Harald Heide

Harald Heide (March 8, 1876 – January 27, 1956) was a Norwegian violinist, conductor, and composer.[1]

Heide was born in Fredrikstad, the son of the violin-maker Johan Albert Heide (1847–1925).[1] He studied music theory and violin at the Oslo Conservatory of Music from 1891 to 1896, and after that studied violin in Berlin under Florián Zajíc.[1] He taught at the Bergen Music School from 1898 to 1899 and was the concertmaster at the National Theater orchestra in Oslo from 1899 to 1903. He then studied under César Thomson in Brussels,[2] followed by a tour as a concert violinist in England and the United States.[2] In 1907 he became the conductor at the National Theater in Bergen, working there from 1907 to 1919 and again from 1925 to 1926.[1]

Heide's main occupation in Bergen was as director of the Bergen Philharmonic Orchestra—at that time still named the Harmony Music Society (Musikselskabet Harmonien)—from 1907 to 1948.[3] Under Heide's management, the orchestra's program was expanded, from six to eight concerts per year to over 80, and it was also better staffed with musicians for all of the positions in a symphony orchestra. Heide was a guest conductor in Helsingfors in 1924, in Göteborg in 1928, and in Stockholm in 1931. Under his direction, the Harmony Music Society performed over 6,000 works by 455 different composers.

Heide's compositions for orchestra, including his Symphonie romantique, were stylistically influenced by Johan Halvorsen.

In 1929, Heide married the singer Henriette Strindberg, née Nielsen (1894–1964). After her debut in 1918, she performed in operas and operettas in Oslo and Bergen, and also as a concert singer in these cities and in London. She later worked as a voice instructor at the Bergen Conservatory.[4]

Harald Heide was the brother of the actress Signe Heide Steen (1881–1959), who was the mother of the singer Randi Heide Steen, the actor Harald Heide Steen, and the actress Kari Diesen.

He died in Bergen.[1]

Honors and awards

Heide received the Order of St. Olav, knight first class, in 1945.[1]

gollark: > “No! ElGr cells are a scientific miracle!” cries biologist Jack Ponta, jiggling a beaker full of purplish goop as he waves his arms in exasperation. “These cells have been a breakthrough; not only in testing cures for cancer, but also in understanding how cancer develops and functions! All these years later, these cells keep chugging along, outliving all the others! Who knows, with these cells, we might even one day unlock a path to immortality! Are you going to let bureaucracy get in the way of SCIENCE?”
gollark: > “We thought my poor grandmother’s remains had been buried in accordance with her wishes,” growls Elizabeth’s direct descendant, Catherine Gratwick. “Can’t you let her rest in peace? This is her body that you’re messing with. You can’t just irradiate and poison her; you must ask me first! How would you like it if your family’s remains were exhumed and mutilated? You must never use cells from deceased people without the explicit pre-mortem consent of the patient or their relatives. As for granny - I insist that all remaining samples of her be buried, and that you financially compensate her family for the pain and grief you have caused!”
gollark: > Two generations ago, scientists took a biopsy of a tumor from a cancer patient named Elizabeth Gratwick, who died soon after. Without her knowledge or consent, these cells were preserved in the laboratory and proved to be exceptionally stable in replication. As stable cancer cell lines are highly useful for medical research, “ElGr cells” have been sent to and used by scientists all over the world. However, objections are now being raised by Elizabeth’s descendants.
gollark: Now I need to answer a question!
gollark: And top 1% for crime.

References

  1. Norsk biografisk leksikon: Harald Heide.
  2. "Harald Heide's Concert". The Minneapolis Journal. March 9, 1906. p. 7. Retrieved January 6, 2016 via Newspapers.com.
  3. Blume, Friedrich. 1961. Die Musik in Geschichte und Gegenwart: allgemeine Enzyklopädie der Musik, vol. 9. Kassel: Bärenreiter, p. 1583.
  4. Heide, Henriette. 1976. Sohlmans Musiklexikon, 2nd ed. Stockholm: Sohlman.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.