown (1960) director
- Tammy Tell Me True (1961) director
- Six Black Horses (1962) director
- Tammy and the Doctor (1963) director
- The Brass Bottle (1964) director
- Kitten with a Whip (1964) producer
- Send Me No Flowers (1964) producer
- Mirage (1965) producer
- That Funny Feeling (1965) producer
- Texas across the River (1966) producer
- In Enemy Country (1968) producer
- Skin Game (1971) producer
gollark: Waaaaait, is this for Ethereum? Hmm. Bees.
gollark: I mean, they might be reading your crypto secrets out of RAM, and... do you just assume that *some* of them won't be evil and just rerun the computation if the result don't match, or something?
gollark: If you don't trust your compute nodes, you basically can't do anything.
gollark: > The Internet Computer is a decentralized cloud computing platform that will host secure software and a new breed of open internet services. It uses a strong cryptographic consensus protocol to safely replicate computations over a peer-to-peer network of (potentially untrusted) compute nodes, possibly overlayed with many virtual subnetworks (sometimes called shards). Wasm’s advantageous properties made it an obvious choice for representing programs running on this platform. We also liked the idea of not limiting developers to just one dedicated platform language, but making it potentially open to “all of ’em.”How is *that* meant to work?
gollark: ... "internet computer"? Oh bees.
References
External links
- Harry Keller on IMDb
- Harry Keller at TCMDB
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