Hansol Jung

Hansol Jung is a South Korean translator and playwright. Jung is a recipient the Whiting Award in drama and three of her plays were listed on the 2015 Kilroys' List. Jung is a member of the Ma-Yi Theater Writers' Lab and was a Hodder Fellow at Princeton University. In addition to writing several plays, Jung has also written for the television series Tales Of the City.

Hansol Jung
Occupation
Language
NationalitySouth Korean
Alma materYale School of Drama (MFA)
GenreTheatre
Notable worksTales of the City
Notable awardsWhiting Award (2018)

Biography

At age six, Jung and her family moved to apartheid-era South Africa.[1] At age 13, Jung and her family returned to South Korea.[1] At age 20, Jung studied abroad at New York University; three years later, she moved to the United States.[2] Jung later applied to pursue a masters degree at Pennsylvania State University, but ended up going on to eceivedher MFA in playwriting from the Yale School of Drama.[3] Jung graduated from Yale in 2014.[1]

Career

Theatre

Jung has translated over thirty English-language musicals into Korean, including Spamalot, Dracula, The 25th Annual Putnam County Spelling Bee, and Evita. She has also worked as a theatre director and lyricist in South Korea.[4][5]

In 2015, Jung participated in a residency at the Eugene O’Neill Theater Center’s National Playwrights Conference, where she developed her play Cardboard Piano.[6] That year, Jung was one of three playwrights to selected for the New York Theatre Workshop's 2050 Fellowship.[7] Jung was the 2016 Playwriting Fellow at Page 73 Theatre. While working at Page 73, Jung developed three plays: Wolf Play, Wild Goose Dreams, and an untitled play about drugs.[8] Jung is also a member of the Ma-Yi Theater Writers' Lab.[9]

Jung's plays Cardboard Piano, No More Sad Things, and Wolf Play were all listed on the 2015 Kilroys' List, which recognizes excellence in un-produced or rarely produced works by women, transgender, and non-binary playwrights. Jung was the playwright with the most plays on the list that year.[10] Wild Goose Dreams was listed on the 2016 Kilroys' List.[11]

For the 2019/20 academic year at the Lewis Center for the Arts at Princeton University, Jung was one of five Mary Mackall Gwinn Hodder Fellows and the only playwright of the five artists. During the Hodder Fellowship, Jung worked on her audio-feed play Window House.[12] In 2020, Jung was commissioned by Alliance Theatre to write an adaptation of Shakespeare's Romeo and Juliet as part of their Classic Remix Project.[13]

Jung participated in the 24 Hour Plays project during COVID-19 quarantine. Jung wrote the monologue "Cocktail Class" which was then performed by Ashlie Atkinson.[14][15]

Television

Jung was part of the entirely LGBT writing staff of the 2019 Netflix miniseries Tales Of The City. Jung wrote the series' third episode, "Happy, Now?".[16]

Plays

Among the Dead

Among the Dead was the first play Jung wrote, which she also used to apply for the Yale School of Drama.[8] The plot of the play spans a total of 30 years and explores legacy, impact, and experiences of the Korean 'comfort women' of World War II.[17][18] Among the Dead premiered at HERE with the Ma-Yi Theatre Company in November 2016.[19]

Cardboard Piano

Cardboard Piano is a two-act play set in Uganda. The first act takes place on the eve of the new millennium when two teenage girls, one American and one Ugandan, perform a make-shift wedding only to be interrupted by a child soldier. The second act takes place on their 'wedding' anniversary in 2014 and follows the American as she returns to Uganda.[20] Cardboard Piano premiered the 2016 Humana Festival of New American Plays at the Actors Theatre of Louisville in Louisville, Kentucky.[2] The premiere was directed by Leigh Silverman.[1]

No More Sad Things

No More Sad Things follows a 42 year-old tourist in Maui who becomes romantically involved with a 15 year old.[21] No More Sad Things co-premiered in November 2015 at Sideshow Theatre in Chicago, Illinois and Boise Contemporary Theatre in Boise, Idaho.[22] Hansol Jung's brother, Jongbin, co-wrote music for the play with Hansol.[23]

Wild Goose Dreams

Wild Goose Dreams is a love story between a North Korean defector, Nanhee, and Minsung, a South Korean Goose-father, who meet online.[24][25] Jung wrote the first thirty pages in Korean before translating them into English.[26] Wild Goose Dreams premiered in 2017 at La Jolla Playhouse in San Diego under the direction of Leigh Silverman.[27]

Wolf Play

Wolf Play is about a Korean boy who is adopted in American and is "re-homed" after the original adoptive parents have a biological baby. He is then "second-chance-adopted" by a lesbian couple. In the play, the boy, Jeenu, believes himself to be a wolf but is really a puppet.[28] Jung was inspired to write Wolf Play after reading a news article about Facebook and Yahoo groups used by some adoptive parents to re-home their adopted children, usually from other countries.[29] Wolf Play premiered in March 2019 at the Artists Repertory Theatre in Portland, Oregon.[30]

Filmography

Television

Writer:

Awards
Year Award Category Work Results Ref.
2014 Ruby Prize No More Sad Things Nominated [31]
2017 Helen Merrill Award for Playwriting Won [32]
2018 Whiting Award Drama Won [33]
gollark: Huh, the Moon has an atmosphere and human-habitable temperature. Guess we can get them to colonise that instead of Mars then.
gollark: t!weather venus
gollark: t!weather galsreim
gollark: In Englandland it's far too hot.
gollark: t!weather Proxima Centauri

References
  1. Tran, Diep (2018-11-08). "Lost and Found With Hansol Jung". AMERICAN THEATRE. Retrieved 2020-02-22.
  2. Kramer, Elizabeth (March 18, 2016). "Violence, faith subject of Hansol Jung's play". The Courier Journal. Retrieved 2020-02-22.
  3. Chon, Walter Byongsok (February 14, 2019). "Navigating Korea and America: Meet Hansol Jung, Playwright of "Wild Goose Dreams" and "Cardboard Piano"". The Theatre Times. Retrieved April 18, 2020.
  4. "Hansol Jung". TimeLine Theatre. Retrieved 2020-02-22.
  5. "Hansol Jung". Ma-Yi Theater Company. Retrieved 2020-02-22.
  6. Waits, Keith (November 17, 2015). "OUR WRITERS DEFINE THE WORLD WE LIVE IN NOW". arts-louisville.com. Retrieved June 4, 2020.
  7. Clement, Olivia (July 20, 2015). "New York Theatre Workshop Announces Artists for the 2050 Fellowship". Playbill. Retrieved June 4, 2020.
  8. Myers, Victoria (November 7, 2016). "Playwrights of Page 73: Hansol Jung, Clare Barron, and Caroline V. McGraw". The Interval. Retrieved June 4, 2020.
  9. The Kilroys List, Volume One: 97 Monologues and Scenes by Female and Trans Playwrights. 1. Theatre Communications Group, Inc. 2017. ISBN 978-1-55936-856-8 – via Google Books.
  10. Weinert-Kendt, Rob (June 22, 2015). "The Kilroys Make Another List of Plays by Women You Should Know". AMERICAN THEATRE. Retrieved June 4, 2020.
  11. American Theatre Editors (2016-06-21). "The Kilroys List 32 Unproduced Works by Women and Trans Playwrights". AMERICAN THEATRE. Retrieved 2020-06-11.
  12. "Lewis Center for the Arts at Princeton announces five Hodder Fellows for 2019-2020". Lewis Center for the Arts. December 6, 2018. Retrieved June 4, 2020.
  13. American Theatre Editors (March 11, 2020). "Alliance Theatre Announces New Classic Remix Project". AMERICAN THEATRE. Retrieved June 1, 2020.
  14. Dessem, Matthew (2020-03-19). "Watch Six Compelling Short Plays Inspired by the Coronavirus Pandemic". Slate Magazine. Retrieved 2020-06-01.
  15. Brantley, Ben (2020-03-20). "In 'Viral Monologues,' Theater Mutates Into Online Deliverance". The New York Times. ISSN 0362-4331. Retrieved 2020-06-01.
  16. Bendix, Trish (2019-06-05). "'Tales of the City': What to Know Before Watching the Netflix Reboot". The New York Times. ISSN 0362-4331. Retrieved 2020-04-19.
  17. Rosenfeld, Alix (May 14, 2019). "Theatre Exile presents Hansol Jung's 'Among the Dead'". www.broadstreetreview.com. Retrieved April 18, 2020.
  18. Wren, Celia (February 19, 2019). "Review | Hansol Jung's 'Among the Dead' unwinds a strange, time-hopping trip of war". Washington Post. Retrieved June 1, 2020.
  19. Collins-Hughes, Laura (2016-11-26). "Review: 'Among the Dead' Deals in War and Family Mysteries". The New York Times. ISSN 0362-4331. Retrieved 2020-02-22.
  20. "Cardboard Piano". Concord Theatricals. Retrieved June 4, 2020.
  21. Jones, Chris (November 23, 2015). "Review: She's 32, he's 15? 'No More Sad Things' will still make you smile". chicagotribune.com. Retrieved June 4, 2020.
  22. Lark, The. "Hansol Jung". The Lark. Retrieved 2020-02-22.
  23. Tran, Diep (2015-11-24). "'No More Sad Things'? A Tender, If Impossible, Wish". AMERICAN THEATRE. Retrieved 2020-02-22.
  24. Fan, Jiayang (November 19, 2018). "Awkward Love in Hansol Jung's "Wild Goose Dreams"". The New Yorker. Retrieved 2020-02-22.
  25. Gillinson, Miriam (November 29, 2019). "Wild Goose Dreams review – endearing online-offline romance". The Guardian. ISSN 0261-3077. Retrieved June 1, 2020.
  26. Myers, Victoria (2018-11-19). "Wild Goose Dreams with Hansol Jung". The Interval. Retrieved 2020-02-22.
  27. Levitt, Hayley (September 3, 2017). "Playwright Hansol Jung and Director Leigh Silverman Analyze Their Wild Goose Dreams". www.theatermania.com. Retrieved April 18, 2020.
  28. Clay, Carolyn (February 4, 2020). "Company One's 'Wolf Play' Explores What It Means To Have A Pack". www.wbur.org. Retrieved 2020-03-02.
  29. Hong, Cathy Park (2020-05-21). "A Season to Celebrate Asian-American Theater Is Lost to Pandemic". The New York Times. ISSN 0362-4331. Retrieved 2020-06-01.
  30. Acena, TJ (March 28, 2019). "Artists Repertory's Wolf Play: Puppets Are Back! Second Chance Adoptions Are Real!". Portland Mercury. Retrieved 2020-02-22.
  31. "Hansol Jung". Lewis Center for the Arts. Retrieved June 4, 2020.
  32. "The Legacy of Helen Merrill: A Love of Theater Lives On". The New York Community Trust. May 19, 2020. Retrieved June 4, 2020.
  33. "Hansol Jung". www.whiting.org. Retrieved 2020-02-22.
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