Harry (British TV series)
Harry is a television drama series that was made by Union Pictures for the BBC, and shown on BBC1 between 18 September 1993 and 12 April 1995. The programme concerned a journalist called Harry Salter[1] (played by Michael Elphick) who ran a news agency in the English town of Darlington in England.
| Harry | |
|---|---|
| Genre | Drama |
| Starring | Michael Elphick Tom Hollander Julie Graham Ian Bartholomew |
| Composer(s) | Tony McAnany |
| Country of origin | United Kingdom |
| Original language(s) | English |
| No. of series | 2 |
| No. of episodes | 20 |
| Production | |
| Executive producer(s) | Bradley Adams Franc Roddam |
| Producer(s) | Joy Spink Martin McKeand |
| Running time | 50 minutes |
| Production company(s) | Union Pictures |
| Release | |
| Original network | BBC1 |
| Picture format | 14:9 |
| Audio format | Stereo |
| Original release | 18 September 1993 – 12 April 1995 |
Cast
- Harry Salter – Michael Elphick
- Jonathan – Tom Hollander
- Alice – Julie Graham
- Snappy – Ian Bartholomew
- Motorcycle Thug 2 – Declan Donnelly
Episodes
Series 1 (1993)
| No. overall | No. in series | Title | Directed by | Written by | Original air date | |
|---|---|---|---|---|---|---|
| 1 | 1 | "First Strike" | Mary McMurray | Mick Ford | 18 September 1993 | |
| Harry Salter was once a Fleet Street high-flier: he got the stories, he got the expense account and he got drunk. But now he is living on his wits running a news agency in Darlington. His first task is to investigate a death that looks like suicide and track down a rogue tattooist. | ||||||
| 2 | 2 | "Time Like This" | Mary McMurray | Mick Ford | 25 September 1993 | |
| Earlier in his career he'd reached features editor status on Fleet Street, before the drink took hold. Now he's sniffing out the stories for the news agency in Darlington that he runs. In this time, a routine patrol with the motorway police uncovers a dramatic incident. | ||||||
| 3 | 3 | "Thought Invigoration" | Mary McMurray | Mick Ford | 2 October 1993 | |
| Three grave-robbers think they've struck lucky until an antiques expert enlightens them. Meanwhile, Harry is anxiously awaiting the arrival of an old friend. | ||||||
| 4 | 4 | "Tooth to Claw" | Rob Walker | Mick Ford | 9 October 1993 | |
| Harry's fictional Fleet Street colleagues feature in this week's episode when an ex-army officer is murdered on his patch. Harry goes off in hot pursuit of the IRA suspects, intent on selling the story to the national papers, but finds that the real villain is somewhat nearer home. | ||||||
| 5 | 5 | "Seeing Birthdays" | Rob Walker | Mick Ford | 16 October 1993 | |
| Jonathan takes his video camera to cover a sick child's birthday party which turns into a major news story. Harry is contacted by the sinister owner of a champion fighting dog. | ||||||
| 6 | 6 | "Waiting for The Day" | Rob Walker | Mick Ford | 23 October 1993 | |
| Harry could go to jail for what he did at the scene of a siege, but he insists on dealing with the problem in his own way. | ||||||
| 7 | 7 | "Clamouring" | Martin Stellman | Chris Ould | 30 October 1993 | |
| Darlington's fearless newshounds stumble across the perfect tabloid shocker this week when Harry, just out of prison, sees a man breaking down a door with an axe. But this turns out to be even more juicy than the average Mad Axeman story, for the door in question belongs to a "glamour" photographer who has been producing pornographic pictures of local girls. Further investigations reveal a thriving business in pornography and prostitution being plied by local students desperate to supplement their grants. And one of them is the daughter of a town councillor who is a highly vocal campaigner against pornography. | ||||||
| 8 | 8 | "Outshined" | Martin Stellman | Chris Ould | 6 November 1993 | |
| With an important Italian client to impress, Harry turns to invention. At the same time, he has an exclusive interview with a local football hero, but how can he make him sound interesting? | ||||||
| 9 | 9 | "Dealing with The Devil" | Martin Stellman | Jim Hill | 20 November 1993 | |
| Nothing more than a conventional Sunday-paper tribute would seem to be called for, as far as Harry's news agency is concerned. But a visit to ex-reporter Dan Finch raises the ghost of a 15-year-old murder trial with Masonic entanglements. Also involved is Harry's friend , Nick then a young detective constable. | ||||||
| 10 | 10 | "Pointless Situations" | Mary McMurray | Chris Ould | 27 November 1993 | |
| During a surprise party to celebrate the broadcast of Jonathan's "Video Diary", he gives Harry some bad news which causes bad feeling all round. But Harry is soon on the trail of a financial scandal involving a local employer. | ||||||
| 11 | 11 | "Out of the Black — Part 1" | Mary McMurray | Mick Ford | 4 December 1993 | |
| A surgeon appeals for help, but Harry's on the trail of a much bigger story – so big that he's prepared to ditch Rita, Snappy and Alice and follow his lead to London and abroad. | ||||||
| 12 | 12 | "Out of the Black — Part 2" | Mary McMurray | Mick Ford | 11 December 1993 | |
| He goes out with a real scoop, which causes a disgraced MP to resign, earns plaudits and more work from his Fleet Street masters and manages to upset his wife and staff back at the news agency in Darlington. | ||||||
Series 2 (1995)
| No. overall | No. in series | Title | Directed by | Written by | Original air date | |
|---|---|---|---|---|---|---|
| 13 | 1 | "Over the Hills" | Lawrence Moody | Andrew Holden | 22 February 1995 | |
| Harry has left everyone behind to chase the big story in Spain and the big money in Fleet Street. But he comes down to earth with a bump and returns to pick up the pieces of his north east agency. | ||||||
| 14 | 2 | "Cloak and Dagger" | Lawrence Moody | Peter Bowker | 1 March 1995 | |
| Jonathan investigates the intimidation of a teenage witness to a murder case. Harry offers to protect the witness, but then loses him. | ||||||
| 15 | 3 | "Swindled" | Lawrence Moody | Dave Sheasby | 8 March 1995 | |
| Harry investigates blackmail as a clean-cut footballer's image is threatened by his wife's past. | ||||||
| 16 | 4 | "Rocks and Stone" | Sid Roberson | Robin Mukherjee | 15 March 1995 | |
| A soldier with a secret can be a dangerous business, especially when the establishment conspires to cover it up. When Harry finally uncovers the shocking truth, will he be allowed to tell it? Meanwhile, Snappy and Jonathan stake out an ageing rock star who returnsfrom the dead. | ||||||
| 17 | 5 | "Hell's Ghost" | Lawrence Moody | Arthur McKenzie | 22 March 1995 | |
| Harry suspects that a local bigtime criminal, known as the Phantom and now living on the Costa Del Sol, is back in town. Harry is keen to get the exclusive. Ex-detective Jack Crow is also keen to find the Phantom, but for a different reason. It's a race to see who can find him first. To throw news-hungry Cheryl off the scent of his scoop, Harry uses some underhand methods to encourage her to investigate a devil-worship story that unexpectedly turns out to be connected with the Phantom. | ||||||
| 18 | 6 | "The Tangled Fish" | Rob Walker | Andrew Holden | 29 March 1995 | |
| Snappy and Jonathan are in line for a "Good News" award. But events take a turn for the worse when a young prostitute disappears and her friends think she has been murdered. Alice is a dead ringer for the missing girl and decides to act as bait for the killer. Harry suspects a local judge. If he's right it will be a front page story; if he's wrong Alice could be the next victim. | ||||||
| 19 | 7 | "A Question of Truth" | Rob Walker | Robin Mukherjee | 5 April 1995 | |
| Dean Hawkins breaks out of prison to settle a score with the local police and politicians who destroyed his father, especially parliamentary candidate Frank Melhouse. Meanwhile, Harry is beingfed information on Melhouse by an anonymous source. | ||||||
| 20 | 8 | "One Last Call" | Lawrence Moody | Sam Snape | 12 April 1995 | |
| A child is kidnapped and Alice doesn't want Harry involved as the parents are friends of hers. But Harry can't pass up the chance of an exclusive. | ||||||
gollark: They probably only have one copy and want to see if anyone is insane enough to buy it, or something. Or it's been bid up by the weird autopricing algorithms in use.
gollark: Hmm, yes, true. And you won't have to deal with ARM.
gollark: Yes, and the use case is learning clustering, they aren't great for compute-heavy uses otherwise.
gollark: Oh, so *now* an orbital bee strike has been initiated?
gollark: Oh, so *now* you suddenly stop comparing them?
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